May 22, 2013: The Basement Coffee House in Ayr has been shortlisted by NME as Scotland’s representative in a public vote to find the best small venue in Britain. The 80-capacity venue opened eight months ago.
Tomorrow’s second instalment of the Dewar House Experimental Batch series sees Edinburgh’s Caves host free live music from Kid Canaveral, The Last Battle and Adam Ross (Randolph’s Leap). There will be 550 tickets available on the door on a first come, first served basis.
May 21, 2013: Camera Obscura song Fifth In Line To The Throne is available for free download in exchange for an email address. It’s taken from the band’s fifth album Desire Lines, out on June 3, and pre-ordering it will get you another track, Do It Again.
Book Group have released their debut EP, Homeward Sound.
Sparrow And The Workshop’s third album Murderopolis, out on May 27, is streaming in full via DIY - one of the songs, The Faster You Spin, is also available for free download.
May 20, 2013: Garden Of Elks’ debut EP, Extended Play, is available to buy and stream.
The Clock have a video for their excellent song Everything’s Eventual, which is released on May 28. They have Glasgow gigs lined up at Broadcast on June 1 and Roxy 171 on June 20.
May 18, 2013: The 16-strong T Break line-up for T in the Park on July 12-14 has been unveiled - Arches, Blindfolds, DARC, Fake Major, Hector Bizerk, Honeyblood, Machines In Heaven, Michael Cassidy, Poor Things, Pronto Mama, Seams, Sunshine Social, The Merrylees, The Velveteen Saints, Vasa, Waiting For Go.
Anna Sweeney has announced she is taking a full break from music and has cancelled her scheduled appearance at Wickerman in July as she relocates to Reading for work in June. Another musician swapping Scotland for England is Plum, who is moving to Brighton in July.
May 17, 2013: The stage times have been released for the 35 acts playing Stag & Dagger across seven Glasgow venues on May 18.
Franz Ferdinand’s fourth album Right Thoughts, Right Words, Right Action will be released on August 26 – check out this brief trailer.
Frightened Rabbit recorded a cover of Best Coast’s The Only Place for Australian radio show Triple J. The band release their Late March, Death March EP on June 2.
The Mouse That Ate The Cat song When I Wake Up is available for free in exchange for your email address.
The title track of Adam Stafford’s forthcoming second album Imaginary Walls Collapse is streaming here.
May 16, 2013: The Discopolis remix of Bwani Junction single Civil War is available to download for free from SoundCloud.
Born To Be Wide’s next seminar at Edinburgh’s Electric Circus on May 30 is on the topic of goNORTH, with a panel featuring broadcaster Vic Galloway, goNORTH duo Amanda Millen and Alex Smith and Chasing Owls frontman Ben Sunderland explaining how musicians and delegates can get the most out of the annual Inverness convention. Tickets are free.
AC/DC have backed a campaign to erect a bronze statue of their former frontman Bon Scott in his hometown of Kirriemuir in Angus. Community music group DD8 Music hope to raise £50,000 via Kickstarter by June 5.
Kite And The Crane’s debut EP, Found In The End, is out on Bandcamp.
May 15, 2013: Biffy Clyro have a video for their new single Opposite.
The View are playing a one-off show at Glasgow’s King Tut’s on June 12 for the Sunday Mail Centenary Fund.
Adam Stafford is launching his second album Imaginary Walls Collapse with a gig at Glasgow’s Glad Cafe on July 5 with support from Siobhan Wilson and Robbie Lesiuk.
May 14, 2013: The Wee Chill will mark its 10th anniversary with a two-stage bill at Glasgow’s SWG3 on June 29 for the West End Festival. The line-up features Malcolm Middleton, James Yorkston with Sparrow & The Workshop (collaborative debut), Aidan Moffat (spoken word), Three Blind Wolves, Roddy Hart & The Lonesome Fire, Miaoux Miaoux, Fake Major.
Tommy Perman, who recently left FOUND, has unveiled his new solo project ComputerScheisse – check out These Beautiful Minds, the title track of his debut EP, out on July 15 through Phuturelabs.
RockNess have announced more acts for the festival on June 7-9 including Fenech-Soler, Fatherson, Public Service Broadcasting, The Boy Who Trapped The Sun, Niteworks and Jemma Tweedie.
Too Many Fireworks Records will donate all profits from sales of Variations Of Chopin, an album of contemporary interpretations of the composer’s music, to the fundraising campaign for drummer Robbie Cooper, whose cancer fight was documented on The Pop Cop.
May 13, 2013: New releases out now include Young Aviators’ debut album Self Help, Eagleowl’s debut album This Silent Year, and Cherri Fosphate’s new Burning Youth EP.
May 10, 2013: The live schedule for goNORTH in Inverness on June 5-6 has been unveiled – it includes a Scottish Bloggers Showcase hosted by The Pop Cop, Peenko and Song, by Toad featuring a four-band bill of Garden Of Elks, Friends In America, The Yawns and Flutes.
May 9, 2013: The documentary Hunting For Remoteness details The Magnetic North’s visit to Orkney – where frontman Erland Cooper is from – for the making of their debut album. It will be released on June 24 alongside a reissue of that record, Orkney: Symphony Of The Magnetic North. You can watch the trailer here.
Alphabetical Order Orchestra are streaming their first song, The Architect. The band is made up of My Latest Novel members Chris Deveney, Gary Deveney and Ryan King.
A Band Called Quinn have launched a crowdfunding campaign to support performances of their multimedia show Biding Time (remix) at the Edinburgh Fringe Festival in August.
May 8, 2013: Three Blind Wolves have released their new album, Sing Hallelujah For The Old Machine.
May 7, 2013: Adam Stafford’s new single Please is streaming online – it’s taken from his second album Imaginary Walls Collapse, out in July.
May 6, 2013: The T in the Park Roadshow is bringing free live music to Scottish towns this month – it stops at Glasgow today for The View at Kelvingrove Park (1pm) and Buchanan Street (3.30pm); Edinburgh on May 10 for Vigo Thieves at Queen Margaret University’s Student Union (noon), Dundee on May 11 for The LaFontaines at Overgate Centre (noon); Aberdeen on May 12 for Sienna at Aberdeen University (noon); and Ayr on May 18 for The Redettes at Ayr Railway Station (noon).
Fake Major have a video for Fiction, a song on their Have Plenty Of Fun EP. Fellow Comets & Cartwheels artist Finn LeMarinel has a new video for Garden, taken from his debut album Violence.
Capitals have released a sampler of all the tracks on their debut album A National Service, out on June 3.
May 3, 2013: Episode 11 of BBC ALBA’s Rapal music TV programme is on iPlayer and features Cara Mitchell, Brown Bear & The Bandits, Three Blind Wolves and Anna Sweeney.
Steve Mason has accused Samsung of plagiarising the video for The Beta Band’s 2004 single Assessment for their new television advert. Both show historical figures running down a beach and helicopters circling overhead.
May 2, 2013: Young Aviators’ debut album Self Help is streaming on Electric Honey’s SoundCloud ahead of its release on May 13.
May 1, 2013: Travis have a video for Where You Stand, the first single and title track of the band’s seventh album, out on August 19.
Fake Major’s debut EP, Have Plenty Of Fun, is available for download.
My Latest Novel have gone on hiatus, with three of the members forming Alphabetical Order Orchestra - look out for music from them next week.
Kobi Onyame has a video for his new single The Real Part 2.
Trapped In Kansas have unveiled new song Collapse Rebuild.
Rob St John’s new AA single Charcoal Black And The Bonny Grey/Shallow Brown is out now.
April 30, 2013: Boards Of Canada will release Tomorrow’s Harvest, their first new album in eight years, on June 10.
Quickbeam song Immersed is available to download for free from DIY – you can also listen to snippets from every track of the band’s self-titled debut album, out on June 3.
Discopolis have unveiled the video for their new song Falling (Committed To Sparkle Motion), out on May 5.
April 29, 2013: The SAY Award will stream each of the 20 longlisted albums for 24 hours through their app, starting today with Miaoux Miaoux’s Light Of The North. You can read The Pop Cop’s feature here.
Panda Su’s new song MAPS is available to buy now on Amazon, while Bwani Junction’s new single Civil War is on iTunes.
The Boy Who Trapped The Sun has a video for new song California ahead of his May tour in Scotland.
The Pastels have a video for Check My Heart, taken from their forthcoming new album Slow Summits, out on May 27.
Frank Turner covered Frightened Rabbit’s The Modern Leper for Jim Gellatly’s In:Demand Uncut session.
April 27, 2013: Episode 10 of BBC ALBA’s Rapal music TV programme is on iPlayer and features two fantastic unreleased songs by Beerjacket as well as The Holy Ghosts, The Merrylees and Ray McCartney.
Travis, Johnny Marr, Hurts, James Skelly, Jack Savoretti, Willy Mason, Foy Vance, Steve Mason, Milo Greene and DIIV have been added to the T in the Park line-up, which has now been separated into day-by-day splits.
Edinburgh venue The Forest Cafe, which has been banned from hosting live music due to council restrictions, are looking for acts to play their new monthly event, the Forest Big Night Out at Old St Paul’s, which launches on May 23. Email foresteventsedinburgh@gmail.com for details.
April 26, 2013: The Burns an’ a’ that! Festival will feature live music as part of Weekend in the Park at Ayr’s Belleisle Park on May 25-26. Rose Parade, Little Fire, Pronto Mama and The Bluebells are among the free acts; Justin Currie + Rachel Sermanni play a ticketed gig on May 26.
Other newly-announced concerts on sale include Lana Del Rey + Kassidy at Glasgow’s SECC on May 16 (replacing her two dates at the Academy on May 15/16) Bombay Bicycle Club at Edinburgh’s Liquid Room on June 7, Belle & Sebastian at Inverness’ Ironworks on July 1, We Are Scientists at Glasgow’s Oran Mor on July 29, Kid Canaveral + Ballboy at Edinburgh’s Liquid Room on August 10.
Kid Canaveral + The Last Battle + Adam Ross (Randolph’s Leap) also play a free show at Edinburgh’s Caves on May 23 with 300 tickets on the door on a first come, first served basis as part of a Dewar’s event.
April 25, 2013: Seasick Steve, The Pigeon Detectives, Julie Fowlis, Meursault, Washington Irving, PAWS and The LaFontaines have been added to the Belladrum Festival line-up on August 2-3.
Washington Irving have released Palomides Volume 1, the first half of their debut album.
The View are streaming Kill Kyle, one of two new songs on their compilation album Seven Year Setlist, out on June 17.
April 24, 2013: The showcase list of artists picked to play goNORTH in Inverness on June 5-6 has been announced. For the third consecutive year there will be a bloggers’ showcase stage hosted by The Pop Cop, Peenko and Song, by Toad. More details to follow soon.
Kilmarnock’s Dirty Weekender will feature 45 acts over three venues on May 31 to June 2 including Fridge Magnets, Bwani Junction, The Ok Social Club, Ross Leighton (Fatherson) and Chris Helme.
Poor Things’ new single Morgan is free to download – it’s taken from their Hurricane Poor Things EP, out on June 10.
Similarly, Cherri Fosphate are giving away Wool from their Burning Youth EP, out on May 11.
April 23, 2013: Glasvegas will play Aberdeen’s Garage on June 27, Edinburgh’s Liquid Room on June 28 and Glasgow’s ABC on June 29.
Reverieme’s second album With Up So Floating is out now.
Roddy Hart & The Lonesome Fire have announced they will release their self-titled new album through Middle Of Nowhere Records in July.
Herculean have a video for Red Weather, taken from The Falling Thunder EP, out on June 7.
April 22, 2013: Stag & Dagger have added Phosphorescent, Rachel Sermanni, Randolph’s Leap, French Wives, Fake Major, Prides, Chris Devotion & The Expectations and Donald Macdonald & The Islands to the Glasgow festival’s line-up on May 18.
Episode 9 of BBC ALBA’s Rapal music TV programme is on iPlayer and features Brown Bear & The Bandits, Cara Mitchell, The Open Day Rotation and John Wean.
Texas have unveiled a video for The Conversation, the title track from their first album in eight years, out on May 20.
Bronagh & The Boys have released their debut single Green, taken from A Young Heart EP, out on May 19.
April 19, 2013: Kassidy’s Barrie-James O’Neill and his girlfriend Lana Del Rey have recorded a cover of Summer Wine (made famous by Nancy Sinatra and Lee Hazlewood), backed with a video featuring handheld footage of the pair in Los Angeles.
My Bloody Valentine, Trash Talk, Fidlar and The VirginMarys have been added to the T in the Park line-up.
April 18, 2013: Pre-sale tickets are available for Regina Spektor at Glasgow’s Academy on August 20 and Kings Of Leon at the ciry’s Bellahouston Park on August 15, the latter being part of the Glasgow Summer Sessions.
The Mirror Trap have unveiled a video for Westminster Ghost Story, the first track to be taken from their second album Stay Young, due out this autumn.
April 17, 2013: Midnight Lion have changed their name to Prides and expanded to a trio with the addition of Kitty The Lion’s Callum Wiseman on guitar and vocals. To coincide with the announcement, they have unveiled wonderfully addictive new song Out Of The Blue.
T in the Park have added Local Natives, Lucy Rose, Swim Deep, Theme Park, Lewis Watson and Sons & Lovers to the festival on July 12-14.
April 16, 2013: Doune The Rabbit Hole have announced that this year’s festival will take place at the new location of Cardross Estate at Port of Menteith in Stirlingshire on August 22-25. The line-up features Clinic, Meursault, Rachel Sermanni, Alasdair Roberts, Washington Irving, The Pastels, PAWS, Beerjacket, Rick Redbeard, We Are The Physics, Randolph’s Leap, Siobhan Wilson, Panda Su, Shambles Miller, Jo Mango and TeenCanteen. See here for full day-by-day splits.
April 15, 2013: James and Twin Atlantic will headline the Belladrum Tartan Heart Festival on August 2-3. Other acts on the bill include Admiral Fallow, Fatherson, Rick Redbeard, Noisettes, The Horrors and King Charles.
April 13, 2013: Edinburgh’s live music scene has suffered yet another setback with Forest Cafe having its live music licence reviewed, causing the immediate postponement of gigs there, starting with the Solas Showcase scheduled for today.
Newsnight Scotland featured a report on the music industry on April 10, prompted by the Wide Days convention in Edinburgh. Watch the segment on BBC iPlayer, with contributions from Stanley Odd’s Dave Hook, Plum’s Shona Maguire, Chemikal Underground’s Stewart Henderson, Wide Days organiser Olaf Furniss and journalist Nicola Meighan. The interviews were conducted by Galleries drummer Andrew Black.
April 12, 2013: Episode 8 of BBC ALBA’s Rapal music TV programme is on iPlayer and features Niteworks, The Holy Ghosts, Miaoux Miaoux and The Merrylees.
Eagleowl have unveiled Not Over, the first offering from debut album This Silent Year, which will come out through Fence Records on May 13.
Dear Lara, aka David Lan, has released his debut EP Plans as a free download.
April 11, 2013: Capitals’ debut album A National Service will come out on June 3, with those who pre-order it (from just £5) getting an immediate download of any of the record’s 11 tracks, one of which is Reliever.
The View will release singles compilation Seven Year Setlist on June 17 – the album features two new songs, Dirty Magazine and Kill Kyle.
Several Scottish acts have posted tracks from forthcoming new albums – check out Washington Irving – Wandering Wits, United Fruit – Taste I Can’t Give Up and Hector Bizerk – Orchestrated Madness.
April 10, 2013: Promoters Cry Parrot will host their 6th Birthday Party at Glasgow’s Glue Factory on April 26 with a gig featuring Sacred Paws, Hector Bizerk, Tut Vu Vu, Ultimate Thrush, Ela Orleans and Sad City.
Three Blind Wolves are previewing Slow Summer Deer, taken from their Sing Hallelujah For The Old Machine album, released on May 6.
Where We Lay Our Heads single Keanu Leaves is out now.
Great Cop are giving away new song Stop Hiding as a free download.
April 9, 2013: Mogwai guitarist John Cummings uploaded a photo of himself at Glasgow’s George Square yesterday where more than 300 people gathered, inspired by his band’s 2011 song George Square Thatcher Death Party.
Hi-Arts, which promotes arts in the Highlands and Islands, has issued notices of redundancies to all 10 of its staff in the wake of funding cuts.
April 8, 2013: Fridge Magnets will play a ‘silent gig’ at a secret outdoor location in Glasgow on May 15 (6pm) – tickets can be won through organisers Deezer. The band will perform inside a mobile perspex box with the 300-capacity audience able to hear them through headphones.
Kassidy have released new mini-album People Like Me.
April 7, 2013: Song Of Return have launched their Singles Club project on Bandcamp through which they’ll be selling unreleased tracks. Month 1 contains Torn Between The Tides (see video) and Enough.
Cairn String Quartet, who were profiled on The Pop Cop in March, have unveiled their orchestral cover of Kid Canaveral’s Low Winter Sun.
Travis have made new song Another Guy available to download for free through their website. It also has a video.
April 6, 2013: The following 16 HMV and Fopp stores in Scotland will remain open following Hilco’s takeover – HMV: Aberdeen, Ayr, Dundee, East Kilbride, Edinburgh Fort Kinnaird, Edinburgh Ocean Terminal, Edinburgh Princes St, Glasgow Argyle St, Glasgow Buchanan St, Glasgow Fort, Inverness, Livingston, Stirling; Fopp: Edinburgh; Glasgow Union St; Glasgow Byres Rd.
Bwani Junction have a video for new single Civil War, out on April 29.
Rachel Sermanni and Emma’s Imagination are among the acts playing the Kintyre Songwriters Festival in Campbeltown on May 24-26.
Quickbeam will launch their debut album with a gig at the disused Govanhill Baths in Glasgow on May 31. They will be supported by Fake Major whose debut Have Plenty Of Fun EP comes out on May 1.
April 5, 2013: Spotify director Mark Williamson will give the keynote speech at next week’s Wide Days event in Edinburgh as part of a session on the business of streaming. The full running order is here.
Episode 7 of BBC ALBA’s Rapal music TV programme is on iPlayer and features Anna Sweeney, Cara Mitchell, Discopolis and Paul McGranaghan.
Dot JR has uploaded new song Waterfalls to SoundCloud.
April 4, 2013: The Tiree Music Festival will take place in An Talla on July 20-21 with a bill that includes Roddy Hart & The Lonesome Fire, Washington Irving, The Youth And Young and Brown Bear & The Bandits.
Galleries’ fantastic new single Midnight Rush is out now.
Casual Sex have made a video for their debut single Stroh 80. They play Glasgow’s Nice ‘n’ Sleazy on April 5 and Oran Mor on April 7.
April 3, 2013: Comlongon Rocks have added a third day of live music to its line-up at Comlongon Castle in Dumfries & Galloway on May 17-19. The festival’s line-up features Three Blind Wolves, Emma’s Imagination, The OK Social Club and Saint Max.
Chem 19 are offering three days of free recording time to five Scottish acts through their Creative Scotland Demo Fund. To apply, musicians (under-25s only) should email a link to some demos and a bio to info@chem19.co.uk with the subject Chem19 Demo Fund Enquiry before April 26. Chosen acts will also take part in a live showcase.
Siobhan Wilson + Julia And The Doogans + Jo Mango will play Glasgow’s Roxy 171 on June 26 as part of the Scottish Fiction Presents: Aye Tunes vs Peenko night at the West End Festival.
April 2, 2013: Acts confirmed for The Insider Festival in Aviemore on June 21-23 include Rachel Sermanni, Karine Polwart, Hector Bizerk, Urstan, David Thomas Broughton, Miaoux Miaoux, Pete Roe, Jonnie Common, Adam Holmes And The Embers and Sparrow And The Workshop.
Up-and-coming acts can apply to play the Hebridean Celtic Festival in Stornoway on July 17-20 through their One Step Further competition which is open to musicians aged 18-25. To enter, artists need to email office@hebceltfest.com with the subject HebCelt New Talent Submissions and include links to three songs, a biog and high-res photo. Closing date is April 12.
April 1, 2013: Quickbeam’s self-titled debut album will be released through Comets & Cartwheels on June 3 – check out the video for lead track Immersed which will be available as a free download on April 29.
We Were Promised Jetpacks will headline the second night of the three-day Solas Festival in Perthshire on June 22.
Minor Delilah will be giving away copies of their new EP, Only Dust Can Hear You, to anyone who attends their launch gig at Glasgow’s Classic Grand on May 3.
28
Jul
Miller Filtered Music: The bullshit hits the fan
Scottish people have a very tuned-in bullshit radar and it came in particularly handy when I went along to the media launch of MILLER FILTERED MUSIC, the latest gig-related venture from the American beer company.
The previous one, you may remember, was called The Mill and it gave fans free entry to watch over 200 local acts play in Glasgow and Edinburgh from August 2008 to March 2010.
The new project will see three established bands do one-off shows at Glasgow’s Oran Mor in a ‘stripped back’ capacity – this is open to the artists’ interpretation, although it is most likely to take the form of an acoustic performance.
While tickets won’t be given away this time, they will cost less than a tenner and cloakroom use will be free. The representatives from Miller said it was a good deal for music fans and it’s hard to disagree with that.
However, it was the manner in which Miller Filter Music was pitched that I found grating. I brought this issue up with Miller at the media launch so I don’t feel hypocritical writing about it here after helping myself to their complimentary pokes of fish ‘n’ chips.
Now let’s tell it like it is. Miller are trying to find new ways of getting young people to drink their beer, and associating themselves with live music is a particularly popular option for beverage companies these days. If Miller had just come out and said that was their motivation and left it that, I’d salute them for their honesty.
But, no, the assembled gathering was instead offered lines like this: “Just as Miller Genuine Draft cold filters their beer, in a refreshing approach to live music, the Miller Filtered Music campaign asks bands and artists to filter out the over-production from live music.”
It gets worse. The media launch featured three presentations. Two were given by English guys representing Miller and one was given by a Strathclyde University psychology postgraduate student who had been brought in to talk about the results of a live music survey commissioned by Miller Genuine Draft.
Here’s a sample of her speech: “Many studies on music have reported mood regulation to be among the most important reasons for music consumption, particularly throughout young adulthood where individuals are faced with many developmental challenges, many of which can lead to emotional unrest and thus a heightened need for mood regulation.”
Stay with me.
She went on: ”The key findings of the survey suggested that an overwhelming majority of young adults would prefer to see their favourite band playing in an ‘intimate venue’ (86%) and in such a way so that the music itself was stripped back to the bare essentials and thus played as it ‘was meant to be heard’ (80%).”
So the results clearly show that Miller Filtered Music is delivering precisely what the people want. Or is it? Perhaps it’s just as well Miller wheeled out a psychology student rather than a sociology one. Here are some of the questions that were in the survey – you may want to pay close attention to the bits I’ve put in bold:
Would you prefer to hear:
- Live music, stripped back to the essentials and as it was meant to be heard
- Live music, emphasized with lots of effects and high production values
Which of these answers are true of how you feel about live music:
- I am bored and frustrated with the overproduction at live music events
- I do not mind the hype and high production values of live music shows
Would you rather see:
- Your favourite band playing live
- Your favourite band playing live in an intimate venue
It’s pretty obvious from the choice of language used in the survey that Miller were clearly trying to skew the results in one direction. If you didn’t answer the way they wanted you to then that makes you a weirdo who prefers to hear live music that is overproduced, hyped, in a setting anywhere other than intimate and, most importantly, NOT AS IT WAS MEANT TO BE HEARD. What does that even mean? Seriously, Miller, who the fuck are you to define how music is “meant to be heard”.
Let’s get things straight here. I think Miller Filtered Music is very good news for Scottish music fans. Given that concert ticket prices have reached the stage where Belle & Sebastian are charging £30 for a show in Glasgow, giving punters the opportunity to see established bands for less than half the regular cost is a fantastic selling point. It’s just a shame Miller didn’t choose to focus on that as the best way of giving its latest beer-promoting idea some credibility rather than attempting to bullshit its audience with psychological babble based on some seriously iffy statistical analysis.
The first of three Miller Filtered Music gigs features Doves, supported by Pearl And The Puppets and First Charge Of The Light Brigade at Glasgow’s Oran Mor on September 2 (sold out).
Doves – The Cedar Room (*I’d forgotten how amazing this song is)
Pearl And The Puppets – Make Me Smile



15 Responses to “Miller Filtered Music: The bullshit hits the fan”
July 29th, 2010 at 00:51
I basically agree with every single word you have said. This is what happens when you ask marketing people to get involved with artistic enterprises. And for the record, whoever the fucking student was she should be ashamed of herself. She hasn’t even waited to get a proper job before selling her soul to the devil.
July 29th, 2010 at 01:09
Great article. Totally agree with the points you made. That survey was a pile of pish. I like Doves so I’ll probably try and get down to Oran Mor. I’ll take a hipflask though, Miller is dreadful.
July 29th, 2010 at 01:16
Well said sir. Overproduced live events?! Yes Miller- I for one am fed up of bands sounding good live. Acoustic guitars for all!
July 29th, 2010 at 08:43
Moses Miller stood atop the mount and received ten stone tablets, each inscribed with what would become tenets of our moral civilisation… or should that be ‘civilization’, y’all?
Thou wilt hear music AS IT SHOULD BE HEARD.
Thou will regulate your mood AS IT SHOULD BE FELT.
Thou wilt drink beer AS IT SHOULD BE DRUNK.
Thou shalt not pay for cloakroom access AS IT SHOULD BE FREE.
And so on…
Should we be shocked though? I’m not sure it’s that shocking that a massive corporation should present the public with a bunch of spin and nonsense.
Is any of this really going to make people drink Miller?
Is any of this really going to make people go to these gigs over others in our city?
Is any of this really going to make people happy?
Is any of this important?
Is anyone still awake?
July 29th, 2010 at 11:06
I’ll be honest, i’d rather hear a band’s full production when I go to see them live, as opposed to a stipped back acoustic affair.
I’m all for the intimacy of acoustic affairs, but for bands such as the doves, i can’t help but feel the costing involved in getting them to play would be significantly lower as a stripped down acoustic affair (think transit of roadies/lighting/soundrigs etc etc – don’t need that for an acoustic gig). So the lower cost of ticket will still include just as large a profit margin as a gig costing £20-25, no?
I’ll be interested to see what angle they promote this event with regards to younger unsigned bands. Who are the support acts for doves? It would be fantastic if local bands got a shot in supporting a bigger band such as the doves, as it’s sure to be a sell-out and the exposure would be great for a young band trying to find it’s feet in the Glasgow scene.
As you can probably tell, i’ve got mixed feelings. I hate how corporate this seems to have got all of a sudden, but if they stick to the grassroots local scene, this might be a great thing for Glasgow music…
July 29th, 2010 at 12:17
@Popcop – as an English person (seems to be relevant to you) I’m not sure if my bullshit detection is as finely honed as those who were born north of Berwick, but I do know you’ve just given Miller even more publicity. All they want is for people like you to be linking the drink AND the gigs and the whole promotion shenanigans succeeds.
I’ve got a feeling their understanding of the situation is probably pretty clear, actually…
July 29th, 2010 at 16:06
Millers is now owned by SABMiller, making it a South African product. Glad to see South Africa contributing to the Scottish music scene. Just wish I could get to a few of those gigs. Long way from Johannesburg to Glasgow
July 29th, 2010 at 19:49
To pick up on Paul’s point, I don’t really like the idea of ‘stripped back’ meaning a compromise either. He’s spot on about costing as an ‘intimate’ show could mean a large sum in a band’s back pocket for having an acoustic guitar jam session, the hellish likes of which should be kept for barbecues and open mic nights.
The other thing which makes me squirm at the concept of a ‘stripped back’ set being acoustic is that playing acoustically is somehow a compromise on a full show. It does not compute that an acoustic version of a band is necessarily ‘the way music should be heard’. Clearly, this is nonsense, like, imagine the billing: Miller presents Daft Punk (Acoustic Set – ‘The Way Music Should Be Heard’)
Music is electric/electronic/acoustic/classical/acapella simply because it is, not because it’s being presented in an ‘intimate’ setting. Yuck – ‘intimate’. That’s another word which has negative connotations as a result of overuse by corporate industry hypemongering balls-talkers. How sad that the concept of intimacy, one of the most important in all of humanity, has been hijacked so many times over the years and packaged by cliche-hungry suits, leaving it now a sad ghost of real emotion.
Intimacy – dead.
Honesty – dead.
Soul – dead
Miller – going strong.
July 29th, 2010 at 21:08
I fucking hate acoustic guitars.
July 29th, 2010 at 21:09
Good reporting. I knew nothing of this project before reading this.
July 29th, 2010 at 21:54
Y’know, Fiction Scouts Anonymous – acoustic guitars… electric guitars… keyboards… drums… bass, definitely… They all stink on their own. They stink especially when they’re played together – like, in bands. Bands are terrible.
The whole concept of the acoustic set where a RAWK band plays one-off gigs folkifying their RAWK songs is nasty and has ruined acoustic music and instruments.
Bands doing acoustic sets is like when rock stars pilfer African music and have a shot on funny drums.
Bands doing acoustic sets is tantamount to Jim Davidson putting on accents to make racist people laugh in the eighties.
August 2nd, 2010 at 13:57
Ha! P. That Jim Davidson patter is funny. I forgot how racist he was. Bands are good. Electric guitars on their own are good too. I just can’t get with acoustic guitars these days.
August 2nd, 2010 at 17:17
Dude, never ‘get with’ an acoustic guitar – you’ll end up in casualty and bits might not work again.
August 6th, 2010 at 16:28
Those stats wouldn’t have turned me in anyway, but seeing the questions makes the whole thing even more ridiculous and embaressing really.
I personally think seeing a band play acoustic is great, but I would only pay to see a band I love play stripped down, so I’m not sure how great a concept this is.
As far as ticket prices go, I think a tenner is not the biggest bargain in the world. Acoustic shows require a lot less from the artist and organiser in both effort and money, and would it cost more than 15 bux to see Doves live as a full band? Plus you will more than bring the price up by having an overpriced bottle of miller as your only beer choice during the gig.
More to the point, is this going to change the shite and noisy atmosphere in the mill?
It might help the Mill’s cause if Oran Mor started using a potentially great venue more often as a gig venue outwith these beer sponsored nights. Building a group of regulars goes a long way.
August 12th, 2010 at 16:08
This is a fantastic article. I think The Mill, and this to an extent, are genuinely good for the Scottish/Glasgow music scene. The Mill in particular provided new bands with a valuable opportunity for playing with proper sound and lighting and getting audio and video from it. And the audience got some great Scottish bands for free. Granted, they both had to swallow the marketing bullshit and the terrible beer.
This looks less genuine though. I agree with everything you’ve said about the bullshit detector. I think Miller is really underestimating their audience – they folk who go along to Oran Mor every month are right on it when it comes to music, they don’t need an undergraduate in bollocks telling them that.
And shame on the skewered poll – I actually remember filling that in, thinking ‘they quite obviously have an agenda and preffered answers’. I didn’t realise then that the gigs would be fully acoustic – I have to say I love a wee acoustic set as a change, but if I want to see a band, I want to see the whole band. I mean, I’ve seen Frightened Rabbit acoustic several times, and loved Scott’s banter and the whole atmosphere of it, but I would still prefer the full band – bands don’t spend months and thousands of pounds in the studio to record songs using one mic and a battered Takamine.
So I’m not sure I’ll be heading to this as often as I did to the Mill. I’d like to hear what happens after the launch; what bands they start getting and what they offer them, before I judge how valuable this night is. But until then, I have to say this looks like a fairly shoddy re-boot of a previously interesting marketing strategy.
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