May 20, 2013: Garden Of Elks’ debut EP, Extended Play, is available to buy and stream.
The Clock have a video for their excellent song Everything’s Eventual, which is released on May 28. They have Glasgow gigs lined up at Broadcast on June 1 and Roxy 171 on June 20.
May 18, 2013: The 16-strong T Break line-up for T in the Park on July 12-14 has been unveiled - Arches, Blindfolds, DARC, Fake Major, Hector Bizerk, Honeyblood, Machines In Heaven, Michael Cassidy, Poor Things, Pronto Mama, Seams, Sunshine Social, The Merrylees, The Velveteen Saints, Vasa, Waiting For Go.
Anna Sweeney has announced she is taking a full break from music and has cancelled her scheduled appearance at Wickerman in July as she relocates to Reading for work in June. Another musician swapping Scotland for England is Plum, who is moving to Brighton in July.
May 17, 2013: The stage times have been released for the 35 acts playing Stag & Dagger across seven Glasgow venues on May 18.
Franz Ferdinand’s fourth album Right Thoughts, Right Words, Right Action will be released on August 26 – check out this brief trailer.
Frightened Rabbit recorded a cover of Best Coast’s The Only Place for Australian radio show Triple J. The band release their Late March, Death March EP on June 2.
The Mouse That Ate The Cat song When I Wake Up is available for free in exchange for your email address.
The title track of Adam Stafford’s forthcoming second album Imaginary Walls Collapse is streaming here.
May 16, 2013: The Discopolis remix of Bwani Junction single Civil War is available to download for free from SoundCloud.
Born To Be Wide’s next seminar at Edinburgh’s Electric Circus on May 30 is on the topic of goNORTH, with a panel featuring broadcaster Vic Galloway, goNORTH duo Amanda Millen and Alex Smith and Chasing Owls frontman Ben Sunderland explaining how musicians and delegates can get the most out of the annual Inverness convention. Tickets are free.
AC/DC have backed a campaign to erect a bronze statue of their former frontman Bon Scott in his hometown of Kirriemuir in Angus. Community music group DD8 Music hope to raise £50,000 via Kickstarter by June 5.
Kite And The Crane’s debut EP, Found In The End, is out on Bandcamp.
May 15, 2013: Biffy Clyro have a video for their new single Opposite.
The View are playing a one-off show at Glasgow’s King Tut’s on June 12 for the Sunday Mail Centenary Fund.
Adam Stafford is launching his second album Imaginary Walls Collapse with a gig at Glasgow’s Glad Cafe on July 5 with support from Siobhan Wilson and Robbie Lesiuk.
May 14, 2013: The Wee Chill will mark its 10th anniversary with a two-stage bill at Glasgow’s SWG3 on June 29 for the West End Festival. The line-up features Malcolm Middleton, James Yorkston with Sparrow & The Workshop (collaborative debut), Aidan Moffat (spoken word), Three Blind Wolves, Roddy Hart & The Lonesome Fire, Miaoux Miaoux, Fake Major.
Tommy Perman, who recently left FOUND, has unveiled his new solo project ComputerScheisse – check out These Beautiful Minds, the title track of his debut EP, out on July 15 through Phuturelabs.
RockNess have announced more acts for the festival on June 7-9 including Fenech-Soler, Fatherson, Public Service Broadcasting, The Boy Who Trapped The Sun, Niteworks and Jemma Tweedie.
Too Many Fireworks Records will donate all profits from sales of Variations Of Chopin, an album of contemporary interpretations of the composer’s music, to the fundraising campaign for drummer Robbie Cooper, whose cancer fight was documented on The Pop Cop.
May 13, 2013: New releases out now include Young Aviators’ debut album Self Help, Eagleowl’s debut album This Silent Year, and Cherri Fosphate’s new Burning Youth EP.
May 10, 2013: The live schedule for goNORTH in Inverness on June 5-6 has been unveiled – it includes a Scottish Bloggers Showcase hosted by The Pop Cop, Peenko and Song, by Toad featuring a four-band bill of Garden Of Elks, Friends In America, The Yawns and Flutes.
May 9, 2013: The documentary Hunting For Remoteness details The Magnetic North’s visit to Orkney – where frontman Erland Cooper is from – for the making of their debut album. It will be released on June 24 alongside a reissue of that record, Orkney: Symphony Of The Magnetic North. You can watch the trailer here.
Alphabetical Order Orchestra are streaming their first song, The Architect. The band is made up of My Latest Novel members Chris Deveney, Gary Deveney and Ryan King.
A Band Called Quinn have launched a crowdfunding campaign to support performances of their multimedia show Biding Time (remix) at the Edinburgh Fringe Festival in August.
May 8, 2013: Three Blind Wolves have released their new album, Sing Hallelujah For The Old Machine.
May 7, 2013: Adam Stafford’s new single Please is streaming online – it’s taken from his second album Imaginary Walls Collapse, out in July.
May 6, 2013: The T in the Park Roadshow is bringing free live music to Scottish towns this month – it stops at Glasgow today for The View at Kelvingrove Park (1pm) and Buchanan Street (3.30pm); Edinburgh on May 10 for Vigo Thieves at Queen Margaret University’s Student Union (noon), Dundee on May 11 for The LaFontaines at Overgate Centre (noon); Aberdeen on May 12 for Sienna at Aberdeen University (noon); and Ayr on May 18 for The Redettes at Ayr Railway Station (noon).
Fake Major have a video for Fiction, a song on their Have Plenty Of Fun EP. Fellow Comets & Cartwheels artist Finn LeMarinel has a new video for Garden, taken from his debut album Violence.
Capitals have released a sampler of all the tracks on their debut album A National Service, out on June 3.
May 3, 2013: Episode 11 of BBC ALBA’s Rapal music TV programme is on iPlayer and features Cara Mitchell, Brown Bear & The Bandits, Three Blind Wolves and Anna Sweeney.
Steve Mason has accused Samsung of plagiarising the video for The Beta Band’s 2004 single Assessment for their new television advert. Both show historical figures running down a beach and helicopters circling overhead.
May 2, 2013: Young Aviators’ debut album Self Help is streaming on Electric Honey’s SoundCloud ahead of its release on May 13.
May 1, 2013: Travis have a video for Where You Stand, the first single and title track of the band’s seventh album, out on August 19.
Fake Major’s debut EP, Have Plenty Of Fun, is available for download.
My Latest Novel have gone on hiatus, with three of the members forming Alphabetical Order Orchestra - look out for music from them next week.
Kobi Onyame has a video for his new single The Real Part 2.
Trapped In Kansas have unveiled new song Collapse Rebuild.
Rob St John’s new AA single Charcoal Black And The Bonny Grey/Shallow Brown is out now.
April 30, 2013: Boards Of Canada will release Tomorrow’s Harvest, their first new album in eight years, on June 10.
Quickbeam song Immersed is available to download for free from DIY – you can also listen to snippets from every track of the band’s self-titled debut album, out on June 3.
Discopolis have unveiled the video for their new song Falling (Committed To Sparkle Motion), out on May 5.
April 29, 2013: The SAY Award will stream each of the 20 longlisted albums for 24 hours through their app, starting today with Miaoux Miaoux’s Light Of The North. You can read The Pop Cop’s feature here.
Panda Su’s new song MAPS is available to buy now on Amazon, while Bwani Junction’s new single Civil War is on iTunes.
The Boy Who Trapped The Sun has a video for new song California ahead of his May tour in Scotland.
The Pastels have a video for Check My Heart, taken from their forthcoming new album Slow Summits, out on May 27.
Frank Turner covered Frightened Rabbit’s The Modern Leper for Jim Gellatly’s In:Demand Uncut session.
April 27, 2013: Episode 10 of BBC ALBA’s Rapal music TV programme is on iPlayer and features two fantastic unreleased songs by Beerjacket as well as The Holy Ghosts, The Merrylees and Ray McCartney.
Travis, Johnny Marr, Hurts, James Skelly, Jack Savoretti, Willy Mason, Foy Vance, Steve Mason, Milo Greene and DIIV have been added to the T in the Park line-up, which has now been separated into day-by-day splits.
Edinburgh venue The Forest Cafe, which has been banned from hosting live music due to council restrictions, are looking for acts to play their new monthly event, the Forest Big Night Out at Old St Paul’s, which launches on May 23. Email foresteventsedinburgh@gmail.com for details.
April 26, 2013: The Burns an’ a’ that! Festival will feature live music as part of Weekend in the Park at Ayr’s Belleisle Park on May 25-26. Rose Parade, Little Fire, Pronto Mama and The Bluebells are among the free acts; Justin Currie + Rachel Sermanni play a ticketed gig on May 26.
Other newly-announced concerts on sale include Lana Del Rey + Kassidy at Glasgow’s SECC on May 16 (replacing her two dates at the Academy on May 15/16) Bombay Bicycle Club at Edinburgh’s Liquid Room on June 7, Belle & Sebastian at Inverness’ Ironworks on July 1, We Are Scientists at Glasgow’s Oran Mor on July 29, Kid Canaveral + Ballboy at Edinburgh’s Liquid Room on August 10.
Kid Canaveral + The Last Battle + Adam Ross (Randolph’s Leap) also play a free show at Edinburgh’s Caves on May 23 with 300 tickets on the door on a first come, first served basis as part of a Dewar’s event.
April 25, 2013: Seasick Steve, The Pigeon Detectives, Julie Fowlis, Meursault, Washington Irving, PAWS and The LaFontaines have been added to the Belladrum Festival line-up on August 2-3.
Washington Irving have released Palomides Volume 1, the first half of their debut album.
The View are streaming Kill Kyle, one of two new songs on their compilation album Seven Year Setlist, out on June 17.
April 24, 2013: The showcase list of artists picked to play goNORTH in Inverness on June 5-6 has been announced. For the third consecutive year there will be a bloggers’ showcase stage hosted by The Pop Cop, Peenko and Song, by Toad. More details to follow soon.
Kilmarnock’s Dirty Weekender will feature 45 acts over three venues on May 31 to June 2 including Fridge Magnets, Bwani Junction, The Ok Social Club, Ross Leighton (Fatherson) and Chris Helme.
Poor Things’ new single Morgan is free to download – it’s taken from their Hurricane Poor Things EP, out on June 10.
Similarly, Cherri Fosphate are giving away Wool from their Burning Youth EP, out on May 11.
April 23, 2013: Glasvegas will play Aberdeen’s Garage on June 27, Edinburgh’s Liquid Room on June 28 and Glasgow’s ABC on June 29.
Reverieme’s second album With Up So Floating is out now.
Roddy Hart & The Lonesome Fire have announced they will release their self-titled new album through Middle Of Nowhere Records in July.
Herculean have a video for Red Weather, taken from The Falling Thunder EP, out on June 7.
April 22, 2013: Stag & Dagger have added Phosphorescent, Rachel Sermanni, Randolph’s Leap, French Wives, Fake Major, Prides, Chris Devotion & The Expectations and Donald Macdonald & The Islands to the Glasgow festival’s line-up on May 18.
Episode 9 of BBC ALBA’s Rapal music TV programme is on iPlayer and features Brown Bear & The Bandits, Cara Mitchell, The Open Day Rotation and John Wean.
Texas have unveiled a video for The Conversation, the title track from their first album in eight years, out on May 20.
Bronagh & The Boys have released their debut single Green, taken from A Young Heart EP, out on May 19.
April 19, 2013: Kassidy’s Barrie-James O’Neill and his girlfriend Lana Del Rey have recorded a cover of Summer Wine (made famous by Nancy Sinatra and Lee Hazlewood), backed with a video featuring handheld footage of the pair in Los Angeles.
My Bloody Valentine, Trash Talk, Fidlar and The VirginMarys have been added to the T in the Park line-up.
April 18, 2013: Pre-sale tickets are available for Regina Spektor at Glasgow’s Academy on August 20 and Kings Of Leon at the ciry’s Bellahouston Park on August 15, the latter being part of the Glasgow Summer Sessions.
The Mirror Trap have unveiled a video for Westminster Ghost Story, the first track to be taken from their second album Stay Young, due out this autumn.
April 17, 2013: Midnight Lion have changed their name to Prides and expanded to a trio with the addition of Kitty The Lion’s Callum Wiseman on guitar and vocals. To coincide with the announcement, they have unveiled wonderfully addictive new song Out Of The Blue.
T in the Park have added Local Natives, Lucy Rose, Swim Deep, Theme Park, Lewis Watson and Sons & Lovers to the festival on July 12-14.
April 16, 2013: Doune The Rabbit Hole have announced that this year’s festival will take place at the new location of Cardross Estate at Port of Menteith in Stirlingshire on August 22-25. The line-up features Clinic, Meursault, Rachel Sermanni, Alasdair Roberts, Washington Irving, The Pastels, PAWS, Beerjacket, Rick Redbeard, We Are The Physics, Randolph’s Leap, Siobhan Wilson, Panda Su, Shambles Miller, Jo Mango and TeenCanteen. See here for full day-by-day splits.
April 15, 2013: James and Twin Atlantic will headline the Belladrum Tartan Heart Festival on August 2-3. Other acts on the bill include Admiral Fallow, Fatherson, Rick Redbeard, Noisettes, The Horrors and King Charles.
April 13, 2013: Edinburgh’s live music scene has suffered yet another setback with Forest Cafe having its live music licence reviewed, causing the immediate postponement of gigs there, starting with the Solas Showcase scheduled for today.
Newsnight Scotland featured a report on the music industry on April 10, prompted by the Wide Days convention in Edinburgh. Watch the segment on BBC iPlayer, with contributions from Stanley Odd’s Dave Hook, Plum’s Shona Maguire, Chemikal Underground’s Stewart Henderson, Wide Days organiser Olaf Furniss and journalist Nicola Meighan. The interviews were conducted by Galleries drummer Andrew Black.
April 12, 2013: Episode 8 of BBC ALBA’s Rapal music TV programme is on iPlayer and features Niteworks, The Holy Ghosts, Miaoux Miaoux and The Merrylees.
Eagleowl have unveiled Not Over, the first offering from debut album This Silent Year, which will come out through Fence Records on May 13.
Dear Lara, aka David Lan, has released his debut EP Plans as a free download.
April 11, 2013: Capitals’ debut album A National Service will come out on June 3, with those who pre-order it (from just £5) getting an immediate download of any of the record’s 11 tracks, one of which is Reliever.
The View will release singles compilation Seven Year Setlist on June 17 – the album features two new songs, Dirty Magazine and Kill Kyle.
Several Scottish acts have posted tracks from forthcoming new albums – check out Washington IrvingWandering Wits, United FruitTaste I Can’t Give Up and Hector BizerkOrchestrated Madness.
April 10, 2013: Promoters Cry Parrot will host their 6th Birthday Party at Glasgow’s Glue Factory on April 26 with a gig featuring Sacred Paws, Hector Bizerk, Tut Vu Vu, Ultimate Thrush, Ela Orleans and Sad City.
Three Blind Wolves are previewing Slow Summer Deer, taken from their Sing Hallelujah For The Old Machine album, released on May 6.
Where We Lay Our Heads single Keanu Leaves is out now.
Great Cop are giving away new song Stop Hiding as a free download.
April 9, 2013: Mogwai guitarist John Cummings uploaded a photo of himself at Glasgow’s George Square yesterday where more than 300 people gathered, inspired by his band’s 2011 song George Square Thatcher Death Party.
Hi-Arts, which promotes arts in the Highlands and Islands, has issued notices of redundancies to all 10 of its staff in the wake of funding cuts.
April 8, 2013: Fridge Magnets will play a ‘silent gig’ at a secret outdoor location in Glasgow on May 15 (6pm) – tickets can be won through organisers Deezer. The band will perform inside a mobile perspex box with the 300-capacity audience able to hear them through headphones.
Kassidy have released new mini-album People Like Me.
April 7, 2013: Song Of Return have launched their Singles Club project on Bandcamp through which they’ll be selling unreleased tracks. Month 1 contains Torn Between The Tides (see video) and Enough.
Cairn String Quartet, who were profiled on The Pop Cop in March, have unveiled their orchestral cover of Kid Canaveral’s Low Winter Sun.
Travis have made new song Another Guy available to download for free through their website. It also has a video.
April 6, 2013: The following 16 HMV and Fopp stores in Scotland will remain open following Hilco’s takeover – HMV: Aberdeen, Ayr, Dundee, East Kilbride, Edinburgh Fort Kinnaird, Edinburgh Ocean Terminal, Edinburgh Princes St, Glasgow Argyle St, Glasgow Buchanan St, Glasgow Fort, Inverness, Livingston, Stirling; Fopp: Edinburgh; Glasgow Union St; Glasgow Byres Rd.
Bwani Junction have a video for new single Civil War, out on April 29.
Rachel Sermanni and Emma’s Imagination are among the acts playing the Kintyre Songwriters Festival in Campbeltown on May 24-26.
Quickbeam will launch their debut album with a gig at the disused Govanhill Baths in Glasgow on May 31. They will be supported by Fake Major whose debut Have Plenty Of Fun EP comes out on May 1.
April 5, 2013: Spotify director Mark Williamson will give the keynote speech at next week’s Wide Days event in Edinburgh as part of a session on the business of streaming. The full running order is here.
Episode 7 of BBC ALBA’s Rapal music TV programme is on iPlayer and features Anna Sweeney, Cara Mitchell, Discopolis and Paul McGranaghan.
Dot JR has uploaded new song Waterfalls to SoundCloud.
April 4, 2013: The Tiree Music Festival will take place in An Talla on July 20-21 with a bill that includes Roddy Hart & The Lonesome Fire, Washington Irving, The Youth And Young and Brown Bear & The Bandits.
Galleries’ fantastic new single Midnight Rush is out now.
Casual Sex have made a video for their debut single Stroh 80. They play Glasgow’s Nice ‘n’ Sleazy on April 5 and Oran Mor on April 7.
April 3, 2013: Comlongon Rocks have added a third day of live music to its line-up at Comlongon Castle in Dumfries & Galloway on May 17-19. The festival’s line-up features Three Blind Wolves, Emma’s Imagination, The OK Social Club and Saint Max.
Chem 19 are offering three days of free recording time to five Scottish acts through their Creative Scotland Demo Fund. To apply, musicians (under-25s only) should email a link to some demos and a bio to info@chem19.co.uk with the subject Chem19 Demo Fund Enquiry before April 26. Chosen acts will also take part in a live showcase.
Siobhan Wilson + Julia And The Doogans + Jo Mango will play Glasgow’s Roxy 171 on June 26 as part of the Scottish Fiction Presents: Aye Tunes vs Peenko night at the West End Festival.
April 2, 2013: Acts confirmed for The Insider Festival in Aviemore on June 21-23 include Rachel Sermanni, Karine Polwart, Hector Bizerk, Urstan, David Thomas Broughton, Miaoux Miaoux, Pete Roe, Jonnie Common, Adam Holmes And The Embers and Sparrow And The Workshop.
Up-and-coming acts can apply to play the Hebridean Celtic Festival in Stornoway on July 17-20 through their One Step Further competition which is open to musicians aged 18-25. To enter, artists need to email office@hebceltfest.com with the subject HebCelt New Talent Submissions and include links to three songs, a biog and high-res photo. Closing date is April 12.
April 1, 2013: Quickbeam’s self-titled debut album will be released through Comets & Cartwheels on June 3 – check out the video for lead track Immersed which will be available as a free download on April 29.
We Were Promised Jetpacks will headline the second night of the three-day Solas Festival in Perthshire on June 22.
Minor Delilah will be giving away copies of their new EP, Only Dust Can Hear You, to anyone who attends their launch gig at Glasgow’s Classic Grand on May 3.

02

Sep

The Mercury Prize is fucked up, but not how you think it is

I was chuffed when it was announced that a band as tireless, influential and good-natured as Biffy Clyro were rewarded with a place on this year’s MERCURY PRIZE shortlist, but I doubt if even they would claim Only Revolutions was the most worthy of their five albums to date to receive such recognition.

Arguably, it’s not even the best record to come out of Scotland in the past 12 months, when you consider Frightened Rabbit’s The Winter Of Mixed Drinks and Admiral Fallow’s Boots Met My Face were both eligible.

However, the selection process is not as clear-cut as it looks. To enter an album for consideration, a label must submit 25 copies of it on CD plus a crisp cheque for £195.50 (see last year’s submission form here).

And the expense doesn’t end there. According to Steve Lamacq, if an artist does receive a nomination then their record label needs to forward another 125 CDs to the Mercury team, a payment of £3,900 as a marketing contribution and £2,500 for a table at the ceremony.

When I contacted the Mercury organisers yesterday to verify Lamacq’s claims they insisted the figures were not accurate, but refused to reveal the true costs. They also confirmed that shortlisted artists and their managers aren’t required to pay to attend the awards show.

Regardless, the expenditure of simply entering the competition is well beyond the financial means of the plethora of smaller labels which drive Scotland’s music industry, while larger independents can’t afford to put forward all of their eligible albums.

In the real word this meant that Chemikal Underground submitted The Phantom Band’s Checkmate Savage in 2009 but not De Rosa’s Prevention; FatCat submitted Frightened Rabbit’s The Winter Of Mixed Drinks this year but not recent albums by The Twilight Sad and We Were Promised Jetpacks; and Xtra Mile did not submit The Xcerts’ In The Cold Wind We Smile but did cough up £200 for Frank Turner in 2008.

So you can see why it’s the winning rather than the taking part that counts, but even that part of the proceedings doesn’t exactly cover the organisers in glory. The prize money has stood at £20,000 every year since 1999 – however, in 1998, Gomez walked away with a £25,000 cheque, so when you take inflation into account that means the award is actually worth £10,000 less than it was 12 years ago.

The best albums of 2009 poll of music sites in Scotland unsurprisingly produced a Scottish-centric top 10, but nevertheless it does provide a good gauge of the records that people in this country have been getting excited about. If you were to take the following list as an indication of potential Mercury Prize contenders, though, you would be sorely disappointed as The Pop Cop’s investigation shows:

1. The Phantom Band – Checkmate Savage (Chemikal Underground): entered, not shortlisted
2. Animal Collective – Merriweather Post Pavillion (Domino): not eligible
3. De Rosa – Prevention (Chemikal Underground): not entered
4. King Creosote – Flick the Vs (Domino/Fence): entered, not shortlisted
5. Withered Hand – Good News (SL Records): not entered
6. The Twilight Sad – Forget The Night Ahead (FatCat): not entered
7. We Were Promised Jetpacks – These Four Walls (FatCat): not entered
8. Beerjacket – Animosity (no label): not eligible
9. Mumford & Sons – Sigh No More (Island): entered, shortlisted
10. Camera Obscura – My Maudlin Career (4AD): entered, not shortlisted

Given the absence of major labels north of the border, it seems that the Mercury Prize increasingly has little relevance to the music scene in Scotland – not just because our indies rarely have the budget to nominate albums, but because genuinely talented artists such as Beerjacket (who sells his music on Amazon and iTunes) are banned from entering because they don’t use – or need – a record company.

It’s also worth noting that only two of the Mercury Prize’s 18 winners have had Scots roots – Primal Scream (1992) and Franz Ferdinand (2004). Here’s how much better the roll call would look if more Scottish albums had triumphed:

Belle & Sebastian – Tigermilk v Pulp – Different Class (1996)
Mogwai – Mogwai Young Team v Roni Size/Reprazent – New Forms (1997)
The Delgados – Peloton v Gomez – Bring It On (1998)
Astrid – Strange Weather Lately v Talvin Singh – Ok (1999)
Idlewild – 100 Broken Windows v Badly Drawn Boy – The Hour of Bewilderbeast (2000)
Biffy Clyro – Blackened Sky v Ms Dynamite – A Little Deeper (2002)
Sons And Daughters – Love The Cup v Dizzee Rascal – Boy In Da Corner (2003)
Malcolm Middleton – Into The Woods v Antony And The Johnsons – I Am A Bird Now (2005)
Frightened Rabbit – Sing The Greys v Klaxons – Myths Of The Near Future (2007)
Frightened Rabbit – The Midnight Organ Fight v Elbow – The Seldom Seen Kid (2008)
The Xcerts – In The Cold Wind We Smile v Speech Debelle – Speech Therapy (2009)

It’s surely time Scotland followed the example of the various countries who organise their own version of the Mercury Prize, such as Ireland (Choice Music Prize) Canada (Polaris Music Prize), Australia (The AMP), Germany (Preis der Deutschen Schallplattenkritik) and France (Prix Constantin).

If Creative Scotland want to take care of the funding then The Pop Cop would happily do something about it.

Frightened RabbitSwim Until You Can’t See Land

September 23, Strathclyde Union, Glasgow
December 3, Barrowland, Glasgow
(sold out)
December 6, Barrowland, Glasgow (tickets)

BeerjacketDrum

September 3, Oran Mor, Glasgow (tickets)

The winner of the 2010 Mercury Prize will be announced on September 7

11 Responses to “The Mercury Prize is fucked up, but not how you think it is”

  1. P Says:

    September 2nd, 2010 at 16:39

    “It’s SHITE being Scottish! We’re the lowest of the low. The scum of the fucking Earth! The most wretched miserable servile pathetic trash that was ever shat on civilization. Some people hate the English. I don’t. They’re just wankers. We, on the other hand, are colonized by wankers. Can’t even find a decent culture to get colonized by. We’re ruled by effete assholes. It’s a shite state of affairs to be in, Tommy, and all the fresh air in the world won’t make any fucking difference!”


  2. Rupert Says:

    September 2nd, 2010 at 19:48

    Sing The Greys? Fuck off. It’s just demos.


  3. P Says:

    September 3rd, 2010 at 07:15

    This is true, Rupert, but those demos are better than some of the pish that wins the Mercury from year to year. Isn’t that the point being made here?


  4. Colin Says:

    September 3rd, 2010 at 09:29

    Astrid? ASTRID? The best Scottish album in 1999? I’ve got nothing against them, but they never merited being held up as the best of what Scotland had to offer. And while I love Sing The Greys, I don’t think it’s quite suitable, although I do agree it’s better than most of the “pish that wins the mercury from year to year”.


  5. P Says:

    September 3rd, 2010 at 15:51

    Y’know, when you put the Mercury winners and The Pop Cop’s alternatives together it certainly does seem like some years the UK as a whole has failed to deliver many good records.


  6. Divot Says:

    September 5th, 2010 at 09:25

    Point is, an annual prize for the best Scottish album (on a Scottish Label or by a Scottish act?) is a really good idea. And the perfect group of folk to take it forward is the list of music websites that provided Peenko’s list in 2009 – along with Creative Scotland. Imagine a £5k prize for something like that – its a piddly amount for an arts quango to put up and I can imagine it bringing a really positive kind of focal point for the music scene here. More positive than T break i think…


  7. Divot Says:

    September 5th, 2010 at 09:49

    I’ve raised this on the Creative Scotland forum at http://www.creativescotland.com/forums/arts-screen-and-creative-industries/a-scottish-mercury-music-prize


  8. P Says:

    September 5th, 2010 at 21:16

    Good for you, Divot – I totally agree that it would do much more for Scottish musicians than something like T-Break.

    Although T is a worthy and exciting opportunity for bands (particularly younger, newer ones) it garners less respect in terms of critical opinion than a prize for a record would, a la the Mercury.
    For a start, making an album is something more tangible and involved than a recording a ‘PLEASE SIGN US!?!?!?’-style demo, so the criteria would be less concerned with cheesily finding the next big thing and more focused on the merits of a body of work.
    In addition, the idea of a monetary prize with press attention, rather than simply a slot at a festival beside big-hitters, would go a lot further to distance the creative work of musicians dissatisfied with just spending a fun day pretending to be rock stars.

    Maybe such a prize would be act as a peacekeeper amongst this country’s varied music scenes. People would be clearer on their place in the scheme of things – the young-gun rock bands filling the T-Break tent with singalong anthems; the more thoughtful, serious musicians earning critical plaudits and artistic kudos… Sounds good to me…


  9. Ellie Davis Says:

    September 10th, 2010 at 18:48

    please check out….

    http://www.scotmusicawards.co.uk

    …and spread the word

    By the people, for the people!

    contact us at info@scotmusicawards.co.uk


  10. cam Says:

    September 20th, 2010 at 14:11

    I think this is a great idea and an initiative such as this could indeed be far more rewarding and valid than the likes of T-Break et al.

    However, at the risk of sounding defeatest, it feels like such an award would simply be dominated by the Scottish “big-hitters” and neglect the real grassroots talent (surely the people an award like this would be designed to truly benefit?).

    The music press/blogsphere/tastemakers really need to realise that Scottish music does not begin and end with Frightened Rabbit. There IS life outside “The Midnight Organ Fight”!

    Really, in principle, this is a great idea and I would love to see this happen to give real recognition to some of the terrific artists this country has to offer.

    But honestly this article could easily have been titled:

    “Why haven’t FR won a Mercury Prize?”


  11. craig Says:

    June 6th, 2012 at 13:26

    Why is an awards ceremony needed? It’s far too subjective and genuinely innovative music is too often overlooked for thoroughly derivative music. That’s not to say that derivative music is a bad thing, that’s what popular music is all about. However, if an awards ceremony is deemed necessary to reward artists and enlighten fans to new sounds. Then perhaps a better categorised ceremony would better serve the artists and music buying/listening public.

    Rather than have Best Band, have Most Popular Band/Album etc. and you could also have categories for the Most Original Band/Album etc.

    By forcing bands to enter the mainstream in order to win awards, get notice etc. New, original music is being stifled and ignored by an public who for the most part, are not even aware it exists.

    Therefore, by opening up awards ceremonies to accommodate a much broader spectrum of music, would be of huge benefit to bands, fans and most importantly, music itself.


Leave a Reply






Go Back