May 22, 2013: The Basement Coffee House in Ayr has been shortlisted by NME as Scotland’s representative in a public vote to find the best small venue in Britain. The 80-capacity venue opened eight months ago.
Tomorrow’s second instalment of the Dewar House Experimental Batch series sees Edinburgh’s Caves host free live music from Kid Canaveral, The Last Battle and Adam Ross (Randolph’s Leap). There will be 550 tickets available on the door on a first come, first served basis.
May 21, 2013: Camera Obscura song Fifth In Line To The Throne is available for free download in exchange for an email address. It’s taken from the band’s fifth album Desire Lines, out on June 3, and pre-ordering it will get you another track, Do It Again.
Book Group have released their debut EP, Homeward Sound.
Sparrow And The Workshop’s third album Murderopolis, out on May 27, is streaming in full via DIY - one of the songs, The Faster You Spin, is also available for free download.
May 20, 2013: Garden Of Elks’ debut EP, Extended Play, is available to buy and stream.
The Clock have a video for their excellent song Everything’s Eventual, which is released on May 28. They have Glasgow gigs lined up at Broadcast on June 1 and Roxy 171 on June 20.
May 18, 2013: The 16-strong T Break line-up for T in the Park on July 12-14 has been unveiled - Arches, Blindfolds, DARC, Fake Major, Hector Bizerk, Honeyblood, Machines In Heaven, Michael Cassidy, Poor Things, Pronto Mama, Seams, Sunshine Social, The Merrylees, The Velveteen Saints, Vasa, Waiting For Go.
Anna Sweeney has announced she is taking a full break from music and has cancelled her scheduled appearance at Wickerman in July as she relocates to Reading for work in June. Another musician swapping Scotland for England is Plum, who is moving to Brighton in July.
May 17, 2013: The stage times have been released for the 35 acts playing Stag & Dagger across seven Glasgow venues on May 18.
Franz Ferdinand’s fourth album Right Thoughts, Right Words, Right Action will be released on August 26 – check out this brief trailer.
Frightened Rabbit recorded a cover of Best Coast’s The Only Place for Australian radio show Triple J. The band release their Late March, Death March EP on June 2.
The Mouse That Ate The Cat song When I Wake Up is available for free in exchange for your email address.
The title track of Adam Stafford’s forthcoming second album Imaginary Walls Collapse is streaming here.
May 16, 2013: The Discopolis remix of Bwani Junction single Civil War is available to download for free from SoundCloud.
Born To Be Wide’s next seminar at Edinburgh’s Electric Circus on May 30 is on the topic of goNORTH, with a panel featuring broadcaster Vic Galloway, goNORTH duo Amanda Millen and Alex Smith and Chasing Owls frontman Ben Sunderland explaining how musicians and delegates can get the most out of the annual Inverness convention. Tickets are free.
AC/DC have backed a campaign to erect a bronze statue of their former frontman Bon Scott in his hometown of Kirriemuir in Angus. Community music group DD8 Music hope to raise £50,000 via Kickstarter by June 5.
Kite And The Crane’s debut EP, Found In The End, is out on Bandcamp.
May 15, 2013: Biffy Clyro have a video for their new single Opposite.
The View are playing a one-off show at Glasgow’s King Tut’s on June 12 for the Sunday Mail Centenary Fund.
Adam Stafford is launching his second album Imaginary Walls Collapse with a gig at Glasgow’s Glad Cafe on July 5 with support from Siobhan Wilson and Robbie Lesiuk.
May 14, 2013: The Wee Chill will mark its 10th anniversary with a two-stage bill at Glasgow’s SWG3 on June 29 for the West End Festival. The line-up features Malcolm Middleton, James Yorkston with Sparrow & The Workshop (collaborative debut), Aidan Moffat (spoken word), Three Blind Wolves, Roddy Hart & The Lonesome Fire, Miaoux Miaoux, Fake Major.
Tommy Perman, who recently left FOUND, has unveiled his new solo project ComputerScheisse – check out These Beautiful Minds, the title track of his debut EP, out on July 15 through Phuturelabs.
RockNess have announced more acts for the festival on June 7-9 including Fenech-Soler, Fatherson, Public Service Broadcasting, The Boy Who Trapped The Sun, Niteworks and Jemma Tweedie.
Too Many Fireworks Records will donate all profits from sales of Variations Of Chopin, an album of contemporary interpretations of the composer’s music, to the fundraising campaign for drummer Robbie Cooper, whose cancer fight was documented on The Pop Cop.
May 13, 2013: New releases out now include Young Aviators’ debut album Self Help, Eagleowl’s debut album This Silent Year, and Cherri Fosphate’s new Burning Youth EP.
May 10, 2013: The live schedule for goNORTH in Inverness on June 5-6 has been unveiled – it includes a Scottish Bloggers Showcase hosted by The Pop Cop, Peenko and Song, by Toad featuring a four-band bill of Garden Of Elks, Friends In America, The Yawns and Flutes.
May 9, 2013: The documentary Hunting For Remoteness details The Magnetic North’s visit to Orkney – where frontman Erland Cooper is from – for the making of their debut album. It will be released on June 24 alongside a reissue of that record, Orkney: Symphony Of The Magnetic North. You can watch the trailer here.
Alphabetical Order Orchestra are streaming their first song, The Architect. The band is made up of My Latest Novel members Chris Deveney, Gary Deveney and Ryan King.
A Band Called Quinn have launched a crowdfunding campaign to support performances of their multimedia show Biding Time (remix) at the Edinburgh Fringe Festival in August.
May 8, 2013: Three Blind Wolves have released their new album, Sing Hallelujah For The Old Machine.
May 7, 2013: Adam Stafford’s new single Please is streaming online – it’s taken from his second album Imaginary Walls Collapse, out in July.
May 6, 2013: The T in the Park Roadshow is bringing free live music to Scottish towns this month – it stops at Glasgow today for The View at Kelvingrove Park (1pm) and Buchanan Street (3.30pm); Edinburgh on May 10 for Vigo Thieves at Queen Margaret University’s Student Union (noon), Dundee on May 11 for The LaFontaines at Overgate Centre (noon); Aberdeen on May 12 for Sienna at Aberdeen University (noon); and Ayr on May 18 for The Redettes at Ayr Railway Station (noon).
Fake Major have a video for Fiction, a song on their Have Plenty Of Fun EP. Fellow Comets & Cartwheels artist Finn LeMarinel has a new video for Garden, taken from his debut album Violence.
Capitals have released a sampler of all the tracks on their debut album A National Service, out on June 3.
May 3, 2013: Episode 11 of BBC ALBA’s Rapal music TV programme is on iPlayer and features Cara Mitchell, Brown Bear & The Bandits, Three Blind Wolves and Anna Sweeney.
Steve Mason has accused Samsung of plagiarising the video for The Beta Band’s 2004 single Assessment for their new television advert. Both show historical figures running down a beach and helicopters circling overhead.
May 2, 2013: Young Aviators’ debut album Self Help is streaming on Electric Honey’s SoundCloud ahead of its release on May 13.
May 1, 2013: Travis have a video for Where You Stand, the first single and title track of the band’s seventh album, out on August 19.
Fake Major’s debut EP, Have Plenty Of Fun, is available for download.
My Latest Novel have gone on hiatus, with three of the members forming Alphabetical Order Orchestra - look out for music from them next week.
Kobi Onyame has a video for his new single The Real Part 2.
Trapped In Kansas have unveiled new song Collapse Rebuild.
Rob St John’s new AA single Charcoal Black And The Bonny Grey/Shallow Brown is out now.
April 30, 2013: Boards Of Canada will release Tomorrow’s Harvest, their first new album in eight years, on June 10.
Quickbeam song Immersed is available to download for free from DIY – you can also listen to snippets from every track of the band’s self-titled debut album, out on June 3.
Discopolis have unveiled the video for their new song Falling (Committed To Sparkle Motion), out on May 5.
April 29, 2013: The SAY Award will stream each of the 20 longlisted albums for 24 hours through their app, starting today with Miaoux Miaoux’s Light Of The North. You can read The Pop Cop’s feature here.
Panda Su’s new song MAPS is available to buy now on Amazon, while Bwani Junction’s new single Civil War is on iTunes.
The Boy Who Trapped The Sun has a video for new song California ahead of his May tour in Scotland.
The Pastels have a video for Check My Heart, taken from their forthcoming new album Slow Summits, out on May 27.
Frank Turner covered Frightened Rabbit’s The Modern Leper for Jim Gellatly’s In:Demand Uncut session.
April 27, 2013: Episode 10 of BBC ALBA’s Rapal music TV programme is on iPlayer and features two fantastic unreleased songs by Beerjacket as well as The Holy Ghosts, The Merrylees and Ray McCartney.
Travis, Johnny Marr, Hurts, James Skelly, Jack Savoretti, Willy Mason, Foy Vance, Steve Mason, Milo Greene and DIIV have been added to the T in the Park line-up, which has now been separated into day-by-day splits.
Edinburgh venue The Forest Cafe, which has been banned from hosting live music due to council restrictions, are looking for acts to play their new monthly event, the Forest Big Night Out at Old St Paul’s, which launches on May 23. Email foresteventsedinburgh@gmail.com for details.
April 26, 2013: The Burns an’ a’ that! Festival will feature live music as part of Weekend in the Park at Ayr’s Belleisle Park on May 25-26. Rose Parade, Little Fire, Pronto Mama and The Bluebells are among the free acts; Justin Currie + Rachel Sermanni play a ticketed gig on May 26.
Other newly-announced concerts on sale include Lana Del Rey + Kassidy at Glasgow’s SECC on May 16 (replacing her two dates at the Academy on May 15/16) Bombay Bicycle Club at Edinburgh’s Liquid Room on June 7, Belle & Sebastian at Inverness’ Ironworks on July 1, We Are Scientists at Glasgow’s Oran Mor on July 29, Kid Canaveral + Ballboy at Edinburgh’s Liquid Room on August 10.
Kid Canaveral + The Last Battle + Adam Ross (Randolph’s Leap) also play a free show at Edinburgh’s Caves on May 23 with 300 tickets on the door on a first come, first served basis as part of a Dewar’s event.
April 25, 2013: Seasick Steve, The Pigeon Detectives, Julie Fowlis, Meursault, Washington Irving, PAWS and The LaFontaines have been added to the Belladrum Festival line-up on August 2-3.
Washington Irving have released Palomides Volume 1, the first half of their debut album.
The View are streaming Kill Kyle, one of two new songs on their compilation album Seven Year Setlist, out on June 17.
April 24, 2013: The showcase list of artists picked to play goNORTH in Inverness on June 5-6 has been announced. For the third consecutive year there will be a bloggers’ showcase stage hosted by The Pop Cop, Peenko and Song, by Toad. More details to follow soon.
Kilmarnock’s Dirty Weekender will feature 45 acts over three venues on May 31 to June 2 including Fridge Magnets, Bwani Junction, The Ok Social Club, Ross Leighton (Fatherson) and Chris Helme.
Poor Things’ new single Morgan is free to download – it’s taken from their Hurricane Poor Things EP, out on June 10.
Similarly, Cherri Fosphate are giving away Wool from their Burning Youth EP, out on May 11.
April 23, 2013: Glasvegas will play Aberdeen’s Garage on June 27, Edinburgh’s Liquid Room on June 28 and Glasgow’s ABC on June 29.
Reverieme’s second album With Up So Floating is out now.
Roddy Hart & The Lonesome Fire have announced they will release their self-titled new album through Middle Of Nowhere Records in July.
Herculean have a video for Red Weather, taken from The Falling Thunder EP, out on June 7.
April 22, 2013: Stag & Dagger have added Phosphorescent, Rachel Sermanni, Randolph’s Leap, French Wives, Fake Major, Prides, Chris Devotion & The Expectations and Donald Macdonald & The Islands to the Glasgow festival’s line-up on May 18.
Episode 9 of BBC ALBA’s Rapal music TV programme is on iPlayer and features Brown Bear & The Bandits, Cara Mitchell, The Open Day Rotation and John Wean.
Texas have unveiled a video for The Conversation, the title track from their first album in eight years, out on May 20.
Bronagh & The Boys have released their debut single Green, taken from A Young Heart EP, out on May 19.
April 19, 2013: Kassidy’s Barrie-James O’Neill and his girlfriend Lana Del Rey have recorded a cover of Summer Wine (made famous by Nancy Sinatra and Lee Hazlewood), backed with a video featuring handheld footage of the pair in Los Angeles.
My Bloody Valentine, Trash Talk, Fidlar and The VirginMarys have been added to the T in the Park line-up.
April 18, 2013: Pre-sale tickets are available for Regina Spektor at Glasgow’s Academy on August 20 and Kings Of Leon at the ciry’s Bellahouston Park on August 15, the latter being part of the Glasgow Summer Sessions.
The Mirror Trap have unveiled a video for Westminster Ghost Story, the first track to be taken from their second album Stay Young, due out this autumn.
April 17, 2013: Midnight Lion have changed their name to Prides and expanded to a trio with the addition of Kitty The Lion’s Callum Wiseman on guitar and vocals. To coincide with the announcement, they have unveiled wonderfully addictive new song Out Of The Blue.
T in the Park have added Local Natives, Lucy Rose, Swim Deep, Theme Park, Lewis Watson and Sons & Lovers to the festival on July 12-14.
April 16, 2013: Doune The Rabbit Hole have announced that this year’s festival will take place at the new location of Cardross Estate at Port of Menteith in Stirlingshire on August 22-25. The line-up features Clinic, Meursault, Rachel Sermanni, Alasdair Roberts, Washington Irving, The Pastels, PAWS, Beerjacket, Rick Redbeard, We Are The Physics, Randolph’s Leap, Siobhan Wilson, Panda Su, Shambles Miller, Jo Mango and TeenCanteen. See here for full day-by-day splits.
April 15, 2013: James and Twin Atlantic will headline the Belladrum Tartan Heart Festival on August 2-3. Other acts on the bill include Admiral Fallow, Fatherson, Rick Redbeard, Noisettes, The Horrors and King Charles.
April 13, 2013: Edinburgh’s live music scene has suffered yet another setback with Forest Cafe having its live music licence reviewed, causing the immediate postponement of gigs there, starting with the Solas Showcase scheduled for today.
Newsnight Scotland featured a report on the music industry on April 10, prompted by the Wide Days convention in Edinburgh. Watch the segment on BBC iPlayer, with contributions from Stanley Odd’s Dave Hook, Plum’s Shona Maguire, Chemikal Underground’s Stewart Henderson, Wide Days organiser Olaf Furniss and journalist Nicola Meighan. The interviews were conducted by Galleries drummer Andrew Black.
April 12, 2013: Episode 8 of BBC ALBA’s Rapal music TV programme is on iPlayer and features Niteworks, The Holy Ghosts, Miaoux Miaoux and The Merrylees.
Eagleowl have unveiled Not Over, the first offering from debut album This Silent Year, which will come out through Fence Records on May 13.
Dear Lara, aka David Lan, has released his debut EP Plans as a free download.
April 11, 2013: Capitals’ debut album A National Service will come out on June 3, with those who pre-order it (from just £5) getting an immediate download of any of the record’s 11 tracks, one of which is Reliever.
The View will release singles compilation Seven Year Setlist on June 17 – the album features two new songs, Dirty Magazine and Kill Kyle.
Several Scottish acts have posted tracks from forthcoming new albums – check out Washington Irving – Wandering Wits, United Fruit – Taste I Can’t Give Up and Hector Bizerk – Orchestrated Madness.
April 10, 2013: Promoters Cry Parrot will host their 6th Birthday Party at Glasgow’s Glue Factory on April 26 with a gig featuring Sacred Paws, Hector Bizerk, Tut Vu Vu, Ultimate Thrush, Ela Orleans and Sad City.
Three Blind Wolves are previewing Slow Summer Deer, taken from their Sing Hallelujah For The Old Machine album, released on May 6.
Where We Lay Our Heads single Keanu Leaves is out now.
Great Cop are giving away new song Stop Hiding as a free download.
April 9, 2013: Mogwai guitarist John Cummings uploaded a photo of himself at Glasgow’s George Square yesterday where more than 300 people gathered, inspired by his band’s 2011 song George Square Thatcher Death Party.
Hi-Arts, which promotes arts in the Highlands and Islands, has issued notices of redundancies to all 10 of its staff in the wake of funding cuts.
April 8, 2013: Fridge Magnets will play a ‘silent gig’ at a secret outdoor location in Glasgow on May 15 (6pm) – tickets can be won through organisers Deezer. The band will perform inside a mobile perspex box with the 300-capacity audience able to hear them through headphones.
Kassidy have released new mini-album People Like Me.
April 7, 2013: Song Of Return have launched their Singles Club project on Bandcamp through which they’ll be selling unreleased tracks. Month 1 contains Torn Between The Tides (see video) and Enough.
Cairn String Quartet, who were profiled on The Pop Cop in March, have unveiled their orchestral cover of Kid Canaveral’s Low Winter Sun.
Travis have made new song Another Guy available to download for free through their website. It also has a video.
April 6, 2013: The following 16 HMV and Fopp stores in Scotland will remain open following Hilco’s takeover – HMV: Aberdeen, Ayr, Dundee, East Kilbride, Edinburgh Fort Kinnaird, Edinburgh Ocean Terminal, Edinburgh Princes St, Glasgow Argyle St, Glasgow Buchanan St, Glasgow Fort, Inverness, Livingston, Stirling; Fopp: Edinburgh; Glasgow Union St; Glasgow Byres Rd.
Bwani Junction have a video for new single Civil War, out on April 29.
Rachel Sermanni and Emma’s Imagination are among the acts playing the Kintyre Songwriters Festival in Campbeltown on May 24-26.
Quickbeam will launch their debut album with a gig at the disused Govanhill Baths in Glasgow on May 31. They will be supported by Fake Major whose debut Have Plenty Of Fun EP comes out on May 1.
April 5, 2013: Spotify director Mark Williamson will give the keynote speech at next week’s Wide Days event in Edinburgh as part of a session on the business of streaming. The full running order is here.
Episode 7 of BBC ALBA’s Rapal music TV programme is on iPlayer and features Anna Sweeney, Cara Mitchell, Discopolis and Paul McGranaghan.
Dot JR has uploaded new song Waterfalls to SoundCloud.
April 4, 2013: The Tiree Music Festival will take place in An Talla on July 20-21 with a bill that includes Roddy Hart & The Lonesome Fire, Washington Irving, The Youth And Young and Brown Bear & The Bandits.
Galleries’ fantastic new single Midnight Rush is out now.
Casual Sex have made a video for their debut single Stroh 80. They play Glasgow’s Nice ‘n’ Sleazy on April 5 and Oran Mor on April 7.
April 3, 2013: Comlongon Rocks have added a third day of live music to its line-up at Comlongon Castle in Dumfries & Galloway on May 17-19. The festival’s line-up features Three Blind Wolves, Emma’s Imagination, The OK Social Club and Saint Max.
Chem 19 are offering three days of free recording time to five Scottish acts through their Creative Scotland Demo Fund. To apply, musicians (under-25s only) should email a link to some demos and a bio to info@chem19.co.uk with the subject Chem19 Demo Fund Enquiry before April 26. Chosen acts will also take part in a live showcase.
Siobhan Wilson + Julia And The Doogans + Jo Mango will play Glasgow’s Roxy 171 on June 26 as part of the Scottish Fiction Presents: Aye Tunes vs Peenko night at the West End Festival.
April 2, 2013: Acts confirmed for The Insider Festival in Aviemore on June 21-23 include Rachel Sermanni, Karine Polwart, Hector Bizerk, Urstan, David Thomas Broughton, Miaoux Miaoux, Pete Roe, Jonnie Common, Adam Holmes And The Embers and Sparrow And The Workshop.
Up-and-coming acts can apply to play the Hebridean Celtic Festival in Stornoway on July 17-20 through their One Step Further competition which is open to musicians aged 18-25. To enter, artists need to email office@hebceltfest.com with the subject HebCelt New Talent Submissions and include links to three songs, a biog and high-res photo. Closing date is April 12.
April 1, 2013: Quickbeam’s self-titled debut album will be released through Comets & Cartwheels on June 3 – check out the video for lead track Immersed which will be available as a free download on April 29.
We Were Promised Jetpacks will headline the second night of the three-day Solas Festival in Perthshire on June 22.
Minor Delilah will be giving away copies of their new EP, Only Dust Can Hear You, to anyone who attends their launch gig at Glasgow’s Classic Grand on May 3.
08
Oct
When winners are losers
Musicians and competitions make uneasy life partners. Entering a TV talent show rarely results in long-term success, while the manufactured rivalry of Battle of the Bands contests that tend to be put on by tackier live venues have as much credibility as cabaret night at Pontin’s.
The most worrying example of such exploitation, though, must surely be Live And Unsigned, which claims to be “the UK’s largest music competition for unsigned artists”.
They are holding auditions at Edinburgh’s Corn Exchange on January 29 and Glasgow’s Royal Concert Hall on February 5 and if you know anyone who is considering applying, I would strongly suggest they find out exactly what they’re getting themselves into.
To enter, it costs £10 for solo acts/duos and £12.50 for bands, and the organisers have this to say about the audition process: “You will be asked to prepare a performance of up to 2 minutes and no longer (we recommend you keep instrumentals and intro to a minimum and perform the best part of your song at the start).”
Glasgow band Annie Stevenson entered Live And Unsigned last year and they wrote about their experience on the Aberdeen Music forum:
“We were ‘selected’ for an audition at Glasgow’s Royal Concert Hall, which you will agree sounds very grand… however, it was a small room just off a big hall where some wedding show was being staged. It was 8am. Here we were joined by hunners of young hopefuls.
“After a few hours had passed, and a few people had passed out having had no food, since none was available, we were called through to the audition room. No, sorry, it wasn’t the audition room, it was actually a long queue which we had to stand in for another wee while, until eventually we got led before the judging panel.
“Now despite being informed prior to this that all equipment by way of amplification would be provided, it turned out that there was only one guitar amp. As we have two guitarists, which our application form made quite clear, this gave us a problem. ‘Never mind’, we were told, ‘one of you can just mime a bit’. And so we played.
“After that we returned to the waiting area for what seemed like a very long time. Now something strange started to happen. As the morning wore on, acts who had already auditioned were getting called in no particular order and all without exception were getting told they had got through to the next stage. They were all getting handed nice glossy folders containing some stuff. Many folks where doing high fives and jumping in the air a hooping and a hollarin when told this news. Bootcamp here they come. Since we weren’t in this group we assumed we had failed to get through.
“Then after a while we got called over and got told we had got through as well. In fact I don’t think anyone got rejected, everyone was a winner, oh happy days. We even got a shiny new folder as well.
“We opened the folder and then it dawned on us what was going on. It contained a contract and some information re the next stage. It also contained 50-odd tickets for this event which we were expected to sell to our friends for £6 a piece. This would entitle our friends to attend a gig at a large Glasgow venue in which we would be playing for all of 3 minutes since there would be a lot of other bands on the bill who had also been given 50-odd tickets to sell and there wasn’t time for any more songs.
“It became clear that those auditions were just a means to ensure that a large amount of tickets were distributed to as many acts as possible. Maybe some acts did get rejected at this stage, I didn’t see any. We declined to sign the contract and passed on the next stage.”

It’s little surprise that if you type “Live And Unsigned” into Google, the second most common next word is “scam” – and you’ll find plenty of other horror stories about the competition’s money-making practices, including premium rate text voting.
Glasgow rock group The Detours beat over 10,000 other hopefuls to win the Live And Unsigned competition in 2009. Here’s what their guitarist, Michael Smith, posted on Jim Gellatly’s Facebook page last night:
“I was unfortunate enough to win it with my band and it’s a load of shit. We were promised up to £20,000 investment and saw none of it, a 100-date UK tour and didn’t get it and a whole host of false promises. So I urge you all please do not waste your time, money or talent in this competition.”
In stark contrast, there are at least three major competition prizes currently up for grabs that would genuinely make a positive impact on the careers of up-and-coming acts:

RADAR have launched their own Scotsman Radar Prize for which they will pick one unsigned Scottish artist to win a heap of goodies. They appear to be looking for the best song rather than the best artist (although one usually follows the other), but you can be sure whoever they pick won’t be complaining. You can listen to all the entrants so far here.
The winner will get:
– a day’s recording session at Chem 19 in Hamilton
- a slot on the bill of the Radar Presents gig at Edinburgh’s Electric Circus on November 13 featuring Mitchell Museum and Capitals
- a global single release distribution package from Tunefire
- a one-year pro account for SoundCloud
- a promo and/or live photoshoot
- an interview feature on Radar
How to enter: Upload an mp3 demo track here
Closing date: October 15
What are the judges looking for? “Quality and originality”

NEW FOUND SOUND will offer a substantial Development Deal to two acts, with the winners being chosen from all those who take part in their newly-launched Frankies Live gigs at Frankenstein in Edinburgh and Glasgow, which runs every week until December.
The winners will get:
– a weekend recording session at either Verden Studios in Edinburgh or House Practise in Glasgow
- a single release through Green Flame Recordings
- press, PR and a Scottish tour from New Found Sound
- radio podcast/exposure from Jim Gellatly’s New Music
- distribution from EmuBands
- web/online package from Pixelgaps
- merchandise deal from Vexed Apparel
- reviews/exposure from Peenko
- design from Bloody Honey
How to enter: Email a link to your music along with a short biography to gigs@frankenstein-pub.co.uk
Closing date: No official date, but the organisers intend to announce winners in mid-December
What are the judges looking for? “Good songwriting and stage presence”

HOG THE STAGE are giving bands the chance to win a spot on this year’s Edinburgh Hogmanay bill. It has not been decided whether the chosen one will appear at the Concert in the Gardens, headlined by Biffy Clyro, or the Street Party stage.
A panel of music industry judges will initially cut down all entries to a shortlist of five, who will then play a gig at Edinburgh’s Picture House on November 21 (amended date) when votes from both the audience and the judging panel will decide who wins. An email I got from the organisers this week revealed they are “looking at ways to make this less X Factor-y”. You can listen to all the entrants so far on the main page.
How to enter: Upload an mp3, live video, band image and short biography here
Closing date: October 28 (amended date)
What are the judges looking for? “Quality music, attitude, flair and personality – they’ve also got to be convinced you won’t cack yer kegs when you take the stage in front of thousands”
NOTE: Glasgow has held its own Road To Hogmanay since 2008 for unsigned musicians to win a spot on the George Square bill so no doubt details of this year’s competition will be announced soon as well.
Annie Stevenson – Get Off The Street
The Detours – Bull Rider



21 Responses to “When winners are losers”
October 12th, 2010 at 13:31
live and unsigned is indeed a pile of tosh, solely to make the organisers money. its a shame that lots of young musicians and older ones at that are duped into thinking their dreams are going to come true off the back of it. its a scam alright.
The Scotsman Radar Prize and the New Found Sound competitions look absolutely fantastic. Hurrah!
Little Fire from Ayr
October 12th, 2010 at 14:22
Omg I entered live and unsigned last year with my band we had a great time. unfortunately didnt make it through to the o2 but we are still in touch with the organisers and getting some good promo help from them! we were just greatful for the experience to be honest
October 12th, 2010 at 14:30
haha, Sounds like a few people have had some bad experiences. we were amongst the auditionees in live and unsigned. the article above is wrong. ‘i don’t think anyone got rejected’
well – we did, and so did the other 5 or 6 bands that we gpt called over with.
we didnt get past the audition stage
watch out live and unsigned we’re coming back even stronger this year!!!!
October 12th, 2010 at 14:55
Just checked out the live and unsigned FB page and honestly, full of messages of thanks and bands saying how much fun they had taking part and people excited for playing next year so it can’t be ALL bad!
October 12th, 2010 at 15:12
“its a shame that lots of young musicians and older ones at that are duped into thinking their dreams are going to come true off the back of it”
Erm, This is NOT what live and unsigned PROMISES.!!! they never say anything about anyones dreams coming true!!! they say that they provide a platform, which they do!!! come on guys, make the most of the experiences you have. Even if negative comes from these things sometimes, surely you gained something positive? experience? recognition? made new friends? Not every competition can please everyone, there is ALWAYS going to be some kind of negativity!! Radar prize and new found sound sounds great, but guaranteed that someone will write a blog like this one about them too!! Can’t always please everyone!
October 13th, 2010 at 00:44
Dear Joe K, Big_O, faroh and Rhys – if you are going to claim you had a great time at Live And Unsigned last year, and be living proof that some bands DON’T get past the audition stage, and talk about how people are falling over themselves to say how much they loved the experience, and cuss the critics for being unduly negative… at least have the savvy to use a different IP address for each fabricated comment.
October 13th, 2010 at 14:46
hahahaha pwnd
October 13th, 2010 at 17:25
lol
ok we’re members of the same band.
but we are excited about entering again.
Are we thinkin Hog the stage looks good for an entry? seems cool but a lot of travelin for us :s
October 13th, 2010 at 17:27
n wonder if is ok to enter several comps at the same time?:s
October 13th, 2010 at 20:09
Imagine you’ll be fine to enter more than one, as long as you’re not signed!
October 13th, 2010 at 20:15
Dear Big-0 Im I missing something here ?
You now appear to be admitting that all the positive comments above were in fact posted by members of the same band.
However according to you, your band didnt get past the initial audition stage yet according to the posting of your fellow band member Joe K, you had a great time though you failed to get to the O2 and were grateful for the experience?
When I initially read this latter comment, unaware of the multiple nature of your postings, I took it to mean the band concerned in the latter comment had progressed to some degree through the competition since they had such a good time and felt qualified to comment. But now Im confused.
Could you please clarify. thanx
October 13th, 2010 at 21:37
“Big-O” and all your other pseudonyms, let’s face it, you’re not fooling anyone, it’s blatantly obvious you work for Live And Unsigned.
I’ve now closed the comments for this post because, quite frankly, Live And Unsigned have made themselves look even more pathetic than I had done in my original post, which really is saying something.
January 27th, 2011 at 14:02
Having looked a bit further into Live and Unsigned it seems that it is run by 1 company with many different parts. Live and Unsigned and Open Mic UK are run by one company – Future Music which just happens to be the label that you will eventually ‘win a deal with’. Having met with quite a few people who have gone through the audition process this is what happens:
You pay your submission fee to enter your band, you pick a place to audition (these are run all over the country), you turn up during an allocated time slot where you the have to register and wait in a room for your turn. When it is your turn you go into a small room where you plug in and play. You are told to prepare one of your songs to play a maximum of 2 mins but almost everyone was asked to stop after less than 1 minute and then told to leave the room and wait for the results. You then wait with quite a few other people on the yes or no. Quite often the panel discuss previous performance whilst the next person is setting up so they knew what the panel thought of other competitor’s performances. If you are successful from your 1 minute audition you get a pack and get invited back to the next round where you have to sell tickets to friends and family and if you get through to the next round you have to do the same.
Having done some research on the guy who runs both competitions and Future Music (http://www.liveandunsigned.uk.com/judges/Chris-Grayston) he has apparently been a promoter and run a dance label and has done some producing in his time but since starting Future Music he doesn’t appear to have done much. You’ll see throughout the website that if you win you will get a recording contract and an investment but that investment amount seems to range from £20,000 all the way to £50,000 however at each stage it says the magic words ‘up to’. As soon as you see the ‘up to’ you know that means they are going to invest as little as possible for as much money as possible. Some may say that is just sound business logic. It may be logic on their part but not so much for the band that signs away the rights to all their songs for £0. As soon as a recording contract or a publishing contract or any contract for that matter is placed in front of you the first thing to do is to get in touch with a music lawyer. Not music lawyer in their right mind would say it is a good idea to sign with these guys. You are placing all your trust in people to make you a rock star but ask them who they’ve made famous before they won’t be able to name anyone. I’d be interested to hear how much money The Detours, Kiddo 360, Undertheskyline, The Lottery Winners or B-Kay and Kazz got when they won over the years.
The thing is the record deal isn’t the be all and end all here, at least not for Future Music as they’ll never earn as much money off the bands selling records or getting sync with the songs that Future now own the rights to as they’ve already made their fortune throughout the competition, so what’s the point in trying? Let’s face it, every year there are 10,000 entries where each band pays £10-£12 to enter, that’s already a good amount of money. Then there are the ticket sales from the 2nd and 3rd round of auditions, each band has to bring along all their friends and family and they are expected to pay £7.50 for the privilege of seeing said band play for 2 minutes. Then there is round 2 – open mic uk, same structure different competition. So you add it up, all that money from 2 competitions a year.
Now some people may say that it is good to play in front of industry, looking at the live and unsigned website there are some great people on there you know dane bowers, noddy holder and the guy Chris who runs the whole thing, they really are the linchpins of the industry. Fair dos there are a few in there that are influential but do you really see Greg James giving up every weekend throughout the year to go and see bands across the UK? Even if these people do turn up for say 1 audition, they say ‘you are a brilliant band’ what happens then? Well you’ve agreed to the terms and conditions when you entered. You cannot go into any agreement with anyone else and Future Music get first refusal, so you’re tied into a company who will not invest in you and won’t let you sign to anyone else.
So there we go, feel free to enter at your peril but this competition and open mic uk exist to only benefit 1 party and let me tell you now it will never be the band.
January 30th, 2011 at 15:34
this gets better and better… a friend at a magazine received a query about placing an advert.
The jist: the band have certain “tasks” to perform. One is to advertise themselves as much as possible i.e. buy adverts in the press, and then take cuttings of the ads and hand them to the organisers. There’s a prize for the band who take out the most adverts.
The adverts are for the band, and for the show they’re playing (one of the Scottish heats in March).
I probably don’t really need to comment further, it speaks for itself…
February 1st, 2011 at 23:31
With regard to the last comment regarding what is known as the ‘Exposure Award’, this doesn’t expect the acts to “buy adverts” at all. You contact local media with a press release about your progression in the competition to get articles written about you. The only cost here is time, but nobody made it in the music industry without spending a lot of time promoting themselves.
Another note about the money you think is being made from this competition. The hire of venues for auditions, regional finals, area finals and the 02 for the grand final don’t come cheap, neither do the services of all the staff that work behind the scenes to make each show happen. The profits are very small from these competitions which, believe it or not, ARE there to give unsigned acts a great opportunity to be seen and heard. Much better than TV talent shows like the X-Factor.
February 3rd, 2011 at 00:18
The big investment in press coverage and how much money is spent on that, all their press coverage is online here: http://www.liveandunsigned.uk.com/press_coverage
Anything that is not regional press i.e. NME, The Fly, Kerrang etc is all ads that they have paid for, the ‘Promotion’ at the top says it all so them saying that they have achieved coverage in these is all bullshit as the coverage consists of ads they’ve had to pay for.
February 27th, 2012 at 23:55
http://youtu.be/xERifhkbLJ4
June 13th, 2012 at 16:02
LOL. ive entered this competition twice now, and as the years go on, i find out just how much of a con and a fix it really is. Im not going to write about my whole experience as it would go on forever, but i entered this year, and it ended up costing me nearly a thousand pounds, the press, selling tickets, petrol driving to the events, it most DEFINITLY IS the biggest stitch up ive come across. Im not saying this because i didnt get through, i was one “performance” away from the o2 arena final, but wait…. its not even held in the o2 arena but a club thats on the side of it lol. My experience was bad, ive contacted previous winners who all state how bad it is and how much of a stitch up the whole event it. I couldnt believe it myself, i sold the most tickets, worked my arse off just to be told no at the end, it clearly stated the act that sells the most tickets will get a place at the final, yet hold on, i didnt get through, the whole thing is a con and anyone even thinking of entering, unless ur a millionaire, i wouldnt bother, itl cost u more than u ever know.
July 14th, 2012 at 11:14
I also have a friend who states this competition is bull shit, she had to wait quite along time to actually perform, there was no microphone she had to perform solo, she had to line up in a small room in a line of 10 people and song for a minute then was asked to leave and wait longer, it’s a total SCAM don’t waste your time, there’s only a few people here whi state how ‘good’ it is and the clear fact they are exajurating it shows there working for live and unsigned, satirising the fact you had an amazing time an audition you lost and stating they have people thanking them on fb, fb can have created fake accounts, wake Up it’s obvious it’s for the money!! Where are the people who won?? Thanking them on fb?? If the competition helped them so much why r they sittin on there ass on Facebook, oh and that friend had to pay a 20 pound deposit for these tickets she had to sell and got informed she had to pay for the recording if her audition to place on YouTube had to pay for the equipment and other financial aspects, dirty money placed the hope of people who blindly get stuck in a trap of hope live and unsigned have created, by commenting on this post you made yourself look more pathetic then you are, lol.
August 22nd, 2012 at 08:03
What a terrible con ! It takes peoples money who are deperate to win . Yu are palying money all down the line for little and no gain .My band got accepted but I have refused point blank to continue after researching these underhanded sharks . I have lost £36 to date (£6 for entering and £30 to make sure I turn up, which I won`t )If I was so young person with very little money this would be such a cruel blow , especially when I found iut it`s all a load of bollacks . The organisers should be prosecuted !
October 19th, 2012 at 15:41
Con magnifico! My daughter entered. £ 5 yes is fine to pay and I understand these people do have overheads. However, items clear that some ( not all!) clearly got through on the premise that they would sell tickets …. Oh and get several 100s of people to text for their”wild card” chance to get through! We certainly would t be doing that! My daughter has already had many encounters with the music industry and worked with people that have had real success! Sorry who ate future music and who have they claimed fame with… Strange my daughter has 70% more likes on her Facebook page.
I guess we simply didn’t sell enough tickets… Had we sold the required quota I’m sure my daughter could have sung out if tune , been un original and had no individual image! Will certainly not be doing this again as don’t really want to part with anymore cash.
Also it is probably open mic on this page as they do that on Facebook too!!!
Leave a Reply