May 18, 2013: The 16-strong T Break line-up for T in the Park on July 12-14 has been unveiled - Arches, Blindfolds, DARC, Fake Major, Hector Bizerk, Honeyblood, Machines In Heaven, Michael Cassidy, Poor Things, Pronto Mama, Seams, Sunshine Social, The Merrylees, The Velveteen Saints, Vasa, Waiting For Go.
Anna Sweeney has announced she is taking a full break from music and has cancelled her scheduled appearance at Wickerman in July as she relocates to Reading for work in June. Another musician swapping Scotland for England is Plum, who is moving to Brighton in July.
May 17, 2013: The stage times have been released for the 35 acts playing Stag & Dagger across seven Glasgow venues on May 18.
Franz Ferdinand’s fourth album Right Thoughts, Right Words, Right Action will be released on August 26 – check out this brief trailer.
Frightened Rabbit recorded a cover of Best Coast’s The Only Place for Australian radio show Triple J. The band release their Late March, Death March EP on June 2.
The Mouse That Ate The Cat song When I Wake Up is available for free in exchange for your email address.
The title track of Adam Stafford’s forthcoming second album Imaginary Walls Collapse is streaming here.
May 16, 2013: The Discopolis remix of Bwani Junction single Civil War is available to download for free from SoundCloud.
Born To Be Wide’s next seminar at Edinburgh’s Electric Circus on May 30 is on the topic of goNORTH, with a panel featuring broadcaster Vic Galloway, goNORTH duo Amanda Millen and Alex Smith and Chasing Owls frontman Ben Sunderland explaining how musicians and delegates can get the most out of the annual Inverness convention. Tickets are free.
AC/DC have backed a campaign to erect a bronze statue of their former frontman Bon Scott in his hometown of Kirriemuir in Angus. Community music group DD8 Music hope to raise £50,000 via Kickstarter by June 5.
Kite And The Crane’s debut EP, Found In The End, is out on Bandcamp.
May 15, 2013: Biffy Clyro have a video for their new single Opposite.
The View are playing a one-off show at Glasgow’s King Tut’s on June 12 for the Sunday Mail Centenary Fund.
Adam Stafford is launching his second album Imaginary Walls Collapse with a gig at Glasgow’s Glad Cafe on July 5 with support from Siobhan Wilson and Robbie Lesiuk.
May 14, 2013: The Wee Chill will mark its 10th anniversary with a two-stage bill at Glasgow’s SWG3 on June 29 for the West End Festival. The line-up features Malcolm Middleton, James Yorkston with Sparrow & The Workshop (collaborative debut), Aidan Moffat (spoken word), Three Blind Wolves, Roddy Hart & The Lonesome Fire, Miaoux Miaoux, Fake Major.
Tommy Perman, who recently left FOUND, has unveiled his new solo project ComputerScheisse – check out These Beautiful Minds, the title track of his debut EP, out on July 15 through Phuturelabs.
RockNess have announced more acts for the festival on June 7-9 including Fenech-Soler, Fatherson, Public Service Broadcasting, The Boy Who Trapped The Sun, Niteworks and Jemma Tweedie.
Too Many Fireworks Records will donate all profits from sales of Variations Of Chopin, an album of contemporary interpretations of the composer’s music, to the fundraising campaign for drummer Robbie Cooper, whose cancer fight was documented on The Pop Cop.
May 13, 2013: New releases out now include Young Aviators’ debut album Self Help, Eagleowl’s debut album This Silent Year, and Cherri Fosphate’s new Burning Youth EP.
May 10, 2013: The live schedule for goNORTH in Inverness on June 5-6 has been unveiled – it includes a Scottish Bloggers Showcase hosted by The Pop Cop, Peenko and Song, by Toad featuring a four-band bill of Garden Of Elks, Friends In America, The Yawns and Flutes.
May 9, 2013: The documentary Hunting For Remoteness details The Magnetic North’s visit to Orkney – where frontman Erland Cooper is from – for the making of their debut album. It will be released on June 24 alongside a reissue of that record, Orkney: Symphony Of The Magnetic North. You can watch the trailer here.
Alphabetical Order Orchestra are streaming their first song, The Architect. The band is made up of My Latest Novel members Chris Deveney, Gary Deveney and Ryan King.
A Band Called Quinn have launched a crowdfunding campaign to support performances of their multimedia show Biding Time (remix) at the Edinburgh Fringe Festival in August.
May 8, 2013: Three Blind Wolves have released their new album, Sing Hallelujah For The Old Machine.
May 7, 2013: Adam Stafford’s new single Please is streaming online – it’s taken from his second album Imaginary Walls Collapse, out in July.
May 6, 2013: The T in the Park Roadshow is bringing free live music to Scottish towns this month – it stops at Glasgow today for The View at Kelvingrove Park (1pm) and Buchanan Street (3.30pm); Edinburgh on May 10 for Vigo Thieves at Queen Margaret University’s Student Union (noon), Dundee on May 11 for The LaFontaines at Overgate Centre (noon); Aberdeen on May 12 for Sienna at Aberdeen University (noon); and Ayr on May 18 for The Redettes at Ayr Railway Station (noon).
Fake Major have a video for Fiction, a song on their Have Plenty Of Fun EP. Fellow Comets & Cartwheels artist Finn LeMarinel has a new video for Garden, taken from his debut album Violence.
Capitals have released a sampler of all the tracks on their debut album A National Service, out on June 3.
May 3, 2013: Episode 11 of BBC ALBA’s Rapal music TV programme is on iPlayer and features Cara Mitchell, Brown Bear & The Bandits, Three Blind Wolves and Anna Sweeney.
Steve Mason has accused Samsung of plagiarising the video for The Beta Band’s 2004 single Assessment for their new television advert. Both show historical figures running down a beach and helicopters circling overhead.
May 2, 2013: Young Aviators’ debut album Self Help is streaming on Electric Honey’s SoundCloud ahead of its release on May 13.
May 1, 2013: Travis have a video for Where You Stand, the first single and title track of the band’s seventh album, out on August 19.
Fake Major’s debut EP, Have Plenty Of Fun, is available for download.
My Latest Novel have gone on hiatus, with three of the members forming Alphabetical Order Orchestra - look out for music from them next week.
Kobi Onyame has a video for his new single The Real Part 2.
Trapped In Kansas have unveiled new song Collapse Rebuild.
Rob St John’s new AA single Charcoal Black And The Bonny Grey/Shallow Brown is out now.
April 30, 2013: Boards Of Canada will release Tomorrow’s Harvest, their first new album in eight years, on June 10.
Quickbeam song Immersed is available to download for free from DIY – you can also listen to snippets from every track of the band’s self-titled debut album, out on June 3.
Discopolis have unveiled the video for their new song Falling (Committed To Sparkle Motion), out on May 5.
April 29, 2013: The SAY Award will stream each of the 20 longlisted albums for 24 hours through their app, starting today with Miaoux Miaoux’s Light Of The North. You can read The Pop Cop’s feature here.
Panda Su’s new song MAPS is available to buy now on Amazon, while Bwani Junction’s new single Civil War is on iTunes.
The Boy Who Trapped The Sun has a video for new song California ahead of his May tour in Scotland.
The Pastels have a video for Check My Heart, taken from their forthcoming new album Slow Summits, out on May 27.
Frank Turner covered Frightened Rabbit’s The Modern Leper for Jim Gellatly’s In:Demand Uncut session.
April 27, 2013: Episode 10 of BBC ALBA’s Rapal music TV programme is on iPlayer and features two fantastic unreleased songs by Beerjacket as well as The Holy Ghosts, The Merrylees and Ray McCartney.
Travis, Johnny Marr, Hurts, James Skelly, Jack Savoretti, Willy Mason, Foy Vance, Steve Mason, Milo Greene and DIIV have been added to the T in the Park line-up, which has now been separated into day-by-day splits.
Edinburgh venue The Forest Cafe, which has been banned from hosting live music due to council restrictions, are looking for acts to play their new monthly event, the Forest Big Night Out at Old St Paul’s, which launches on May 23. Email foresteventsedinburgh@gmail.com for details.
April 26, 2013: The Burns an’ a’ that! Festival will feature live music as part of Weekend in the Park at Ayr’s Belleisle Park on May 25-26. Rose Parade, Little Fire, Pronto Mama and The Bluebells are among the free acts; Justin Currie + Rachel Sermanni play a ticketed gig on May 26.
Other newly-announced concerts on sale include Lana Del Rey + Kassidy at Glasgow’s SECC on May 16 (replacing her two dates at the Academy on May 15/16) Bombay Bicycle Club at Edinburgh’s Liquid Room on June 7, Belle & Sebastian at Inverness’ Ironworks on July 1, We Are Scientists at Glasgow’s Oran Mor on July 29, Kid Canaveral + Ballboy at Edinburgh’s Liquid Room on August 10.
Kid Canaveral + The Last Battle + Adam Ross (Randolph’s Leap) also play a free show at Edinburgh’s Caves on May 23 with 300 tickets on the door on a first come, first served basis as part of a Dewar’s event.
April 25, 2013: Seasick Steve, The Pigeon Detectives, Julie Fowlis, Meursault, Washington Irving, PAWS and The LaFontaines have been added to the Belladrum Festival line-up on August 2-3.
Washington Irving have released Palomides Volume 1, the first half of their debut album.
The View are streaming Kill Kyle, one of two new songs on their compilation album Seven Year Setlist, out on June 17.
April 24, 2013: The showcase list of artists picked to play goNORTH in Inverness on June 5-6 has been announced. For the third consecutive year there will be a bloggers’ showcase stage hosted by The Pop Cop, Peenko and Song, by Toad. More details to follow soon.
Kilmarnock’s Dirty Weekender will feature 45 acts over three venues on May 31 to June 2 including Fridge Magnets, Bwani Junction, The Ok Social Club, Ross Leighton (Fatherson) and Chris Helme.
Poor Things’ new single Morgan is free to download – it’s taken from their Hurricane Poor Things EP, out on June 10.
Similarly, Cherri Fosphate are giving away Wool from their Burning Youth EP, out on May 11.
April 23, 2013: Glasvegas will play Aberdeen’s Garage on June 27, Edinburgh’s Liquid Room on June 28 and Glasgow’s ABC on June 29.
Reverieme’s second album With Up So Floating is out now.
Roddy Hart & The Lonesome Fire have announced they will release their self-titled new album through Middle Of Nowhere Records in July.
Herculean have a video for Red Weather, taken from The Falling Thunder EP, out on June 7.
April 22, 2013: Stag & Dagger have added Phosphorescent, Rachel Sermanni, Randolph’s Leap, French Wives, Fake Major, Prides, Chris Devotion & The Expectations and Donald Macdonald & The Islands to the Glasgow festival’s line-up on May 18.
Episode 9 of BBC ALBA’s Rapal music TV programme is on iPlayer and features Brown Bear & The Bandits, Cara Mitchell, The Open Day Rotation and John Wean.
Texas have unveiled a video for The Conversation, the title track from their first album in eight years, out on May 20.
Bronagh & The Boys have released their debut single Green, taken from A Young Heart EP, out on May 19.
April 19, 2013: Kassidy’s Barrie-James O’Neill and his girlfriend Lana Del Rey have recorded a cover of Summer Wine (made famous by Nancy Sinatra and Lee Hazlewood), backed with a video featuring handheld footage of the pair in Los Angeles.
My Bloody Valentine, Trash Talk, Fidlar and The VirginMarys have been added to the T in the Park line-up.
April 18, 2013: Pre-sale tickets are available for Regina Spektor at Glasgow’s Academy on August 20 and Kings Of Leon at the ciry’s Bellahouston Park on August 15, the latter being part of the Glasgow Summer Sessions.
The Mirror Trap have unveiled a video for Westminster Ghost Story, the first track to be taken from their second album Stay Young, due out this autumn.
April 17, 2013: Midnight Lion have changed their name to Prides and expanded to a trio with the addition of Kitty The Lion’s Callum Wiseman on guitar and vocals. To coincide with the announcement, they have unveiled wonderfully addictive new song Out Of The Blue.
T in the Park have added Local Natives, Lucy Rose, Swim Deep, Theme Park, Lewis Watson and Sons & Lovers to the festival on July 12-14.
April 16, 2013: Doune The Rabbit Hole have announced that this year’s festival will take place at the new location of Cardross Estate at Port of Menteith in Stirlingshire on August 22-25. The line-up features Clinic, Meursault, Rachel Sermanni, Alasdair Roberts, Washington Irving, The Pastels, PAWS, Beerjacket, Rick Redbeard, We Are The Physics, Randolph’s Leap, Siobhan Wilson, Panda Su, Shambles Miller, Jo Mango and TeenCanteen. See here for full day-by-day splits.
April 15, 2013: James and Twin Atlantic will headline the Belladrum Tartan Heart Festival on August 2-3. Other acts on the bill include Admiral Fallow, Fatherson, Rick Redbeard, Noisettes, The Horrors and King Charles.
April 13, 2013: Edinburgh’s live music scene has suffered yet another setback with Forest Cafe having its live music licence reviewed, causing the immediate postponement of gigs there, starting with the Solas Showcase scheduled for today.
Newsnight Scotland featured a report on the music industry on April 10, prompted by the Wide Days convention in Edinburgh. Watch the segment on BBC iPlayer, with contributions from Stanley Odd’s Dave Hook, Plum’s Shona Maguire, Chemikal Underground’s Stewart Henderson, Wide Days organiser Olaf Furniss and journalist Nicola Meighan. The interviews were conducted by Galleries drummer Andrew Black.
April 12, 2013: Episode 8 of BBC ALBA’s Rapal music TV programme is on iPlayer and features Niteworks, The Holy Ghosts, Miaoux Miaoux and The Merrylees.
Eagleowl have unveiled Not Over, the first offering from debut album This Silent Year, which will come out through Fence Records on May 13.
Dear Lara, aka David Lan, has released his debut EP Plans as a free download.
April 11, 2013: Capitals’ debut album A National Service will come out on June 3, with those who pre-order it (from just £5) getting an immediate download of any of the record’s 11 tracks, one of which is Reliever.
The View will release singles compilation Seven Year Setlist on June 17 – the album features two new songs, Dirty Magazine and Kill Kyle.
Several Scottish acts have posted tracks from forthcoming new albums – check out Washington IrvingWandering Wits, United FruitTaste I Can’t Give Up and Hector BizerkOrchestrated Madness.
April 10, 2013: Promoters Cry Parrot will host their 6th Birthday Party at Glasgow’s Glue Factory on April 26 with a gig featuring Sacred Paws, Hector Bizerk, Tut Vu Vu, Ultimate Thrush, Ela Orleans and Sad City.
Three Blind Wolves are previewing Slow Summer Deer, taken from their Sing Hallelujah For The Old Machine album, released on May 6.
Where We Lay Our Heads single Keanu Leaves is out now.
Great Cop are giving away new song Stop Hiding as a free download.
April 9, 2013: Mogwai guitarist John Cummings uploaded a photo of himself at Glasgow’s George Square yesterday where more than 300 people gathered, inspired by his band’s 2011 song George Square Thatcher Death Party.
Hi-Arts, which promotes arts in the Highlands and Islands, has issued notices of redundancies to all 10 of its staff in the wake of funding cuts.
April 8, 2013: Fridge Magnets will play a ‘silent gig’ at a secret outdoor location in Glasgow on May 15 (6pm) – tickets can be won through organisers Deezer. The band will perform inside a mobile perspex box with the 300-capacity audience able to hear them through headphones.
Kassidy have released new mini-album People Like Me.
April 7, 2013: Song Of Return have launched their Singles Club project on Bandcamp through which they’ll be selling unreleased tracks. Month 1 contains Torn Between The Tides (see video) and Enough.
Cairn String Quartet, who were profiled on The Pop Cop in March, have unveiled their orchestral cover of Kid Canaveral’s Low Winter Sun.
Travis have made new song Another Guy available to download for free through their website. It also has a video.
April 6, 2013: The following 16 HMV and Fopp stores in Scotland will remain open following Hilco’s takeover – HMV: Aberdeen, Ayr, Dundee, East Kilbride, Edinburgh Fort Kinnaird, Edinburgh Ocean Terminal, Edinburgh Princes St, Glasgow Argyle St, Glasgow Buchanan St, Glasgow Fort, Inverness, Livingston, Stirling; Fopp: Edinburgh; Glasgow Union St; Glasgow Byres Rd.
Bwani Junction have a video for new single Civil War, out on April 29.
Rachel Sermanni and Emma’s Imagination are among the acts playing the Kintyre Songwriters Festival in Campbeltown on May 24-26.
Quickbeam will launch their debut album with a gig at the disused Govanhill Baths in Glasgow on May 31. They will be supported by Fake Major whose debut Have Plenty Of Fun EP comes out on May 1.
April 5, 2013: Spotify director Mark Williamson will give the keynote speech at next week’s Wide Days event in Edinburgh as part of a session on the business of streaming. The full running order is here.
Episode 7 of BBC ALBA’s Rapal music TV programme is on iPlayer and features Anna Sweeney, Cara Mitchell, Discopolis and Paul McGranaghan.
Dot JR has uploaded new song Waterfalls to SoundCloud.
April 4, 2013: The Tiree Music Festival will take place in An Talla on July 20-21 with a bill that includes Roddy Hart & The Lonesome Fire, Washington Irving, The Youth And Young and Brown Bear & The Bandits.
Galleries’ fantastic new single Midnight Rush is out now.
Casual Sex have made a video for their debut single Stroh 80. They play Glasgow’s Nice ‘n’ Sleazy on April 5 and Oran Mor on April 7.
April 3, 2013: Comlongon Rocks have added a third day of live music to its line-up at Comlongon Castle in Dumfries & Galloway on May 17-19. The festival’s line-up features Three Blind Wolves, Emma’s Imagination, The OK Social Club and Saint Max.
Chem 19 are offering three days of free recording time to five Scottish acts through their Creative Scotland Demo Fund. To apply, musicians (under-25s only) should email a link to some demos and a bio to info@chem19.co.uk with the subject Chem19 Demo Fund Enquiry before April 26. Chosen acts will also take part in a live showcase.
Siobhan Wilson + Julia And The Doogans + Jo Mango will play Glasgow’s Roxy 171 on June 26 as part of the Scottish Fiction Presents: Aye Tunes vs Peenko night at the West End Festival.
April 2, 2013: Acts confirmed for The Insider Festival in Aviemore on June 21-23 include Rachel Sermanni, Karine Polwart, Hector Bizerk, Urstan, David Thomas Broughton, Miaoux Miaoux, Pete Roe, Jonnie Common, Adam Holmes And The Embers and Sparrow And The Workshop.
Up-and-coming acts can apply to play the Hebridean Celtic Festival in Stornoway on July 17-20 through their One Step Further competition which is open to musicians aged 18-25. To enter, artists need to email office@hebceltfest.com with the subject HebCelt New Talent Submissions and include links to three songs, a biog and high-res photo. Closing date is April 12.
April 1, 2013: Quickbeam’s self-titled debut album will be released through Comets & Cartwheels on June 3 – check out the video for lead track Immersed which will be available as a free download on April 29.
We Were Promised Jetpacks will headline the second night of the three-day Solas Festival in Perthshire on June 22.
Minor Delilah will be giving away copies of their new EP, Only Dust Can Hear You, to anyone who attends their launch gig at Glasgow’s Classic Grand on May 3.

11

Nov

Do musicians make good music journalists?


There are two very well-known Scottish musicians whom few people realise are actually connected to one another so I figured a post on The Pop Cop would be the perfect place to share such wisdom. That was the inspiration behind the family tree of Scottish musicians and the great irony is that when I was sitting on my living room floor at 6am drawing increasingly groggy lines on the back of Christmas wrapping paper, I came to the conclusion that their association was not strong enough to merit a direct link.

However, all is not lost – the relationship between Stuart Murdoch of Belle & Sebastian and Fran Healy of Travis sits perfectly with the theme of this post: Do musicians make good music journalists?

Stuart Murdoch and Fran Healy were pals in the early Nineties. Stuart’s closest friend, Ciara MacLaverty, has a sister called Jude (now the head of BAFTA Scotland), who just so happened to be Fran’s best friend, and the four of them would often hang out together.

However, before Belle & Sebastian or Travis came into existence, Stuart went along on behalf of M8 magazine to review a gig Fran was doing with his band Glass Onion… and it almost destroyed their friendship.

Fran: “I was just starting out in a band and Stuart totally gave us a pasting. He was just so horrible about it. I sat down and confronted him on the stairs at the front of Jude’s house in Glasgow. I was like, ‘Stuart, what the fuck? Give us a chance, man’. He was like, ‘Oh, I just thought, um, I just didn’t really enjoy it’. I’m like, ‘Fuck you, come on! It was our second show’. I never forgave him.” (see here for more of this interview)

The episode acutely sums up the perils of music journalism – people don’t react well to being criticised in public. Add the sensitive egos of artists into the mix and it’s only a matter of time before the phrase ‘hate preacher’ comes up in conversation.

Ten years ago, PETER KELLY (long before he became Beerjacket) reviewed a Biffy Clyro gig (long before they became famous) at King Tut’s in Glasgow. To this day it still bothers him, so hopefully getting it off his chest on The Pop Cop will allow him to feel a sense of closure.

Peter: “Like many student music journalists, my critical angle came from a bitter and essentially sad standpoint. I’d been playing with little success in bands for years when I started writing reviews for the Glasgow University Guardian. So twisted were my feelings towards the music industry that local bands who were doing well somehow made me feel like a hopeless failure.

“At this point, welcome Biffy Clyro to my tragic little anecdote. I was reviewing a local three-band bill at King Tut’s in 2000 when I put together a nasty little hatemail-style hackjob on Biffy. Within it, I made childish comparisons (Limp Bizkit), meaningless muso jibes (‘heavy metal drumsticks’ – eh?) and, perhaps worst of all, catty fashion remarks about a baseball cap worn by one of the members.

“It was poisonous, spitefully written and transparently envious. Now their popularity is so widespread that their detractors have become much less significant, but at the time it was plainly snide and unnecessary and really did (they told me) hurt the band’s feelings. I still feel truly ashamed of what I wrote, not least because that review was much more a reflection on how little worth I felt I had than it was an honest appraisal of them.

“Soon after writing the review, I became a devoted, card-carrying fan of the band (as I have remained) and it should be noted that this conversion was not as a result of reading some sanctimonious critic’s opinions. It was entirely down to Biffy themselves: a great band I’d simply wanted to hate in light of their burgeoning success.”

There is a happy ending. Six years later, who should be in the crowd watching Beerjacket perform at Belladrum but the Biffy boys themselves. Since there were no reports of heckling, missile-throwing or backstage punch-ups, one would like to assume all is forgiven.

Such feelings of envy/jealousy/bitterness is a common side-effect when part-time musicians are tasked with writing about their peers, as our next contributor explains.

CAMPBELL MILLER is the deputy editor of music website Stereokill and has also had work published in The Skinny. He is perhaps better known by his on-stage acoustic singer-songwriter persona Shambles Miller.

Campbell: “Back when I was struggling to get gigs with bands and couldn’t get anyone to listen to my music, it was a bit soul-crushing writing reviews of other up-and-coming bands, especially if I felt like they were pretty awful. I suppose that’s one drawback of being a writer and a musician. But to be completely honest, nowadays if I was asked to review a local artist whose music I wasn’t fond of, I’d probably pass on it. Conflict of interests and all that.”

However, being a musician does have its benefits when it comes to reviewing and interviewing other musicians.

Campbell: “It definitely helps you with certain types of question, as you’ll always be looking at things from a musician’s perspective, at least to some extent. I’ll tend to focus more on songwriting and lyrics in an interview, for instance. In terms of review-writing, however, it can be a double-edged sword. I find it hard to separate being a musician from being a writer: on one hand it might help you think about the music you’re reviewing in a slightly different way to others, but you have to be careful not to let that blinker you and hinder your objectivity.”

Last year, in what could only be described as an exercise in masochism, a Stereokill newbie was handed Shambles Miller’s Shambles vs The Dragon Wizard EP and told to review it as his first assignment. It must be bad enough seeing your music described as “this isn’t world-changingly original” and “the mix is a little weak”… but on the website you work for? That’s gotta hurt.

Campbell: “It’s probably quite telling that I’d completely omitted that quote from my memory of the article. I had to go read it again to check where it appeared. To be honest, I have no problems with it and in fact, I’m glad Andrew included that description. He could easily have left it out for the sake of avoiding any hassle, whereas its inclusion justifies his positive comments in the rest of the review. Had he praised the record’s good elements and glossed over its flaws, the piece might have seemed insincere. It was the first CD I’d ever recorded after all, and for almost no money – I prefer to see that as “rough around the edges”. You can’t tell but that’s said with a cartoon-esque wink.”

Journalist RACHEL DEVINE, who has enjoyed critical acclaim in groups such as Telstar Ponies and, now, The Porch Song Anthology, is also not unfamiliar with the feeling of having her own music reviewed.

Rachel: “I hate and fear it. Unless it’s a good review, of course, in which case I fall temporarily in love with the reviewer regardless of height, gender or star sign.

“I’ve been in bands since I was 17 and to my eternal embarrassment I remember being a bit of a tit to journalists when I was younger – worse still I had very little of interest to say. When the tables were turned I discovered a whole new respect for them because, as rewarding as it is, it can also be quite frustrating. I suppose being a musician helps because you can put yourself in their shoes…you can understand what it’s like to potentially open yourself up to a kind of savage criticism that’s unique to music journalism.

“I’m not really sure it’s necessary to be really horrible about any band unless they’re really taking the piss with their atrociousness. You have to remember that one man’s Coldplay is another man’s Rolling Stones. A really brilliant music writer will outline their reasons for disliking something in such a way that allows somebody to come along and say, ‘Well, actually, I think for those very reasons I’m going to like this record’. Having said that, nothing beats a really funny, scathing review.”

Rachel worked at the Sunday Times until June of this year and has most recently been writing for The List and Irish folk alt-country website Whisperin And Hollerin, so what would she rather be: a professional music journalist or a professional musician? “Professional musician every time – it’s the only one that still legitimises daily drinking.”

Beerjacket – VCR (The xx cover)

Telstar Ponies – Farewell, Farewell

(*check out The Porch Song Anthology’s new Christmas song here)

6 Responses to “Do musicians make good music journalists?”

  1. chris Says:

    November 12th, 2010 at 02:11

    Great piece! has gotta have taken a lot digging to find that!
    I think it’s only hard being a reviewer and a musician if you are a negative writer. I understand that working for a magazine/website (as I do) you will be asked to review a show/CD and have to give your honest opinion,and you should give it.
    If it is an established band then they have fans who are looking to find out about their record/live show and should be given an honest critical response.
    Unsigned/grassroots music is different though, as you are basically introducing them to an audience, and what is the point of bringing something you think is shit to peoples attention?
    I have no problem giving a bad review to a well established band that I don’t like – generally because it is on assignment for somewhere – but if it’s an unsigned, new band I will just not mention it, as there is no point.
    It is rare that an unsigned outfit will see themselves reviewed in a popular publication, but there seems to be a trend of writers getting published who just want to slate something and are given an assignment of an unsigned scottis band, and pan it because their musical taste is founded on the amazon top ten.
    bit of a long rant!


  2. The Pop Cop Says:

    November 12th, 2010 at 10:53

    Further reading – The man who… inspired Travis
    https://docs.google.com/document/d/1ROcGhH0_d5fLeoys2AW2vv0PlR-bhlH9h5twoxhKlOk/edit?hl=en&authkey=CNq8_LUE


  3. klaher Says:

    November 12th, 2010 at 12:37

    Robert Forster (Go-Betweens) writes with good insight for The Monthly http://www.themonthly.com.au/


  4. peenko Says:

    November 12th, 2010 at 13:22

    how fecking old are those magazines?!


  5. John D. Says:

    November 18th, 2010 at 11:08

    Very interesting stuff, as always. I had no idea Mr Healy and Muscly Murdoch knew each other. It’s hard to imagine. I thought the first Travis album was brutal, but I enjoyed harmless tuneful stuff like “Driftwood”, genuinely catchy. I applaud Beerjacket for overcoming his Biffy prejudices. I have never made the effort to go backj and listen harder and overcome my own…I have to admit in my head I have them filed under Nirvana pastiche – am I really missing out??


  6. Louise Woodhouse-Black Says:

    November 19th, 2010 at 22:58

    Beautiful remix of a timeless track………


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