May 22, 2013: The Basement Coffee House in Ayr has been shortlisted by NME as Scotland’s representative in a public vote to find the best small venue in Britain. The 80-capacity venue opened eight months ago.
Tomorrow’s second instalment of the Dewar House Experimental Batch series sees Edinburgh’s Caves host free live music from Kid Canaveral, The Last Battle and Adam Ross (Randolph’s Leap). There will be 550 tickets available on the door on a first come, first served basis.
May 21, 2013: Camera Obscura song Fifth In Line To The Throne is available for free download in exchange for an email address. It’s taken from the band’s fifth album Desire Lines, out on June 3, and pre-ordering it will get you another track, Do It Again.
Book Group have released their debut EP, Homeward Sound.
Sparrow And The Workshop’s third album Murderopolis, out on May 27, is streaming in full via DIY - one of the songs, The Faster You Spin, is also available for free download.
May 20, 2013: Garden Of Elks’ debut EP, Extended Play, is available to buy and stream.
The Clock have a video for their excellent song Everything’s Eventual, which is released on May 28. They have Glasgow gigs lined up at Broadcast on June 1 and Roxy 171 on June 20.
May 18, 2013: The 16-strong T Break line-up for T in the Park on July 12-14 has been unveiled - Arches, Blindfolds, DARC, Fake Major, Hector Bizerk, Honeyblood, Machines In Heaven, Michael Cassidy, Poor Things, Pronto Mama, Seams, Sunshine Social, The Merrylees, The Velveteen Saints, Vasa, Waiting For Go.
Anna Sweeney has announced she is taking a full break from music and has cancelled her scheduled appearance at Wickerman in July as she relocates to Reading for work in June. Another musician swapping Scotland for England is Plum, who is moving to Brighton in July.
May 17, 2013: The stage times have been released for the 35 acts playing Stag & Dagger across seven Glasgow venues on May 18.
Franz Ferdinand’s fourth album Right Thoughts, Right Words, Right Action will be released on August 26 – check out this brief trailer.
Frightened Rabbit recorded a cover of Best Coast’s The Only Place for Australian radio show Triple J. The band release their Late March, Death March EP on June 2.
The Mouse That Ate The Cat song When I Wake Up is available for free in exchange for your email address.
The title track of Adam Stafford’s forthcoming second album Imaginary Walls Collapse is streaming here.
May 16, 2013: The Discopolis remix of Bwani Junction single Civil War is available to download for free from SoundCloud.
Born To Be Wide’s next seminar at Edinburgh’s Electric Circus on May 30 is on the topic of goNORTH, with a panel featuring broadcaster Vic Galloway, goNORTH duo Amanda Millen and Alex Smith and Chasing Owls frontman Ben Sunderland explaining how musicians and delegates can get the most out of the annual Inverness convention. Tickets are free.
AC/DC have backed a campaign to erect a bronze statue of their former frontman Bon Scott in his hometown of Kirriemuir in Angus. Community music group DD8 Music hope to raise £50,000 via Kickstarter by June 5.
Kite And The Crane’s debut EP, Found In The End, is out on Bandcamp.
May 15, 2013: Biffy Clyro have a video for their new single Opposite.
The View are playing a one-off show at Glasgow’s King Tut’s on June 12 for the Sunday Mail Centenary Fund.
Adam Stafford is launching his second album Imaginary Walls Collapse with a gig at Glasgow’s Glad Cafe on July 5 with support from Siobhan Wilson and Robbie Lesiuk.
May 14, 2013: The Wee Chill will mark its 10th anniversary with a two-stage bill at Glasgow’s SWG3 on June 29 for the West End Festival. The line-up features Malcolm Middleton, James Yorkston with Sparrow & The Workshop (collaborative debut), Aidan Moffat (spoken word), Three Blind Wolves, Roddy Hart & The Lonesome Fire, Miaoux Miaoux, Fake Major.
Tommy Perman, who recently left FOUND, has unveiled his new solo project ComputerScheisse – check out These Beautiful Minds, the title track of his debut EP, out on July 15 through Phuturelabs.
RockNess have announced more acts for the festival on June 7-9 including Fenech-Soler, Fatherson, Public Service Broadcasting, The Boy Who Trapped The Sun, Niteworks and Jemma Tweedie.
Too Many Fireworks Records will donate all profits from sales of Variations Of Chopin, an album of contemporary interpretations of the composer’s music, to the fundraising campaign for drummer Robbie Cooper, whose cancer fight was documented on The Pop Cop.
May 13, 2013: New releases out now include Young Aviators’ debut album Self Help, Eagleowl’s debut album This Silent Year, and Cherri Fosphate’s new Burning Youth EP.
May 10, 2013: The live schedule for goNORTH in Inverness on June 5-6 has been unveiled – it includes a Scottish Bloggers Showcase hosted by The Pop Cop, Peenko and Song, by Toad featuring a four-band bill of Garden Of Elks, Friends In America, The Yawns and Flutes.
May 9, 2013: The documentary Hunting For Remoteness details The Magnetic North’s visit to Orkney – where frontman Erland Cooper is from – for the making of their debut album. It will be released on June 24 alongside a reissue of that record, Orkney: Symphony Of The Magnetic North. You can watch the trailer here.
Alphabetical Order Orchestra are streaming their first song, The Architect. The band is made up of My Latest Novel members Chris Deveney, Gary Deveney and Ryan King.
A Band Called Quinn have launched a crowdfunding campaign to support performances of their multimedia show Biding Time (remix) at the Edinburgh Fringe Festival in August.
May 8, 2013: Three Blind Wolves have released their new album, Sing Hallelujah For The Old Machine.
May 7, 2013: Adam Stafford’s new single Please is streaming online – it’s taken from his second album Imaginary Walls Collapse, out in July.
May 6, 2013: The T in the Park Roadshow is bringing free live music to Scottish towns this month – it stops at Glasgow today for The View at Kelvingrove Park (1pm) and Buchanan Street (3.30pm); Edinburgh on May 10 for Vigo Thieves at Queen Margaret University’s Student Union (noon), Dundee on May 11 for The LaFontaines at Overgate Centre (noon); Aberdeen on May 12 for Sienna at Aberdeen University (noon); and Ayr on May 18 for The Redettes at Ayr Railway Station (noon).
Fake Major have a video for Fiction, a song on their Have Plenty Of Fun EP. Fellow Comets & Cartwheels artist Finn LeMarinel has a new video for Garden, taken from his debut album Violence.
Capitals have released a sampler of all the tracks on their debut album A National Service, out on June 3.
May 3, 2013: Episode 11 of BBC ALBA’s Rapal music TV programme is on iPlayer and features Cara Mitchell, Brown Bear & The Bandits, Three Blind Wolves and Anna Sweeney.
Steve Mason has accused Samsung of plagiarising the video for The Beta Band’s 2004 single Assessment for their new television advert. Both show historical figures running down a beach and helicopters circling overhead.
May 2, 2013: Young Aviators’ debut album Self Help is streaming on Electric Honey’s SoundCloud ahead of its release on May 13.
May 1, 2013: Travis have a video for Where You Stand, the first single and title track of the band’s seventh album, out on August 19.
Fake Major’s debut EP, Have Plenty Of Fun, is available for download.
My Latest Novel have gone on hiatus, with three of the members forming Alphabetical Order Orchestra - look out for music from them next week.
Kobi Onyame has a video for his new single The Real Part 2.
Trapped In Kansas have unveiled new song Collapse Rebuild.
Rob St John’s new AA single Charcoal Black And The Bonny Grey/Shallow Brown is out now.
April 30, 2013: Boards Of Canada will release Tomorrow’s Harvest, their first new album in eight years, on June 10.
Quickbeam song Immersed is available to download for free from DIY – you can also listen to snippets from every track of the band’s self-titled debut album, out on June 3.
Discopolis have unveiled the video for their new song Falling (Committed To Sparkle Motion), out on May 5.
April 29, 2013: The SAY Award will stream each of the 20 longlisted albums for 24 hours through their app, starting today with Miaoux Miaoux’s Light Of The North. You can read The Pop Cop’s feature here.
Panda Su’s new song MAPS is available to buy now on Amazon, while Bwani Junction’s new single Civil War is on iTunes.
The Boy Who Trapped The Sun has a video for new song California ahead of his May tour in Scotland.
The Pastels have a video for Check My Heart, taken from their forthcoming new album Slow Summits, out on May 27.
Frank Turner covered Frightened Rabbit’s The Modern Leper for Jim Gellatly’s In:Demand Uncut session.
April 27, 2013: Episode 10 of BBC ALBA’s Rapal music TV programme is on iPlayer and features two fantastic unreleased songs by Beerjacket as well as The Holy Ghosts, The Merrylees and Ray McCartney.
Travis, Johnny Marr, Hurts, James Skelly, Jack Savoretti, Willy Mason, Foy Vance, Steve Mason, Milo Greene and DIIV have been added to the T in the Park line-up, which has now been separated into day-by-day splits.
Edinburgh venue The Forest Cafe, which has been banned from hosting live music due to council restrictions, are looking for acts to play their new monthly event, the Forest Big Night Out at Old St Paul’s, which launches on May 23. Email foresteventsedinburgh@gmail.com for details.
April 26, 2013: The Burns an’ a’ that! Festival will feature live music as part of Weekend in the Park at Ayr’s Belleisle Park on May 25-26. Rose Parade, Little Fire, Pronto Mama and The Bluebells are among the free acts; Justin Currie + Rachel Sermanni play a ticketed gig on May 26.
Other newly-announced concerts on sale include Lana Del Rey + Kassidy at Glasgow’s SECC on May 16 (replacing her two dates at the Academy on May 15/16) Bombay Bicycle Club at Edinburgh’s Liquid Room on June 7, Belle & Sebastian at Inverness’ Ironworks on July 1, We Are Scientists at Glasgow’s Oran Mor on July 29, Kid Canaveral + Ballboy at Edinburgh’s Liquid Room on August 10.
Kid Canaveral + The Last Battle + Adam Ross (Randolph’s Leap) also play a free show at Edinburgh’s Caves on May 23 with 300 tickets on the door on a first come, first served basis as part of a Dewar’s event.
April 25, 2013: Seasick Steve, The Pigeon Detectives, Julie Fowlis, Meursault, Washington Irving, PAWS and The LaFontaines have been added to the Belladrum Festival line-up on August 2-3.
Washington Irving have released Palomides Volume 1, the first half of their debut album.
The View are streaming Kill Kyle, one of two new songs on their compilation album Seven Year Setlist, out on June 17.
April 24, 2013: The showcase list of artists picked to play goNORTH in Inverness on June 5-6 has been announced. For the third consecutive year there will be a bloggers’ showcase stage hosted by The Pop Cop, Peenko and Song, by Toad. More details to follow soon.
Kilmarnock’s Dirty Weekender will feature 45 acts over three venues on May 31 to June 2 including Fridge Magnets, Bwani Junction, The Ok Social Club, Ross Leighton (Fatherson) and Chris Helme.
Poor Things’ new single Morgan is free to download – it’s taken from their Hurricane Poor Things EP, out on June 10.
Similarly, Cherri Fosphate are giving away Wool from their Burning Youth EP, out on May 11.
April 23, 2013: Glasvegas will play Aberdeen’s Garage on June 27, Edinburgh’s Liquid Room on June 28 and Glasgow’s ABC on June 29.
Reverieme’s second album With Up So Floating is out now.
Roddy Hart & The Lonesome Fire have announced they will release their self-titled new album through Middle Of Nowhere Records in July.
Herculean have a video for Red Weather, taken from The Falling Thunder EP, out on June 7.
April 22, 2013: Stag & Dagger have added Phosphorescent, Rachel Sermanni, Randolph’s Leap, French Wives, Fake Major, Prides, Chris Devotion & The Expectations and Donald Macdonald & The Islands to the Glasgow festival’s line-up on May 18.
Episode 9 of BBC ALBA’s Rapal music TV programme is on iPlayer and features Brown Bear & The Bandits, Cara Mitchell, The Open Day Rotation and John Wean.
Texas have unveiled a video for The Conversation, the title track from their first album in eight years, out on May 20.
Bronagh & The Boys have released their debut single Green, taken from A Young Heart EP, out on May 19.
April 19, 2013: Kassidy’s Barrie-James O’Neill and his girlfriend Lana Del Rey have recorded a cover of Summer Wine (made famous by Nancy Sinatra and Lee Hazlewood), backed with a video featuring handheld footage of the pair in Los Angeles.
My Bloody Valentine, Trash Talk, Fidlar and The VirginMarys have been added to the T in the Park line-up.
April 18, 2013: Pre-sale tickets are available for Regina Spektor at Glasgow’s Academy on August 20 and Kings Of Leon at the ciry’s Bellahouston Park on August 15, the latter being part of the Glasgow Summer Sessions.
The Mirror Trap have unveiled a video for Westminster Ghost Story, the first track to be taken from their second album Stay Young, due out this autumn.
April 17, 2013: Midnight Lion have changed their name to Prides and expanded to a trio with the addition of Kitty The Lion’s Callum Wiseman on guitar and vocals. To coincide with the announcement, they have unveiled wonderfully addictive new song Out Of The Blue.
T in the Park have added Local Natives, Lucy Rose, Swim Deep, Theme Park, Lewis Watson and Sons & Lovers to the festival on July 12-14.
April 16, 2013: Doune The Rabbit Hole have announced that this year’s festival will take place at the new location of Cardross Estate at Port of Menteith in Stirlingshire on August 22-25. The line-up features Clinic, Meursault, Rachel Sermanni, Alasdair Roberts, Washington Irving, The Pastels, PAWS, Beerjacket, Rick Redbeard, We Are The Physics, Randolph’s Leap, Siobhan Wilson, Panda Su, Shambles Miller, Jo Mango and TeenCanteen. See here for full day-by-day splits.
April 15, 2013: James and Twin Atlantic will headline the Belladrum Tartan Heart Festival on August 2-3. Other acts on the bill include Admiral Fallow, Fatherson, Rick Redbeard, Noisettes, The Horrors and King Charles.
April 13, 2013: Edinburgh’s live music scene has suffered yet another setback with Forest Cafe having its live music licence reviewed, causing the immediate postponement of gigs there, starting with the Solas Showcase scheduled for today.
Newsnight Scotland featured a report on the music industry on April 10, prompted by the Wide Days convention in Edinburgh. Watch the segment on BBC iPlayer, with contributions from Stanley Odd’s Dave Hook, Plum’s Shona Maguire, Chemikal Underground’s Stewart Henderson, Wide Days organiser Olaf Furniss and journalist Nicola Meighan. The interviews were conducted by Galleries drummer Andrew Black.
April 12, 2013: Episode 8 of BBC ALBA’s Rapal music TV programme is on iPlayer and features Niteworks, The Holy Ghosts, Miaoux Miaoux and The Merrylees.
Eagleowl have unveiled Not Over, the first offering from debut album This Silent Year, which will come out through Fence Records on May 13.
Dear Lara, aka David Lan, has released his debut EP Plans as a free download.
April 11, 2013: Capitals’ debut album A National Service will come out on June 3, with those who pre-order it (from just £5) getting an immediate download of any of the record’s 11 tracks, one of which is Reliever.
The View will release singles compilation Seven Year Setlist on June 17 – the album features two new songs, Dirty Magazine and Kill Kyle.
Several Scottish acts have posted tracks from forthcoming new albums – check out Washington IrvingWandering Wits, United FruitTaste I Can’t Give Up and Hector BizerkOrchestrated Madness.
April 10, 2013: Promoters Cry Parrot will host their 6th Birthday Party at Glasgow’s Glue Factory on April 26 with a gig featuring Sacred Paws, Hector Bizerk, Tut Vu Vu, Ultimate Thrush, Ela Orleans and Sad City.
Three Blind Wolves are previewing Slow Summer Deer, taken from their Sing Hallelujah For The Old Machine album, released on May 6.
Where We Lay Our Heads single Keanu Leaves is out now.
Great Cop are giving away new song Stop Hiding as a free download.
April 9, 2013: Mogwai guitarist John Cummings uploaded a photo of himself at Glasgow’s George Square yesterday where more than 300 people gathered, inspired by his band’s 2011 song George Square Thatcher Death Party.
Hi-Arts, which promotes arts in the Highlands and Islands, has issued notices of redundancies to all 10 of its staff in the wake of funding cuts.
April 8, 2013: Fridge Magnets will play a ‘silent gig’ at a secret outdoor location in Glasgow on May 15 (6pm) – tickets can be won through organisers Deezer. The band will perform inside a mobile perspex box with the 300-capacity audience able to hear them through headphones.
Kassidy have released new mini-album People Like Me.
April 7, 2013: Song Of Return have launched their Singles Club project on Bandcamp through which they’ll be selling unreleased tracks. Month 1 contains Torn Between The Tides (see video) and Enough.
Cairn String Quartet, who were profiled on The Pop Cop in March, have unveiled their orchestral cover of Kid Canaveral’s Low Winter Sun.
Travis have made new song Another Guy available to download for free through their website. It also has a video.
April 6, 2013: The following 16 HMV and Fopp stores in Scotland will remain open following Hilco’s takeover – HMV: Aberdeen, Ayr, Dundee, East Kilbride, Edinburgh Fort Kinnaird, Edinburgh Ocean Terminal, Edinburgh Princes St, Glasgow Argyle St, Glasgow Buchanan St, Glasgow Fort, Inverness, Livingston, Stirling; Fopp: Edinburgh; Glasgow Union St; Glasgow Byres Rd.
Bwani Junction have a video for new single Civil War, out on April 29.
Rachel Sermanni and Emma’s Imagination are among the acts playing the Kintyre Songwriters Festival in Campbeltown on May 24-26.
Quickbeam will launch their debut album with a gig at the disused Govanhill Baths in Glasgow on May 31. They will be supported by Fake Major whose debut Have Plenty Of Fun EP comes out on May 1.
April 5, 2013: Spotify director Mark Williamson will give the keynote speech at next week’s Wide Days event in Edinburgh as part of a session on the business of streaming. The full running order is here.
Episode 7 of BBC ALBA’s Rapal music TV programme is on iPlayer and features Anna Sweeney, Cara Mitchell, Discopolis and Paul McGranaghan.
Dot JR has uploaded new song Waterfalls to SoundCloud.
April 4, 2013: The Tiree Music Festival will take place in An Talla on July 20-21 with a bill that includes Roddy Hart & The Lonesome Fire, Washington Irving, The Youth And Young and Brown Bear & The Bandits.
Galleries’ fantastic new single Midnight Rush is out now.
Casual Sex have made a video for their debut single Stroh 80. They play Glasgow’s Nice ‘n’ Sleazy on April 5 and Oran Mor on April 7.
April 3, 2013: Comlongon Rocks have added a third day of live music to its line-up at Comlongon Castle in Dumfries & Galloway on May 17-19. The festival’s line-up features Three Blind Wolves, Emma’s Imagination, The OK Social Club and Saint Max.
Chem 19 are offering three days of free recording time to five Scottish acts through their Creative Scotland Demo Fund. To apply, musicians (under-25s only) should email a link to some demos and a bio to info@chem19.co.uk with the subject Chem19 Demo Fund Enquiry before April 26. Chosen acts will also take part in a live showcase.
Siobhan Wilson + Julia And The Doogans + Jo Mango will play Glasgow’s Roxy 171 on June 26 as part of the Scottish Fiction Presents: Aye Tunes vs Peenko night at the West End Festival.
April 2, 2013: Acts confirmed for The Insider Festival in Aviemore on June 21-23 include Rachel Sermanni, Karine Polwart, Hector Bizerk, Urstan, David Thomas Broughton, Miaoux Miaoux, Pete Roe, Jonnie Common, Adam Holmes And The Embers and Sparrow And The Workshop.
Up-and-coming acts can apply to play the Hebridean Celtic Festival in Stornoway on July 17-20 through their One Step Further competition which is open to musicians aged 18-25. To enter, artists need to email office@hebceltfest.com with the subject HebCelt New Talent Submissions and include links to three songs, a biog and high-res photo. Closing date is April 12.
April 1, 2013: Quickbeam’s self-titled debut album will be released through Comets & Cartwheels on June 3 – check out the video for lead track Immersed which will be available as a free download on April 29.
We Were Promised Jetpacks will headline the second night of the three-day Solas Festival in Perthshire on June 22.
Minor Delilah will be giving away copies of their new EP, Only Dust Can Hear You, to anyone who attends their launch gig at Glasgow’s Classic Grand on May 3.

23

Mar

Spare me the public displays of disaffection


A few weeks ago, I was talking to a youngish man extensively involved in Scotland’s underground music scene who let slip that he went through a major Coldplay phase, an admission which was delivered with a heavy dose of hesitancy.

The conversation made me wonder why some music fans feel embarrassed about liking certain bands… and I came to the conclusion that journalists are much to blame. Every day I encounter snide, condescending remarks from writers with a strange impulse to publicly announce which bands do not fit into their bubble of existence and expect their readers to fall into line.

Take this excerpt from an article published by The Fly magazine last year, in which the introduction to an interview with Two Door Cinema Club is centred around the author’s dislike of a completely different band:

For two years the nation’s perception of indie bands such as TDCC changed. No longer were they the cool, gun-slinging icons of rock’n'roll aspiration. They had become boring, saturated and generic… released songs about backfiring at discos… these guys just were not cool. It’s a shame, because it means genuinely promising bands such as the Northern Ireland three-piece are tarred with the same brush as… “The Wombats?!” splutters guitarist Sam Halliday from across the table, “no, no way.” If it’s any consolation, offers The Fly, sitting opposite in a Leicester Square boozer, you’re a far more credible, not to mention better, version.

Successful people are easy targets, which might explain why Mumford & Sons-bashing seems a particularly favoured past-time for rock critics at the moment. This is a band who, a fortnight after playing at the Grammys with Bob Dylan and finding themselves at No.2 in the American album charts, kept a two-year-old promise to return to the Scottish Highlands for a tour, braving snow blizzards and horizontal sleet in the process.

So why all the resentment towards them? Given that Mumford & Sons are still only one album old, such outpourings of bitterness can’t be motivated by a deterioration in their music output or accusations of ‘selling out’. According to those I know who have had personal dealings with them, they aren’t a bunch of cocks either.

However, they have become very famous and thus, it would seem, ripe for bad-mouthing from critics who wouldn’t have the spine to express similar sentiments about lower-profile musicians (who, you never know, might actually benefit from some constructive criticism).

The GuardianThe unanimous approval which greeted Jon Savage’s recent pithy description of Mumford & Sons as “Tory rock-lite” was a measure of the antipathy which currently hangs over these waistcoat-wearing pseudo-troubadours.

Music journalists aren’t the only ones guilty of telling other people who they should be ashamed to like.

I was a big fan of Mogwai back when they were releasing genre-defining albums such as Ten Rapid, Young Team and Come On Die Young. I remember getting sucked into their ‘Blur: are shite’ campaign but, looking back, I now realise it wasn’t about anything other than blatant music snobbery. It certainly couldn’t be described as a David versus Goliath battle given Blur’s refusal to dignify this one-way rivalry with a public response.


If you think well-known musicians are immune to such criticisms, consider this exchange. Earlier this month, the man behind terrific Scottish music blog Favourite Son got more than he bargained for after tweeting this message to his followers:
guy from starsailor can’t get a visa for SXSW either. maybe they do kno sumfin bout music after all + wil let WH in #witheredhandforsxsw

Within 10 minutes, James Walsh tweeted back his own public reply:
Why do you have to insult me? You’ve probably not heard anything I’ve done in the last 2 years at least. Uncalled for


To wrap things up, allow me to introduce you to Carly Connor, a teenager from Easterhouse in Glasgow under the same management as Paolo Nutini and recently signed to Atlantic Records.

Her song Ca$h is a rasping, modern twist on the Motown sound, a sort of Amy Winehouse/Duffy hybrid. It will inevitably be a hit and make Carly a household name, so enjoy it while you can before someone tries to make any pleasure you feel a guilty one.

Please don’t misinterpret this post as a paean to the joys of mainstream music. I just think that if a fan’s feelings for an artist or a group are a source of personal embarrassment, it should be because the quality of their music has gone downhill, not because he or she has succumbed to the influence of those who are trying to make their mind up for them.

Carly Connor – Ca$h (clip)

22 Responses to “Spare me the public displays of disaffection”

  1. Bright Spark Says:

    March 23rd, 2011 at 09:03

    The great irony is that Mogwai had plenty to tell the world in T-shirt slogans and interviews but nothing to say for themselves in song lyrics.


  2. Fiona Says:

    March 23rd, 2011 at 09:39

    Agreed. I lose track of who I’m supposed to be ashamed about liking. And get confused as to whether, for example, it’s more acceptable for me to like Razorlight and The Killers because I saw them both in not-sold-out King Tuts shows before they got famous. It doesn’t matter to me, and I’m not ashamed to like a lot of different stuff and not afraid to explain why I think it’s good while still accepting that it might not be everyone’s cup of tea. But it can be tiring when you can’t mention Band X because your conversation will then be derailed into a massive rabble about why Band X are actually a terrible, laughable band. On the same note, I actually enjoy watching people sneer when I wear My Chemical Romance or Fall Out Boy t-shirts, because people who are that judgmental deserve all the displeasure they can get.
    Backlashes amuse me. I keep hearing more and more people turning against Twin Atlantic, while still listening to fifty million wee bands who *wish* they were Twin Atlantic.
    I think a lot of people actually completely forget that there ought to, in theory, be a correlation between what people like/buy and what is ‘good’. Sure, it’s not always right… but it’s definitely not always wrong either.


  3. halina rifai Says:

    March 23rd, 2011 at 09:43

    i am guilty of this everyday. however, i will say that there is a difference between not liking someone based on the ‘cool’ factor and not liking music because you think it is extremely poor.


  4. david Says:

    March 23rd, 2011 at 10:36

    PopCop, you yourself have been very guilty of this and worse – you’ve been quite nasty about far better bands in the past. I’ve read your twitter.


  5. Mike Day Says:

    March 23rd, 2011 at 10:57

    I feel as though if you were to take this argument into the positive, it can be equally damaging and misleading when journalistic nepotism gets involved; and bands are promoted and praised way beyond their actual worth..


  6. pop Says:

    March 23rd, 2011 at 11:02

    thepopcop The Pop Cop

    “@glasvegas That’s very clever of you to rip off the riff from Life In Technicolor by Coldplay for your new single”

    thats not very nice.


  7. P Says:

    March 23rd, 2011 at 11:05

    We’re probably all guilty of this fearful approach to listening to music.
    David, you may well have a point but hats off to The Pop Cop for acknowledging the issue.

    Right, guilty pleasures time. Bands or musicians that secretly you love, regardless of whether they’re cool or not.


  8. The Pop Cop Says:

    March 23rd, 2011 at 11:08

    RE pop: I hardly think that tweet qualifies as me telling people they shouldn’t like Glasvegas.


  9. mirseven Says:

    March 23rd, 2011 at 13:29

    Bashing so-called successful or mainstream bands can also be a form of insecurity on the critic’s part – i.e. they became the Next Big Thing and said critic in question failed to see it coming. Or, the majority of other writers hopped on a [band] is popular bandwagon and are trying to retain their cool factor by dismissing them once they have become mainstream. It’s all about generating hype and showing off, really. Most critics don’t realize that it’s about the music itself. Coming from the US with a slew of folk-rock bands, I was honestly and completely thrilled when I first heard Mumford and Sons because they were doing something different – a UK-based band with un-UK-like roots to their sound. Now they play them on the radio all the time and people laugh at me when I say that I like them, or tell me my taste is poor. I am also a music critic. Some might say liking a band like Mumford and Sons diminished my credibility because I’m not willing to act like peers and put them down – going against a “herd mentality – but in reality, maybe it just means that I’m more open minded…
    Regardless, really interesting post!


  10. John D. Says:

    March 23rd, 2011 at 13:33

    I’ve indulged in a spot of Mumford-bashing before – surely folk don’t like them simply because they’re crap. They’re a boring band for boring people. Ever met a fun, non-earnest character whose favourite band is a Mumford or a Snow Patrol or some other Very Serious cookie cutter “anthemic” rock band? No.

    I liked Coldplay’s debut album – still do. No problem with admitting it. I saw Starsailor supporting the Charlatans circa 2001. They (Starsaior) were abolsutely brutal (the Charlatans were quite fun). Siding with Favourite Son, I find it hard to believe that Mr Starsailor’s output is now somehow great, unless he’s undrgone some sort of Richard Hawley-esque transformation. Perhaps I will investigate and report back…


  11. Murray Says:

    March 23rd, 2011 at 15:52

    That Mogwai tshirt was great, although they were wrong. I always like a bit of slagging, keeps things interesting


  12. pop Says:

    March 23rd, 2011 at 16:56

    @popcop:

    “RE pop: I hardly think that tweet qualifies as me telling people they shouldn’t like Glasvegas….”

    true, but nor does the starsailor tweet in question..

    we all ‘get’ your sentiment about Glasvegas. You instead just come across as a bit of ‘bitch’. sorry!


  13. Alex Says:

    March 23rd, 2011 at 18:42

    Are you suggesting that there are people out there who haven’t got the self confidence to like some band or act simply because they like em.
    Are you seriously implying that there are people out there who simply follow those whom they believe to be cool and trendy and therefor have no mind of their own
    Surely not pop cop, surely not.


  14. Jim Says:

    March 23rd, 2011 at 21:04

    I hate the phrase “guilty pleasure”. There’s no need to feel guilty about liking something just because it isn’t cool, or because everyone else around you says it is shit. This doesn’t apply to “No Way No Way” by Vanilla though, because we can prove that is shit through scientific studies and graphs.


  15. John D. Says:

    March 24th, 2011 at 00:57

    Vanilla! Amazing! right up there with Tubthumping..

    By the way, James Walsh’s stuff is still utterly banal. So Favourite Son was right. http://www.youtube.com/watch?v=4W1KASdHJlw

    D.

    ps I recall quite liking the melody in the verse of “lullaby”. However, one good verse quoting Graham Greene doth not a career make.


  16. Hamish Says:

    March 24th, 2011 at 02:32

    Something to remember is that while music is entirely subjective, that Glasvegas song sounded exactly like Life in Technicolor. And I do quite like Glasvegas (and that Coldplay song).


  17. Ross Says:

    March 24th, 2011 at 09:07

    Can I just be the first to say that whilst that track by Carly Connor is OK, I much preferred her earlier work.


  18. Jim Says:

    March 24th, 2011 at 15:52

    The use of a $ instead of an s was enough to put me off.


  19. P Says:

    March 24th, 2011 at 18:11

    Touche, Jim. Guilty pleasure is the wrong phrase to use, you’re absolutely right.
    Right now, mine, for the record, is Rihanna’s Loud with equal love for Nicki Minaj’s Pink Friday and they’re not ‘guilty’ pleasures at all.


  20. Alex Says:

    March 24th, 2011 at 20:58

    Just an observation but this is another instance of major labels signing acts from Glasgow who to the best of my knowledge are virtually unknown on the live music scene. So where are they coming from and how are they coming to the attention of such companies?


  21. pop Says:

    March 25th, 2011 at 10:40

    @Alex

    I’m gonna sound like I actually like Glasvegas here.. but Glasvegas had been playing around Glasgow for yeeeeaars, but failed to become big locally, but then this seems to happen to 80% of bands from Glasgow: an example being that no-one actually went to see frightened rabbit for a long while, whilst they were getting A LOT of attention elsewhere..


  22. Alex Says:

    March 25th, 2011 at 23:50

    Pop, that’s a really good post and one I’m not going to argue with, in fact I’d love to talk music with you over a beer or five but, it doesn’t actually address the questions I raised! Let me repeat, where are they coming from and how are they coming to the attention of such companies ?


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