May 20, 2013: Garden Of Elks’ debut EP, Extended Play, is available to buy and stream.
The Clock have a video for their excellent song Everything’s Eventual, which is released on May 28. They have Glasgow gigs lined up at Broadcast on June 1 and Roxy 171 on June 20.
May 18, 2013: The 16-strong T Break line-up for T in the Park on July 12-14 has been unveiled - Arches, Blindfolds, DARC, Fake Major, Hector Bizerk, Honeyblood, Machines In Heaven, Michael Cassidy, Poor Things, Pronto Mama, Seams, Sunshine Social, The Merrylees, The Velveteen Saints, Vasa, Waiting For Go.
Anna Sweeney has announced she is taking a full break from music and has cancelled her scheduled appearance at Wickerman in July as she relocates to Reading for work in June. Another musician swapping Scotland for England is Plum, who is moving to Brighton in July.
May 17, 2013: The stage times have been released for the 35 acts playing Stag & Dagger across seven Glasgow venues on May 18.
Franz Ferdinand’s fourth album Right Thoughts, Right Words, Right Action will be released on August 26 – check out this brief trailer.
Frightened Rabbit recorded a cover of Best Coast’s The Only Place for Australian radio show Triple J. The band release their Late March, Death March EP on June 2.
The Mouse That Ate The Cat song When I Wake Up is available for free in exchange for your email address.
The title track of Adam Stafford’s forthcoming second album Imaginary Walls Collapse is streaming here.
May 16, 2013: The Discopolis remix of Bwani Junction single Civil War is available to download for free from SoundCloud.
Born To Be Wide’s next seminar at Edinburgh’s Electric Circus on May 30 is on the topic of goNORTH, with a panel featuring broadcaster Vic Galloway, goNORTH duo Amanda Millen and Alex Smith and Chasing Owls frontman Ben Sunderland explaining how musicians and delegates can get the most out of the annual Inverness convention. Tickets are free.
AC/DC have backed a campaign to erect a bronze statue of their former frontman Bon Scott in his hometown of Kirriemuir in Angus. Community music group DD8 Music hope to raise £50,000 via Kickstarter by June 5.
Kite And The Crane’s debut EP, Found In The End, is out on Bandcamp.
May 15, 2013: Biffy Clyro have a video for their new single Opposite.
The View are playing a one-off show at Glasgow’s King Tut’s on June 12 for the Sunday Mail Centenary Fund.
Adam Stafford is launching his second album Imaginary Walls Collapse with a gig at Glasgow’s Glad Cafe on July 5 with support from Siobhan Wilson and Robbie Lesiuk.
May 14, 2013: The Wee Chill will mark its 10th anniversary with a two-stage bill at Glasgow’s SWG3 on June 29 for the West End Festival. The line-up features Malcolm Middleton, James Yorkston with Sparrow & The Workshop (collaborative debut), Aidan Moffat (spoken word), Three Blind Wolves, Roddy Hart & The Lonesome Fire, Miaoux Miaoux, Fake Major.
Tommy Perman, who recently left FOUND, has unveiled his new solo project ComputerScheisse – check out These Beautiful Minds, the title track of his debut EP, out on July 15 through Phuturelabs.
RockNess have announced more acts for the festival on June 7-9 including Fenech-Soler, Fatherson, Public Service Broadcasting, The Boy Who Trapped The Sun, Niteworks and Jemma Tweedie.
Too Many Fireworks Records will donate all profits from sales of Variations Of Chopin, an album of contemporary interpretations of the composer’s music, to the fundraising campaign for drummer Robbie Cooper, whose cancer fight was documented on The Pop Cop.
May 13, 2013: New releases out now include Young Aviators’ debut album Self Help, Eagleowl’s debut album This Silent Year, and Cherri Fosphate’s new Burning Youth EP.
May 10, 2013: The live schedule for goNORTH in Inverness on June 5-6 has been unveiled – it includes a Scottish Bloggers Showcase hosted by The Pop Cop, Peenko and Song, by Toad featuring a four-band bill of Garden Of Elks, Friends In America, The Yawns and Flutes.
May 9, 2013: The documentary Hunting For Remoteness details The Magnetic North’s visit to Orkney – where frontman Erland Cooper is from – for the making of their debut album. It will be released on June 24 alongside a reissue of that record, Orkney: Symphony Of The Magnetic North. You can watch the trailer here.
Alphabetical Order Orchestra are streaming their first song, The Architect. The band is made up of My Latest Novel members Chris Deveney, Gary Deveney and Ryan King.
A Band Called Quinn have launched a crowdfunding campaign to support performances of their multimedia show Biding Time (remix) at the Edinburgh Fringe Festival in August.
May 8, 2013: Three Blind Wolves have released their new album, Sing Hallelujah For The Old Machine.
May 7, 2013: Adam Stafford’s new single Please is streaming online – it’s taken from his second album Imaginary Walls Collapse, out in July.
May 6, 2013: The T in the Park Roadshow is bringing free live music to Scottish towns this month – it stops at Glasgow today for The View at Kelvingrove Park (1pm) and Buchanan Street (3.30pm); Edinburgh on May 10 for Vigo Thieves at Queen Margaret University’s Student Union (noon), Dundee on May 11 for The LaFontaines at Overgate Centre (noon); Aberdeen on May 12 for Sienna at Aberdeen University (noon); and Ayr on May 18 for The Redettes at Ayr Railway Station (noon).
Fake Major have a video for Fiction, a song on their Have Plenty Of Fun EP. Fellow Comets & Cartwheels artist Finn LeMarinel has a new video for Garden, taken from his debut album Violence.
Capitals have released a sampler of all the tracks on their debut album A National Service, out on June 3.
May 3, 2013: Episode 11 of BBC ALBA’s Rapal music TV programme is on iPlayer and features Cara Mitchell, Brown Bear & The Bandits, Three Blind Wolves and Anna Sweeney.
Steve Mason has accused Samsung of plagiarising the video for The Beta Band’s 2004 single Assessment for their new television advert. Both show historical figures running down a beach and helicopters circling overhead.
May 2, 2013: Young Aviators’ debut album Self Help is streaming on Electric Honey’s SoundCloud ahead of its release on May 13.
May 1, 2013: Travis have a video for Where You Stand, the first single and title track of the band’s seventh album, out on August 19.
Fake Major’s debut EP, Have Plenty Of Fun, is available for download.
My Latest Novel have gone on hiatus, with three of the members forming Alphabetical Order Orchestra - look out for music from them next week.
Kobi Onyame has a video for his new single The Real Part 2.
Trapped In Kansas have unveiled new song Collapse Rebuild.
Rob St John’s new AA single Charcoal Black And The Bonny Grey/Shallow Brown is out now.
April 30, 2013: Boards Of Canada will release Tomorrow’s Harvest, their first new album in eight years, on June 10.
Quickbeam song Immersed is available to download for free from DIY – you can also listen to snippets from every track of the band’s self-titled debut album, out on June 3.
Discopolis have unveiled the video for their new song Falling (Committed To Sparkle Motion), out on May 5.
April 29, 2013: The SAY Award will stream each of the 20 longlisted albums for 24 hours through their app, starting today with Miaoux Miaoux’s Light Of The North. You can read The Pop Cop’s feature here.
Panda Su’s new song MAPS is available to buy now on Amazon, while Bwani Junction’s new single Civil War is on iTunes.
The Boy Who Trapped The Sun has a video for new song California ahead of his May tour in Scotland.
The Pastels have a video for Check My Heart, taken from their forthcoming new album Slow Summits, out on May 27.
Frank Turner covered Frightened Rabbit’s The Modern Leper for Jim Gellatly’s In:Demand Uncut session.
April 27, 2013: Episode 10 of BBC ALBA’s Rapal music TV programme is on iPlayer and features two fantastic unreleased songs by Beerjacket as well as The Holy Ghosts, The Merrylees and Ray McCartney.
Travis, Johnny Marr, Hurts, James Skelly, Jack Savoretti, Willy Mason, Foy Vance, Steve Mason, Milo Greene and DIIV have been added to the T in the Park line-up, which has now been separated into day-by-day splits.
Edinburgh venue The Forest Cafe, which has been banned from hosting live music due to council restrictions, are looking for acts to play their new monthly event, the Forest Big Night Out at Old St Paul’s, which launches on May 23. Email foresteventsedinburgh@gmail.com for details.
April 26, 2013: The Burns an’ a’ that! Festival will feature live music as part of Weekend in the Park at Ayr’s Belleisle Park on May 25-26. Rose Parade, Little Fire, Pronto Mama and The Bluebells are among the free acts; Justin Currie + Rachel Sermanni play a ticketed gig on May 26.
Other newly-announced concerts on sale include Lana Del Rey + Kassidy at Glasgow’s SECC on May 16 (replacing her two dates at the Academy on May 15/16) Bombay Bicycle Club at Edinburgh’s Liquid Room on June 7, Belle & Sebastian at Inverness’ Ironworks on July 1, We Are Scientists at Glasgow’s Oran Mor on July 29, Kid Canaveral + Ballboy at Edinburgh’s Liquid Room on August 10.
Kid Canaveral + The Last Battle + Adam Ross (Randolph’s Leap) also play a free show at Edinburgh’s Caves on May 23 with 300 tickets on the door on a first come, first served basis as part of a Dewar’s event.
April 25, 2013: Seasick Steve, The Pigeon Detectives, Julie Fowlis, Meursault, Washington Irving, PAWS and The LaFontaines have been added to the Belladrum Festival line-up on August 2-3.
Washington Irving have released Palomides Volume 1, the first half of their debut album.
The View are streaming Kill Kyle, one of two new songs on their compilation album Seven Year Setlist, out on June 17.
April 24, 2013: The showcase list of artists picked to play goNORTH in Inverness on June 5-6 has been announced. For the third consecutive year there will be a bloggers’ showcase stage hosted by The Pop Cop, Peenko and Song, by Toad. More details to follow soon.
Kilmarnock’s Dirty Weekender will feature 45 acts over three venues on May 31 to June 2 including Fridge Magnets, Bwani Junction, The Ok Social Club, Ross Leighton (Fatherson) and Chris Helme.
Poor Things’ new single Morgan is free to download – it’s taken from their Hurricane Poor Things EP, out on June 10.
Similarly, Cherri Fosphate are giving away Wool from their Burning Youth EP, out on May 11.
April 23, 2013: Glasvegas will play Aberdeen’s Garage on June 27, Edinburgh’s Liquid Room on June 28 and Glasgow’s ABC on June 29.
Reverieme’s second album With Up So Floating is out now.
Roddy Hart & The Lonesome Fire have announced they will release their self-titled new album through Middle Of Nowhere Records in July.
Herculean have a video for Red Weather, taken from The Falling Thunder EP, out on June 7.
April 22, 2013: Stag & Dagger have added Phosphorescent, Rachel Sermanni, Randolph’s Leap, French Wives, Fake Major, Prides, Chris Devotion & The Expectations and Donald Macdonald & The Islands to the Glasgow festival’s line-up on May 18.
Episode 9 of BBC ALBA’s Rapal music TV programme is on iPlayer and features Brown Bear & The Bandits, Cara Mitchell, The Open Day Rotation and John Wean.
Texas have unveiled a video for The Conversation, the title track from their first album in eight years, out on May 20.
Bronagh & The Boys have released their debut single Green, taken from A Young Heart EP, out on May 19.
April 19, 2013: Kassidy’s Barrie-James O’Neill and his girlfriend Lana Del Rey have recorded a cover of Summer Wine (made famous by Nancy Sinatra and Lee Hazlewood), backed with a video featuring handheld footage of the pair in Los Angeles.
My Bloody Valentine, Trash Talk, Fidlar and The VirginMarys have been added to the T in the Park line-up.
April 18, 2013: Pre-sale tickets are available for Regina Spektor at Glasgow’s Academy on August 20 and Kings Of Leon at the ciry’s Bellahouston Park on August 15, the latter being part of the Glasgow Summer Sessions.
The Mirror Trap have unveiled a video for Westminster Ghost Story, the first track to be taken from their second album Stay Young, due out this autumn.
April 17, 2013: Midnight Lion have changed their name to Prides and expanded to a trio with the addition of Kitty The Lion’s Callum Wiseman on guitar and vocals. To coincide with the announcement, they have unveiled wonderfully addictive new song Out Of The Blue.
T in the Park have added Local Natives, Lucy Rose, Swim Deep, Theme Park, Lewis Watson and Sons & Lovers to the festival on July 12-14.
April 16, 2013: Doune The Rabbit Hole have announced that this year’s festival will take place at the new location of Cardross Estate at Port of Menteith in Stirlingshire on August 22-25. The line-up features Clinic, Meursault, Rachel Sermanni, Alasdair Roberts, Washington Irving, The Pastels, PAWS, Beerjacket, Rick Redbeard, We Are The Physics, Randolph’s Leap, Siobhan Wilson, Panda Su, Shambles Miller, Jo Mango and TeenCanteen. See here for full day-by-day splits.
April 15, 2013: James and Twin Atlantic will headline the Belladrum Tartan Heart Festival on August 2-3. Other acts on the bill include Admiral Fallow, Fatherson, Rick Redbeard, Noisettes, The Horrors and King Charles.
April 13, 2013: Edinburgh’s live music scene has suffered yet another setback with Forest Cafe having its live music licence reviewed, causing the immediate postponement of gigs there, starting with the Solas Showcase scheduled for today.
Newsnight Scotland featured a report on the music industry on April 10, prompted by the Wide Days convention in Edinburgh. Watch the segment on BBC iPlayer, with contributions from Stanley Odd’s Dave Hook, Plum’s Shona Maguire, Chemikal Underground’s Stewart Henderson, Wide Days organiser Olaf Furniss and journalist Nicola Meighan. The interviews were conducted by Galleries drummer Andrew Black.
April 12, 2013: Episode 8 of BBC ALBA’s Rapal music TV programme is on iPlayer and features Niteworks, The Holy Ghosts, Miaoux Miaoux and The Merrylees.
Eagleowl have unveiled Not Over, the first offering from debut album This Silent Year, which will come out through Fence Records on May 13.
Dear Lara, aka David Lan, has released his debut EP Plans as a free download.
April 11, 2013: Capitals’ debut album A National Service will come out on June 3, with those who pre-order it (from just £5) getting an immediate download of any of the record’s 11 tracks, one of which is Reliever.
The View will release singles compilation Seven Year Setlist on June 17 – the album features two new songs, Dirty Magazine and Kill Kyle.
Several Scottish acts have posted tracks from forthcoming new albums – check out Washington Irving – Wandering Wits, United Fruit – Taste I Can’t Give Up and Hector Bizerk – Orchestrated Madness.
April 10, 2013: Promoters Cry Parrot will host their 6th Birthday Party at Glasgow’s Glue Factory on April 26 with a gig featuring Sacred Paws, Hector Bizerk, Tut Vu Vu, Ultimate Thrush, Ela Orleans and Sad City.
Three Blind Wolves are previewing Slow Summer Deer, taken from their Sing Hallelujah For The Old Machine album, released on May 6.
Where We Lay Our Heads single Keanu Leaves is out now.
Great Cop are giving away new song Stop Hiding as a free download.
April 9, 2013: Mogwai guitarist John Cummings uploaded a photo of himself at Glasgow’s George Square yesterday where more than 300 people gathered, inspired by his band’s 2011 song George Square Thatcher Death Party.
Hi-Arts, which promotes arts in the Highlands and Islands, has issued notices of redundancies to all 10 of its staff in the wake of funding cuts.
April 8, 2013: Fridge Magnets will play a ‘silent gig’ at a secret outdoor location in Glasgow on May 15 (6pm) – tickets can be won through organisers Deezer. The band will perform inside a mobile perspex box with the 300-capacity audience able to hear them through headphones.
Kassidy have released new mini-album People Like Me.
April 7, 2013: Song Of Return have launched their Singles Club project on Bandcamp through which they’ll be selling unreleased tracks. Month 1 contains Torn Between The Tides (see video) and Enough.
Cairn String Quartet, who were profiled on The Pop Cop in March, have unveiled their orchestral cover of Kid Canaveral’s Low Winter Sun.
Travis have made new song Another Guy available to download for free through their website. It also has a video.
April 6, 2013: The following 16 HMV and Fopp stores in Scotland will remain open following Hilco’s takeover – HMV: Aberdeen, Ayr, Dundee, East Kilbride, Edinburgh Fort Kinnaird, Edinburgh Ocean Terminal, Edinburgh Princes St, Glasgow Argyle St, Glasgow Buchanan St, Glasgow Fort, Inverness, Livingston, Stirling; Fopp: Edinburgh; Glasgow Union St; Glasgow Byres Rd.
Bwani Junction have a video for new single Civil War, out on April 29.
Rachel Sermanni and Emma’s Imagination are among the acts playing the Kintyre Songwriters Festival in Campbeltown on May 24-26.
Quickbeam will launch their debut album with a gig at the disused Govanhill Baths in Glasgow on May 31. They will be supported by Fake Major whose debut Have Plenty Of Fun EP comes out on May 1.
April 5, 2013: Spotify director Mark Williamson will give the keynote speech at next week’s Wide Days event in Edinburgh as part of a session on the business of streaming. The full running order is here.
Episode 7 of BBC ALBA’s Rapal music TV programme is on iPlayer and features Anna Sweeney, Cara Mitchell, Discopolis and Paul McGranaghan.
Dot JR has uploaded new song Waterfalls to SoundCloud.
April 4, 2013: The Tiree Music Festival will take place in An Talla on July 20-21 with a bill that includes Roddy Hart & The Lonesome Fire, Washington Irving, The Youth And Young and Brown Bear & The Bandits.
Galleries’ fantastic new single Midnight Rush is out now.
Casual Sex have made a video for their debut single Stroh 80. They play Glasgow’s Nice ‘n’ Sleazy on April 5 and Oran Mor on April 7.
April 3, 2013: Comlongon Rocks have added a third day of live music to its line-up at Comlongon Castle in Dumfries & Galloway on May 17-19. The festival’s line-up features Three Blind Wolves, Emma’s Imagination, The OK Social Club and Saint Max.
Chem 19 are offering three days of free recording time to five Scottish acts through their Creative Scotland Demo Fund. To apply, musicians (under-25s only) should email a link to some demos and a bio to info@chem19.co.uk with the subject Chem19 Demo Fund Enquiry before April 26. Chosen acts will also take part in a live showcase.
Siobhan Wilson + Julia And The Doogans + Jo Mango will play Glasgow’s Roxy 171 on June 26 as part of the Scottish Fiction Presents: Aye Tunes vs Peenko night at the West End Festival.
April 2, 2013: Acts confirmed for The Insider Festival in Aviemore on June 21-23 include Rachel Sermanni, Karine Polwart, Hector Bizerk, Urstan, David Thomas Broughton, Miaoux Miaoux, Pete Roe, Jonnie Common, Adam Holmes And The Embers and Sparrow And The Workshop.
Up-and-coming acts can apply to play the Hebridean Celtic Festival in Stornoway on July 17-20 through their One Step Further competition which is open to musicians aged 18-25. To enter, artists need to email office@hebceltfest.com with the subject HebCelt New Talent Submissions and include links to three songs, a biog and high-res photo. Closing date is April 12.
April 1, 2013: Quickbeam’s self-titled debut album will be released through Comets & Cartwheels on June 3 – check out the video for lead track Immersed which will be available as a free download on April 29.
We Were Promised Jetpacks will headline the second night of the three-day Solas Festival in Perthshire on June 22.
Minor Delilah will be giving away copies of their new EP, Only Dust Can Hear You, to anyone who attends their launch gig at Glasgow’s Classic Grand on May 3.
11
Apr
What I learned at Wide Days
“The last time I stood on this stage I was completely naked”
I didn’t really know what to expect at WIDE DAYS – the annual music seminar and showcase event now in its second year in Edinburgh – but as opening gambits to the audience go, chief host Olaf Furniss’ declaration/ admission/ revelation/ boast set a refreshingly informal tone for a full day of entertainment and intrigue.
There was also a constant flow of creative swearing that appeared to be contagious, with “fucks” and “shits” seeping into the public conversations of otherwise impeccably-mannered speakers.
Wide Days is a spin-off of the Born To Be Wide music events run in the capital by Furniss and Derick Mackinnon. I half-thought the audience might be made up primarily of industry figures trying desperately to convince/reassure themselves as much as each other that they’re not on a sinking ship. In reality, most of those in attendance seemed to fall into the ‘unsigned Scottish musician’ bracket and there were plenty of guests with the experience, ideas and know-how to put them on the right track, if not make things happen for them.
There were seminars and workshops throughout the day at Teviot Row House and plenty of interesting insights came out of them, so here are some things I learned:

DIGITAL DIY VS RECORD LABELS
Stewart Henderson, of Chemikal Underground, provided a constant supply of straight-talking soundbites, which won’t come as a surprise to those who have read the label’s policy on refusing to give feedback on demos they don’t like, which he repeated: “If you’re shite, you’re shite – surely you don’t need us to confirm it for you.”
On offering advice: “A lot of people ask, ‘How do I start up a record label?’ I haven’t got a fuckin’ clue!”
On the internet: “The idea that the internet is a force for good is bullshit. It’s a riot, it’s hell, it has taken away the filter.”
On recruitment policy: “The artists we tend to sign come through nepotistic channels, like friends of friends.”
On Twitter: “An endless, voracious appetite for trivial shite, 24/7″ (although Henderson later said that Aidan Moffat’s decision to join Twitter a few months ago had “helped” the singer)
Henderson also revealed that Chemikal Underground had to ask recent signings FOUND to stop selling albums via Bandcamp, calling the practice “counter-productive for us as a label”.
David Balfour, of digital distributors Finetunes, shared similar sentiments about the difficulty of quality control in the modern age: “The beauty and the curse of the internet is that anybody can release music.”
Song, By Toad blogger and label owner Matthew Young cautioned new bands against the temptation of letting others take a cut of their income to do things they can do themselves: “Hold on to everything. Publishing, booking, everything.” He also said that “experience and name recognition” were the most important factors when it came to choosing a record label.
MAKING TOURING PAY
RockNess co-founder and tour promoter Robert Hicks warned that all bands should expect to lose money on their first tour of the Highlands, but can reap huge rewards on subsequent visits. Hicks highlighted the importance of affordable merchandise, saying that Rachel Sermanni, whom he manages, typically makes four times her appearance fee by selling CDs for £3 at gigs. He also said that “the best way to sell records is touring”.
Keren McKean emphasised the benefits of band/brand partnerships, claiming Snow Patrol, whom she used to manage, got paid £200,000 to play one show because of a commercial tie-in.
McKean said getting a booking agent was “the holy grail” for musicians. However, Jason Edwards, who works for renowned booking agency 13 Artists, was refreshingly honest when asked if bands can ‘make it’ without someone like him: “Totally. If I can do it for an artist, an artist can do it themselves. Promoters are more open to talking to bands than booking agents.”
Edwards also spoke of how the role of agents has grown in a rapidly-changing industry: “We’re finding artists before the labels do. We’re doing what A&R used to do.” He also cited blogs as one of his main sources for discovering new talent.
NOT JUST SXSW
GoNorth festival director Shaun Arnold claimed that, for some bands, it was more beneficial for their UK interests that they be seen to be playing SXSW than it was for actually making inroads into the US market.
Allan McGowan, consultant for the International Live Music Conference, told how he forcibly sent one band into the audience immediately after a showcase event to approach anyone they didn’t know and ask them who they worked for: “It’s a business audience. It’s a fucking job – it doesn’t start and finish with playing.”
MUSIC IN FILMS
Caroline Gorman, whose employers Rage Music produce music for films, TV, advertisements and radio, set jaws dropping when she revealed that a musician could expect to get paid £30,000 if their song appeared on a 30-second advert for a US department store.
Composer Malcolm Lindsay also supplied some eye-catching figures, saying that music placed on a prime-time TV documentary would be worth £3,000-£10,000 to the songwriter, with a drama paying out £5,000-£10,000. He also told an amusing anecdote of how, before going to the pub, he and a friend would call up a radio show to request each other’s songs in the knowledge that the royalties they’d eventually earn from the airplay would pay for their entire night out.
Members of the panel also emphasised the importance of having instrumental versions of recorded tracks.
MUSIC MAKING MONEY
Scott Cohen, who manages several bands including The Raveonettes, delivered a fascinating presentation in which he tried to dispel some widely-held beliefs about the state of the music industry.
He justified his controversial assertion that “piracy isn’t a problem at all” by rolling out figures that show sales of recorded music are higher than ever. Those stats combined sales of albums (which have nosedived) and individual songs (which have soared), and Cohen insisted the music industry needs to get its head around the fact that the way consumers consume music has changed. He also claimed that – in the context of the history of recorded music - the idea of compiling songs into albums was “just a blip”.
In attempting to show how money can still be made from selling music, Cohen cited the business model of an album priced at £9.99, £24.99, £49.99 and £99.99 – each option being bundled with increasingly exclusive but expensive goodies. He said that even though artists have far less “super fans” than casual fans, the amount of money this minority group will shell out on limited edition products makes them disproportionately significant to the artist’s income. “Rewarding your best fans works,” was Cohen’s message.
—–
After the seminars, there were half-a-dozen showcase gigs spread over three venues throughout the city (the most impressive was at Cabaret Voltaire with Withered Hand, who had a full band in tow, and Rachel Sermanni), which provided the ideal opportunity for meets and greets among Wide Days attendees, so here’s what I learned then:
We Were Promised Jetpacks have set up a side-project called Hairy Area, with the collective including Endor frontman David McGinty, members of Sebastian Dangerfield and Lady North, while Frightened Rabbit’s Scott Hutchison has also discussed getting involved. They are set to make their live debut at Stereo in Glasgow on May 14, although they haven’t recording anything yet.
Finally, here are two songs by two friendly bands who handed me demo CDs:
Supermarionation – The Ashes Of Love
I’d like to give an embarrassing Radio 1-style shoutout to all the nice folk I met or hung out with at Wide Days, especially Lloyd Meredith, Breda Doherty, Olaf Furniss, Derek Mackinnon, Stu Lewis, Steve Tonge, Matthew Young, Alex Smith, Murray Easton, Vic Galloway, Jim Gellatly, Sharon Stephen, Jamie Gilmour, wee Sharon, Phil Taylor, Rob Howell, Dan Willson and Rachel Sermanni. And a big thanks to Jenny Soep for letting me use one of her amazing iPad drawings on this post.



9 Responses to “What I learned at Wide Days”
April 11th, 2011 at 14:58
Great to meet you too and thanks for the summary. It was a good day and it will be interesting to see if they do take it to a two day event next year. Or maybe they could do a day in Edinburgh and one in Glasgow?
April 11th, 2011 at 15:50
Hmm, at risk of sounding like a moaner, I’m not sure that summation quite matches what I was trying to say.
“Hold on to everything. Publishing, booking, everything.” was strongly qualified with: “until you have a very good idea who you’re signing it over to and why”. All these things can make a huge, positive difference to a band, but there are also a lot of people out there who do them all very badly, so be very careful before you sign anything away.
Secondly, experience and name recognition are (along with organisation) the most important things a record label bring to the table, but they aren’t how I would choose a record label. I would say the best label would be one whose roster or ethos you fit with, one which you personally trust, and one which you are confident will be effective. There are a lot of labels out there who don’t do much for the bands they work with, and they need to be avoided because you can often do a better job yourself.
That pretty much sums it up I think!
April 11th, 2011 at 15:51
Oh, and lovely to meet you at last, of course!
April 11th, 2011 at 17:13
Thanks for the clarification, Matthew. All I had to go on was a notepad full of quotes (and a hazy memory) which wasn’t the best when piecing an article together four days after the event!
April 11th, 2011 at 21:19
Interesting event, fun times.
April 13th, 2011 at 12:28
Good article, confirming some of my thoughts but challenging others. Interesting times ahead for sure.
PS Don’t you know the “Creative swearing” is de rigueur for the otherwise impeccably spoken lower/upper middle classes to gain street cred ; )
April 15th, 2011 at 10:19
Fuck off anonymous you smug prick.
April 15th, 2011 at 11:54
Lighten up man For fucks sake.
April 21st, 2011 at 17:00
Superb summary, thank you. Would love to have attended but work got in the way. Will re-read again when I get a chance because there’s a lot of intersting thoughts here.
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