May 25, 2013: The first wave of acts confirmed to play the Belladrum festival’s GoNorth Seedlings Stage on August 2-3 has been announced – Cleavers, Prides, Roman Nose, Blood Relatives, Red Ronson, Ranald, Dylan Tierney, Crystal Seagulls, Three Blind Wolves, Garden Of Elks, The Oxides, Fat Goth, St Max And The Fanatics, Fake Major, State Of Flux, Bear Arms, Little Fire and Lionel.
Sarah Hayes’ debut EP, Mainspring, is streaming on Bandcamp ahead of its release on May 28. She has Glasgow gigs scheduled for The Old Hairdressers on May 29 and The Wee Chill festival at SWG3 on June 29.
Boards Of Canada have unveiled new song Reach For The Dead, taken from forthcoming album Tomorrow’s Harvest, out on June 10.
May 24, 2013: The line-up for King Tut’s Summer Nights, which runs in the Glasgow venue from July 15 to August 1, has been revealed. The headliners are The Recovery!, Sunshine Social, TeKlo, Alarm Bells, Taffy, Sienna, So Many Animal Calls, Michael Cassidy, The OK Social Club, SOS, Departures, Fake Major, Prides, Waiting For Go and Arches. Other acts worth checking out include Cherri Fosphate, The Clock, The Youth And Young, Campfires In Winter, Kevin Harper, Discopolis and Father Sculptor. There’s also a Pop Cop DJ set on July 25.
Quickbeam song Grace is available for free download – it’s taken from the band’s self-titled debut album, out on June 3.
Giant Fang has unveiled a video for Aqualung.
May 23, 2013: A Music Open Day is being held at Aberdeen’s Lemon Tree on May 26 with a programme that includes three music industry panels, a soundcheck workshop and live music from Revere, Uniform, Leanne Smith and Marionettes. Free tickets to the evening show will be available to anyone who attends the free seminars during the day.
The Wickerman Festival has added Admiral Fallow, Chic ft Nile Rodgers, Dreadzone, Waylayers and Greg Wilson to its line-up on July 26-27.
Algernon Doll track Anti-them is available for free download – it’s taken from second album Citalo-pop, due for release on June 10.
May 22, 2013: The Basement Coffee House in Ayr has been shortlisted by NME as Scotland’s representative in a public vote to find the best small venue in Britain. The 80-capacity venue opened eight months ago.
Tomorrow’s second instalment of the Dewar House Experimental Batch series sees Edinburgh’s Caves host free live music from Kid Canaveral, The Last Battle and Adam Ross (Randolph’s Leap). There will be 550 tickets available on the door on a first come, first served basis.
May 21, 2013: Camera Obscura song Fifth In Line To The Throne is available for free download in exchange for an email address. It’s taken from the band’s fifth album Desire Lines, out on June 3, and pre-ordering it will get you another track, Do It Again.
Book Group have released their debut EP, Homeward Sound.
Sparrow And The Workshop’s third album Murderopolis, out on May 27, is streaming in full via DIY - one of the songs, The Faster You Spin, is also available for free download.
May 20, 2013: Garden Of Elks’ debut EP, Extended Play, is available to buy and stream.
The Clock have a video for their excellent song Everything’s Eventual, which is released on May 28. They have Glasgow gigs lined up at Broadcast on June 1 and Roxy 171 on June 20.
May 18, 2013: The 16-strong T Break line-up for T in the Park on July 12-14 has been unveiled - Arches, Blindfolds, DARC, Fake Major, Hector Bizerk, Honeyblood, Machines In Heaven, Michael Cassidy, Poor Things, Pronto Mama, Seams, Sunshine Social, The Merrylees, The Velveteen Saints, Vasa, Waiting For Go.
Anna Sweeney has announced she is taking a full break from music and has cancelled her scheduled appearance at Wickerman in July as she relocates to Reading for work in June. Another musician swapping Scotland for England is Plum, who is moving to Brighton in July.
May 17, 2013: The stage times have been released for the 35 acts playing Stag & Dagger across seven Glasgow venues on May 18.
Franz Ferdinand’s fourth album Right Thoughts, Right Words, Right Action will be released on August 26 – check out this brief trailer.
Frightened Rabbit recorded a cover of Best Coast’s The Only Place for Australian radio show Triple J. The band release their Late March, Death March EP on June 2.
The Mouse That Ate The Cat song When I Wake Up is available for free in exchange for your email address.
The title track of Adam Stafford’s forthcoming second album Imaginary Walls Collapse is streaming here.
May 16, 2013: The Discopolis remix of Bwani Junction single Civil War is available to download for free from SoundCloud.
Born To Be Wide’s next seminar at Edinburgh’s Electric Circus on May 30 is on the topic of goNORTH, with a panel featuring broadcaster Vic Galloway, goNORTH duo Amanda Millen and Alex Smith and Chasing Owls frontman Ben Sunderland explaining how musicians and delegates can get the most out of the annual Inverness convention. Tickets are free.
AC/DC have backed a campaign to erect a bronze statue of their former frontman Bon Scott in his hometown of Kirriemuir in Angus. Community music group DD8 Music hope to raise £50,000 via Kickstarter by June 5.
Kite And The Crane’s debut EP, Found In The End, is out on Bandcamp.
May 15, 2013: Biffy Clyro have a video for their new single Opposite.
The View are playing a one-off show at Glasgow’s King Tut’s on June 12 for the Sunday Mail Centenary Fund.
Adam Stafford is launching his second album Imaginary Walls Collapse with a gig at Glasgow’s Glad Cafe on July 5 with support from Siobhan Wilson and Robbie Lesiuk.
May 14, 2013: The Wee Chill will mark its 10th anniversary with a two-stage bill at Glasgow’s SWG3 on June 29 for the West End Festival. The line-up features Malcolm Middleton, James Yorkston with Sparrow & The Workshop (collaborative debut), Aidan Moffat (spoken word), Three Blind Wolves, Roddy Hart & The Lonesome Fire, Miaoux Miaoux, Fake Major.
Tommy Perman, who recently left FOUND, has unveiled his new solo project ComputerScheisse – check out These Beautiful Minds, the title track of his debut EP, out on July 15 through Phuturelabs.
RockNess have announced more acts for the festival on June 7-9 including Fenech-Soler, Fatherson, Public Service Broadcasting, The Boy Who Trapped The Sun, Niteworks and Jemma Tweedie.
Too Many Fireworks Records will donate all profits from sales of Variations Of Chopin, an album of contemporary interpretations of the composer’s music, to the fundraising campaign for drummer Robbie Cooper, whose cancer fight was documented on The Pop Cop.
May 13, 2013: New releases out now include Young Aviators’ debut album Self Help, Eagleowl’s debut album This Silent Year, and Cherri Fosphate’s new Burning Youth EP.
May 10, 2013: The live schedule for goNORTH in Inverness on June 5-6 has been unveiled – it includes a Scottish Bloggers Showcase hosted by The Pop Cop, Peenko and Song, by Toad featuring a four-band bill of Garden Of Elks, Friends In America, The Yawns and Flutes.
May 9, 2013: The documentary Hunting For Remoteness details The Magnetic North’s visit to Orkney – where frontman Erland Cooper is from – for the making of their debut album. It will be released on June 24 alongside a reissue of that record, Orkney: Symphony Of The Magnetic North. You can watch the trailer here.
Alphabetical Order Orchestra are streaming their first song, The Architect. The band is made up of My Latest Novel members Chris Deveney, Gary Deveney and Ryan King.
A Band Called Quinn have launched a crowdfunding campaign to support performances of their multimedia show Biding Time (remix) at the Edinburgh Fringe Festival in August.
May 8, 2013: Three Blind Wolves have released their new album, Sing Hallelujah For The Old Machine.
May 7, 2013: Adam Stafford’s new single Please is streaming online – it’s taken from his second album Imaginary Walls Collapse, out in July.
May 6, 2013: The T in the Park Roadshow is bringing free live music to Scottish towns this month – it stops at Glasgow today for The View at Kelvingrove Park (1pm) and Buchanan Street (3.30pm); Edinburgh on May 10 for Vigo Thieves at Queen Margaret University’s Student Union (noon), Dundee on May 11 for The LaFontaines at Overgate Centre (noon); Aberdeen on May 12 for Sienna at Aberdeen University (noon); and Ayr on May 18 for The Redettes at Ayr Railway Station (noon).
Fake Major have a video for Fiction, a song on their Have Plenty Of Fun EP. Fellow Comets & Cartwheels artist Finn LeMarinel has a new video for Garden, taken from his debut album Violence.
Capitals have released a sampler of all the tracks on their debut album A National Service, out on June 3.
May 3, 2013: Episode 11 of BBC ALBA’s Rapal music TV programme is on iPlayer and features Cara Mitchell, Brown Bear & The Bandits, Three Blind Wolves and Anna Sweeney.
Steve Mason has accused Samsung of plagiarising the video for The Beta Band’s 2004 single Assessment for their new television advert. Both show historical figures running down a beach and helicopters circling overhead.
May 2, 2013: Young Aviators’ debut album Self Help is streaming on Electric Honey’s SoundCloud ahead of its release on May 13.
May 1, 2013: Travis have a video for Where You Stand, the first single and title track of the band’s seventh album, out on August 19.
Fake Major’s debut EP, Have Plenty Of Fun, is available for download.
My Latest Novel have gone on hiatus, with three of the members forming Alphabetical Order Orchestra - look out for music from them next week.
Kobi Onyame has a video for his new single The Real Part 2.
Trapped In Kansas have unveiled new song Collapse Rebuild.
Rob St John’s new AA single Charcoal Black And The Bonny Grey/Shallow Brown is out now.
April 30, 2013: Boards Of Canada will release Tomorrow’s Harvest, their first new album in eight years, on June 10.
Quickbeam song Immersed is available to download for free from DIY – you can also listen to snippets from every track of the band’s self-titled debut album, out on June 3.
Discopolis have unveiled the video for their new song Falling (Committed To Sparkle Motion), out on May 5.
April 29, 2013: The SAY Award will stream each of the 20 longlisted albums for 24 hours through their app, starting today with Miaoux Miaoux’s Light Of The North. You can read The Pop Cop’s feature here.
Panda Su’s new song MAPS is available to buy now on Amazon, while Bwani Junction’s new single Civil War is on iTunes.
The Boy Who Trapped The Sun has a video for new song California ahead of his May tour in Scotland.
The Pastels have a video for Check My Heart, taken from their forthcoming new album Slow Summits, out on May 27.
Frank Turner covered Frightened Rabbit’s The Modern Leper for Jim Gellatly’s In:Demand Uncut session.
April 27, 2013: Episode 10 of BBC ALBA’s Rapal music TV programme is on iPlayer and features two fantastic unreleased songs by Beerjacket as well as The Holy Ghosts, The Merrylees and Ray McCartney.
Travis, Johnny Marr, Hurts, James Skelly, Jack Savoretti, Willy Mason, Foy Vance, Steve Mason, Milo Greene and DIIV have been added to the T in the Park line-up, which has now been separated into day-by-day splits.
Edinburgh venue The Forest Cafe, which has been banned from hosting live music due to council restrictions, are looking for acts to play their new monthly event, the Forest Big Night Out at Old St Paul’s, which launches on May 23. Email foresteventsedinburgh@gmail.com for details.
April 26, 2013: The Burns an’ a’ that! Festival will feature live music as part of Weekend in the Park at Ayr’s Belleisle Park on May 25-26. Rose Parade, Little Fire, Pronto Mama and The Bluebells are among the free acts; Justin Currie + Rachel Sermanni play a ticketed gig on May 26.
Other newly-announced concerts on sale include Lana Del Rey + Kassidy at Glasgow’s SECC on May 16 (replacing her two dates at the Academy on May 15/16) Bombay Bicycle Club at Edinburgh’s Liquid Room on June 7, Belle & Sebastian at Inverness’ Ironworks on July 1, We Are Scientists at Glasgow’s Oran Mor on July 29, Kid Canaveral + Ballboy at Edinburgh’s Liquid Room on August 10.
Kid Canaveral + The Last Battle + Adam Ross (Randolph’s Leap) also play a free show at Edinburgh’s Caves on May 23 with 300 tickets on the door on a first come, first served basis as part of a Dewar’s event.
April 25, 2013: Seasick Steve, The Pigeon Detectives, Julie Fowlis, Meursault, Washington Irving, PAWS and The LaFontaines have been added to the Belladrum Festival line-up on August 2-3.
Washington Irving have released Palomides Volume 1, the first half of their debut album.
The View are streaming Kill Kyle, one of two new songs on their compilation album Seven Year Setlist, out on June 17.
April 24, 2013: The showcase list of artists picked to play goNORTH in Inverness on June 5-6 has been announced. For the third consecutive year there will be a bloggers’ showcase stage hosted by The Pop Cop, Peenko and Song, by Toad. More details to follow soon.
Kilmarnock’s Dirty Weekender will feature 45 acts over three venues on May 31 to June 2 including Fridge Magnets, Bwani Junction, The Ok Social Club, Ross Leighton (Fatherson) and Chris Helme.
Poor Things’ new single Morgan is free to download – it’s taken from their Hurricane Poor Things EP, out on June 10.
Similarly, Cherri Fosphate are giving away Wool from their Burning Youth EP, out on May 11.
April 23, 2013: Glasvegas will play Aberdeen’s Garage on June 27, Edinburgh’s Liquid Room on June 28 and Glasgow’s ABC on June 29.
Reverieme’s second album With Up So Floating is out now.
Roddy Hart & The Lonesome Fire have announced they will release their self-titled new album through Middle Of Nowhere Records in July.
Herculean have a video for Red Weather, taken from The Falling Thunder EP, out on June 7.
April 22, 2013: Stag & Dagger have added Phosphorescent, Rachel Sermanni, Randolph’s Leap, French Wives, Fake Major, Prides, Chris Devotion & The Expectations and Donald Macdonald & The Islands to the Glasgow festival’s line-up on May 18.
Episode 9 of BBC ALBA’s Rapal music TV programme is on iPlayer and features Brown Bear & The Bandits, Cara Mitchell, The Open Day Rotation and John Wean.
Texas have unveiled a video for The Conversation, the title track from their first album in eight years, out on May 20.
Bronagh & The Boys have released their debut single Green, taken from A Young Heart EP, out on May 19.
April 19, 2013: Kassidy’s Barrie-James O’Neill and his girlfriend Lana Del Rey have recorded a cover of Summer Wine (made famous by Nancy Sinatra and Lee Hazlewood), backed with a video featuring handheld footage of the pair in Los Angeles.
My Bloody Valentine, Trash Talk, Fidlar and The VirginMarys have been added to the T in the Park line-up.
April 18, 2013: Pre-sale tickets are available for Regina Spektor at Glasgow’s Academy on August 20 and Kings Of Leon at the ciry’s Bellahouston Park on August 15, the latter being part of the Glasgow Summer Sessions.
The Mirror Trap have unveiled a video for Westminster Ghost Story, the first track to be taken from their second album Stay Young, due out this autumn.
April 17, 2013: Midnight Lion have changed their name to Prides and expanded to a trio with the addition of Kitty The Lion’s Callum Wiseman on guitar and vocals. To coincide with the announcement, they have unveiled wonderfully addictive new song Out Of The Blue.
T in the Park have added Local Natives, Lucy Rose, Swim Deep, Theme Park, Lewis Watson and Sons & Lovers to the festival on July 12-14.
April 16, 2013: Doune The Rabbit Hole have announced that this year’s festival will take place at the new location of Cardross Estate at Port of Menteith in Stirlingshire on August 22-25. The line-up features Clinic, Meursault, Rachel Sermanni, Alasdair Roberts, Washington Irving, The Pastels, PAWS, Beerjacket, Rick Redbeard, We Are The Physics, Randolph’s Leap, Siobhan Wilson, Panda Su, Shambles Miller, Jo Mango and TeenCanteen. See here for full day-by-day splits.
April 15, 2013: James and Twin Atlantic will headline the Belladrum Tartan Heart Festival on August 2-3. Other acts on the bill include Admiral Fallow, Fatherson, Rick Redbeard, Noisettes, The Horrors and King Charles.
April 13, 2013: Edinburgh’s live music scene has suffered yet another setback with Forest Cafe having its live music licence reviewed, causing the immediate postponement of gigs there, starting with the Solas Showcase scheduled for today.
Newsnight Scotland featured a report on the music industry on April 10, prompted by the Wide Days convention in Edinburgh. Watch the segment on BBC iPlayer, with contributions from Stanley Odd’s Dave Hook, Plum’s Shona Maguire, Chemikal Underground’s Stewart Henderson, Wide Days organiser Olaf Furniss and journalist Nicola Meighan. The interviews were conducted by Galleries drummer Andrew Black.
April 12, 2013: Episode 8 of BBC ALBA’s Rapal music TV programme is on iPlayer and features Niteworks, The Holy Ghosts, Miaoux Miaoux and The Merrylees.
Eagleowl have unveiled Not Over, the first offering from debut album This Silent Year, which will come out through Fence Records on May 13.
Dear Lara, aka David Lan, has released his debut EP Plans as a free download.
April 11, 2013: Capitals’ debut album A National Service will come out on June 3, with those who pre-order it (from just £5) getting an immediate download of any of the record’s 11 tracks, one of which is Reliever.
The View will release singles compilation Seven Year Setlist on June 17 – the album features two new songs, Dirty Magazine and Kill Kyle.
Several Scottish acts have posted tracks from forthcoming new albums – check out Washington IrvingWandering Wits, United FruitTaste I Can’t Give Up and Hector BizerkOrchestrated Madness.
April 10, 2013: Promoters Cry Parrot will host their 6th Birthday Party at Glasgow’s Glue Factory on April 26 with a gig featuring Sacred Paws, Hector Bizerk, Tut Vu Vu, Ultimate Thrush, Ela Orleans and Sad City.
Three Blind Wolves are previewing Slow Summer Deer, taken from their Sing Hallelujah For The Old Machine album, released on May 6.
Where We Lay Our Heads single Keanu Leaves is out now.
Great Cop are giving away new song Stop Hiding as a free download.
April 9, 2013: Mogwai guitarist John Cummings uploaded a photo of himself at Glasgow’s George Square yesterday where more than 300 people gathered, inspired by his band’s 2011 song George Square Thatcher Death Party.
Hi-Arts, which promotes arts in the Highlands and Islands, has issued notices of redundancies to all 10 of its staff in the wake of funding cuts.
April 8, 2013: Fridge Magnets will play a ‘silent gig’ at a secret outdoor location in Glasgow on May 15 (6pm) – tickets can be won through organisers Deezer. The band will perform inside a mobile perspex box with the 300-capacity audience able to hear them through headphones.
Kassidy have released new mini-album People Like Me.
April 7, 2013: Song Of Return have launched their Singles Club project on Bandcamp through which they’ll be selling unreleased tracks. Month 1 contains Torn Between The Tides (see video) and Enough.
Cairn String Quartet, who were profiled on The Pop Cop in March, have unveiled their orchestral cover of Kid Canaveral’s Low Winter Sun.
Travis have made new song Another Guy available to download for free through their website. It also has a video.
April 6, 2013: The following 16 HMV and Fopp stores in Scotland will remain open following Hilco’s takeover – HMV: Aberdeen, Ayr, Dundee, East Kilbride, Edinburgh Fort Kinnaird, Edinburgh Ocean Terminal, Edinburgh Princes St, Glasgow Argyle St, Glasgow Buchanan St, Glasgow Fort, Inverness, Livingston, Stirling; Fopp: Edinburgh; Glasgow Union St; Glasgow Byres Rd.
Bwani Junction have a video for new single Civil War, out on April 29.
Rachel Sermanni and Emma’s Imagination are among the acts playing the Kintyre Songwriters Festival in Campbeltown on May 24-26.
Quickbeam will launch their debut album with a gig at the disused Govanhill Baths in Glasgow on May 31. They will be supported by Fake Major whose debut Have Plenty Of Fun EP comes out on May 1.
April 5, 2013: Spotify director Mark Williamson will give the keynote speech at next week’s Wide Days event in Edinburgh as part of a session on the business of streaming. The full running order is here.
Episode 7 of BBC ALBA’s Rapal music TV programme is on iPlayer and features Anna Sweeney, Cara Mitchell, Discopolis and Paul McGranaghan.
Dot JR has uploaded new song Waterfalls to SoundCloud.
April 4, 2013: The Tiree Music Festival will take place in An Talla on July 20-21 with a bill that includes Roddy Hart & The Lonesome Fire, Washington Irving, The Youth And Young and Brown Bear & The Bandits.
Galleries’ fantastic new single Midnight Rush is out now.
Casual Sex have made a video for their debut single Stroh 80. They play Glasgow’s Nice ‘n’ Sleazy on April 5 and Oran Mor on April 7.
April 3, 2013: Comlongon Rocks have added a third day of live music to its line-up at Comlongon Castle in Dumfries & Galloway on May 17-19. The festival’s line-up features Three Blind Wolves, Emma’s Imagination, The OK Social Club and Saint Max.
Chem 19 are offering three days of free recording time to five Scottish acts through their Creative Scotland Demo Fund. To apply, musicians (under-25s only) should email a link to some demos and a bio to info@chem19.co.uk with the subject Chem19 Demo Fund Enquiry before April 26. Chosen acts will also take part in a live showcase.
Siobhan Wilson + Julia And The Doogans + Jo Mango will play Glasgow’s Roxy 171 on June 26 as part of the Scottish Fiction Presents: Aye Tunes vs Peenko night at the West End Festival.
April 2, 2013: Acts confirmed for The Insider Festival in Aviemore on June 21-23 include Rachel Sermanni, Karine Polwart, Hector Bizerk, Urstan, David Thomas Broughton, Miaoux Miaoux, Pete Roe, Jonnie Common, Adam Holmes And The Embers and Sparrow And The Workshop.
Up-and-coming acts can apply to play the Hebridean Celtic Festival in Stornoway on July 17-20 through their One Step Further competition which is open to musicians aged 18-25. To enter, artists need to email office@hebceltfest.com with the subject HebCelt New Talent Submissions and include links to three songs, a biog and high-res photo. Closing date is April 12.
April 1, 2013: Quickbeam’s self-titled debut album will be released through Comets & Cartwheels on June 3 – check out the video for lead track Immersed which will be available as a free download on April 29.
We Were Promised Jetpacks will headline the second night of the three-day Solas Festival in Perthshire on June 22.
Minor Delilah will be giving away copies of their new EP, Only Dust Can Hear You, to anyone who attends their launch gig at Glasgow’s Classic Grand on May 3.

03

Apr

Scottish Album of the Year Award – “It’s not a competition: it’s a celebration, an opportunity, a platform”

A year and a half ago, I published an article that explained why “the Mercury Prize increasingly has little relevance to the music scene in Scotland” and concluded: “It’s surely time Scotland followed the example of the various countries who organise their own version of the Mercury Prize, such as Ireland, Canada, Australia, Germany and France.”

Little did I know it was already at the very top of someone’s to-do list.

That person was Stewart Henderson, co-founder of Scotland’s most revered record label, Chemikal Underground, and board member of the Scottish Music Industry Association. (He also played bass for one of my all-time favourite bands, The Delgados, so it’s safe to say I like the guy.)

The SMIA has only been in existence since 2009, but today it scores off one of its primary objectives – the launch of a Scottish Album of the Year Award.

There are various music prizes and award-giving events in Scotland but this is the first one that the general public might actually pay much attention to. This is an important point because the country needs something that will capture the imagination of people who aren’t already emotionally invested in the Scottish music scene, something that will engage the mainstream media, spark arguments in rural pubs and get social networks a-buzzing.

The most stark evidence that the Scottish Album of the Year Award is a proposition that should be taken seriously is the amount of hard cash it has been given by Creative Scotland and the Scottish Government to get it off the ground – £85,000.

Of this, £20,000 goes to the winner (a sum equal to that of the Mercury Prize), with £1,000 to the nine runners-up. Each of the 10 shortlisted finalists also get an art prize, commissioned to the tune of £20,000 and created by a Glasgow School of Art graduate. From next year onwards, this in itself will be a competition between the graduates from Scotland’s four principal art schools – Glasgow School of Art, Edinburgh College of Art, Gray’s School of Art in Aberdeen and Dundee’s DJCAD.

The SAY Award (as it shall be known, just you wait) pays homage to albums released in the previous calendar year. For the inaugural event that means we’re going to do a lot of reminiscing back to 2011. So if you’re a Rangers supporter, or if you’ve booked a cruise on the Costa Concordia, life’s pretty sweet.

This graphic helps explain how the process is going to work in 2012:

INDUSTRY NOMINATIONS
Last month, 100 nominators were asked by the SMIA to list their favourite 5 albums of 2011 in order of preference. The nominators were drawn from across the music industry, such as retailers, journalists, radio employees, genre-specific experts, venue staff, DJs, concert promoters and, yip, even bloggers. In order to limit the most blatant conflicts of interest, certain folk – managers and record label owners for instance – were not invited to play.

LONGLIST
As the number above says, there will be a hallowed list of 20 albums, determined by those who have accrued the most points from the nominators.

PUBLIC VOTE
This is the part when those deemed classy enough to have made the longlist lose all semblance of cool by failing to stop themselves begging for votes from fans, relatives and former teachers. If you are invited to do just that via a Facebook event, click ‘Maybe’ and keep them sweating.

SHORTLIST
Whoever gets the most public votes will be guaranteed a place on the shortlist of finalists if they haven’t already been chosen by the Judging Panel. If the latter is the case, this artist will have as much chance of winning the award as I do. The shortlist is an even more hallowed (hallowed-er?) roll call of 10 albums, culled from the longlist by the Judging Panel. This special syndicate fully deserves capital letters to compensate for the fact they will get a beasting on Twitter when they inevitably pick the wrong finalists.

AWARD CEREMONY
Tuesday, June 19 – mark it in the diary now. The evening of the SAY Award (told you it would catch on) ceremony clashes with England’s wholly unanticipated defeat to Euro 2012 hosts Ukraine. The winning album will be announced at southside venue Film City Glasgow, which I never even knew existed until last night, so I’m not going to pretend I didn’t copy and paste this fact: it is a dedicated film and television production facility in what was once Govan Town Hall.

I genuinely hope the SAY Award is a success, not just because recognition on this scale for Scottish musicians is long overdue, but because Stewart Henderson has worked relentlessly behind the scenes to mould this into something that is inclusive and embracing, as the man himself explains.

Why is the SAY Award a good thing for the Scottish music scene?
Stewart: “Honestly? I think it’s better than good, I think it’s a great thing for Scotland’s music scene. There’s an unprecedented scale and scope to this award in terms of the input that’s been given from throughout the industry and I think that’s something that’s been long overdue and hugely exciting. We (the SMIA) spent 18 months developing the format for it in the hope of delivering a credible and progressive prize for music (and art) in Scotland and I’m confident the level of industry-wide consultation and engagement we undertook has given us something with real potential.

“While we obviously have to be careful not to overplay the importance of a music prize, I do think its arrival – and the financial elements of its prize fund – marks a significant milestone in the development of Scotland’s music industry. It also sends out a powerful message about just how valued and important music is within Scottish culture.”

Some people believe music/the creation of art shouldn’t be a competition – how would you respond to that?
Stewart: “It’s not a competition: it’s a celebration, an opportunity, a platform. The nature of an award is that, ultimately, there has to be a winner but it’s lazy and short-sighted to use that as a means of relegating the whole thing to the level of a beauty contest. The albums on the longlist and the shortlist aren’t competing against each other, they’re being celebrated alongside one another.

“We can offer these albums – all of which are there on merit – a platform from which they can all be championed irrespective of genre, unit sales or label affiliation. I make no apology whatsoever for the fact the SAY Award is focused on promoting these albums specifically and the music industry as a whole. We want, even if it’s for a couple of weeks or months, to build a sense of civic pride in the music this nation produces and to press home the message that, if you listen to music on your stereo, on your phone or in your car, then it’s your industry too and that you have an invaluable role to play in helping sustain it. Listen to these albums, discuss them online, go to a gig and hear them played live and, yes, seek out a record shop and buy some of them.”

Do you think the Scottish music scene gets as much exposure outside Scotland as it deserves?
Stewart: “Scotland has always had a great international reputation from a music point of view, not just for the artists and albums we produce but for our love of music as a nation. That said, I think there’s always more that we can do. Personally, I think it comes down to the manner and the tone we choose to take when marketing and promoting ourselves and our music.

“We have an extraordinarily diverse and talented range of artists, musicians and bands in this country and if we can find the means to champion that fact inclusively and eloquently then I firmly believe people outside this country will take even more notice than they are taking already. I’m growing increasingly proud of the music that comes out of Scotland and, to be honest, working on this award has elevated that sense of pride to another level entirely so hopefully this award is doing something right.”

- If you’re interested (just pretend), here are the 5 albums nominated by The Pop Cop:

Beerjacket – The White Feather Trail

LightGuides – Samba Samba Samba

Mike Nisbet – Vagrant

We – With The Stars As An Audience

We Were Promised Jetpacks – In The Pit Of The Stomach

8 Responses to “Scottish Album of the Year Award – “It’s not a competition: it’s a celebration, an opportunity, a platform””

  1. Ill Will Says:

    April 3rd, 2012 at 09:20

    Hopefully it’s a success and doesn’t fall into the same league as whoever did that awful ‘Scottish albums of the decade’ thing on STV otherwise someone will be handing 20k to Emili Sande!!

    Would hope to see Mogwai (within the calendar year?), Jetpacks, Twilight Sad and RM Hubbert all nominated at least.


  2. Ron Says:

    April 3rd, 2012 at 10:13

    Will, it’s important that people like Emili Sande ARE included in this kind of thing, to show that this one is not another jobs-for-the-boys indie-rock back-slapping contest… This award looks like the real thing, unlike so many horrific ego/social-club-driven attempts of late, and the inclusion of a few artists who aren’t the darlings of the Scot-rock fraternity would only confirm that the selection process has been democratic.


  3. Ill Will Says:

    April 3rd, 2012 at 11:17

    That’s true Ron, I would agree with that. It’d be a shame to see it be accused of being a “Pal’s Club”

    I suppose I meant it would be a shame to see it filled with really duff acts like that. Thankfully we’re not in the same position as a few years ago when we had the likes of The Fratelli’s, The View, Sandi Thom, K T Tunstall, Paulo Nutini, Amy McDonald… etc all heavily played on UK mainstream radio and charting highly.

    Mind you, if it’s going to be run along the same lines as the Mercury or Solaris prizes then this shouldn’t be a big worry anyway.


  4. Hamish Gibson Says:

    April 3rd, 2012 at 12:25

    Lost interest at public vote. Great that it’s finally happening though, hopefully it works out and takes off, just not sure how it can earn the same credibility as peer awards when part of it’s just a popularity contest.


  5. Kevin Lynch Says:

    April 3rd, 2012 at 18:39

    I hope you noticed that the public vote is only part of the nomination process, and the judges will still decide the best album. Without any fan input, all transparency goes out the window and accusations of cronyism become rife.
    There should really be a Scottish Academy of Music formed from these “industry figures” though. Get on the case, SMIA.


  6. Anonymous Says:

    April 10th, 2012 at 00:31

    You have to read the rules again. The judges will pick ten albums from the original twenty….supposing they mangage to agree!? The public vote then only serves to sway that list by one place — i.e. the top ‘public’ vote MUST be in the final top ten, so if that means (not necessarily) displacing one of the ten albums in the judges’ original list then that’s what happens and it goes into the final bag of judging. That’s an interesting shift in things, but won’t be phenomenal….i.e. public voting is highly unlikely to create the number one choice.


  7. Anonymous Says:

    April 10th, 2012 at 00:35

    Fan input has a real rationale, but many fabulous musicians are ‘quiet’ people who don’t have a manic fanbase, so I really think this gives them a reasonable chance, given the broad industry nomination base — i.e. those who hear this all the time but don’t have personal gain from the winner.


  8. ally Says:

    April 12th, 2012 at 10:48

    seen the list – but didn’t need to. Cronyism is well and truly in full swing.


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