May 22, 2013: The Basement Coffee House in Ayr has been shortlisted by NME as Scotland’s representative in a public vote to find the best small venue in Britain. The 80-capacity venue opened eight months ago.
Tomorrow’s second instalment of the Dewar House Experimental Batch series sees Edinburgh’s Caves host free live music from Kid Canaveral, The Last Battle and Adam Ross (Randolph’s Leap). There will be 550 tickets available on the door on a first come, first served basis.
May 21, 2013: Camera Obscura song Fifth In Line To The Throne is available for free download in exchange for an email address. It’s taken from the band’s fifth album Desire Lines, out on June 3, and pre-ordering it will get you another track, Do It Again.
Book Group have released their debut EP, Homeward Sound.
Sparrow And The Workshop’s third album Murderopolis, out on May 27, is streaming in full via DIY - one of the songs, The Faster You Spin, is also available for free download.
May 20, 2013: Garden Of Elks’ debut EP, Extended Play, is available to buy and stream.
The Clock have a video for their excellent song Everything’s Eventual, which is released on May 28. They have Glasgow gigs lined up at Broadcast on June 1 and Roxy 171 on June 20.
May 18, 2013: The 16-strong T Break line-up for T in the Park on July 12-14 has been unveiled - Arches, Blindfolds, DARC, Fake Major, Hector Bizerk, Honeyblood, Machines In Heaven, Michael Cassidy, Poor Things, Pronto Mama, Seams, Sunshine Social, The Merrylees, The Velveteen Saints, Vasa, Waiting For Go.
Anna Sweeney has announced she is taking a full break from music and has cancelled her scheduled appearance at Wickerman in July as she relocates to Reading for work in June. Another musician swapping Scotland for England is Plum, who is moving to Brighton in July.
May 17, 2013: The stage times have been released for the 35 acts playing Stag & Dagger across seven Glasgow venues on May 18.
Franz Ferdinand’s fourth album Right Thoughts, Right Words, Right Action will be released on August 26 – check out this brief trailer.
Frightened Rabbit recorded a cover of Best Coast’s The Only Place for Australian radio show Triple J. The band release their Late March, Death March EP on June 2.
The Mouse That Ate The Cat song When I Wake Up is available for free in exchange for your email address.
The title track of Adam Stafford’s forthcoming second album Imaginary Walls Collapse is streaming here.
May 16, 2013: The Discopolis remix of Bwani Junction single Civil War is available to download for free from SoundCloud.
Born To Be Wide’s next seminar at Edinburgh’s Electric Circus on May 30 is on the topic of goNORTH, with a panel featuring broadcaster Vic Galloway, goNORTH duo Amanda Millen and Alex Smith and Chasing Owls frontman Ben Sunderland explaining how musicians and delegates can get the most out of the annual Inverness convention. Tickets are free.
AC/DC have backed a campaign to erect a bronze statue of their former frontman Bon Scott in his hometown of Kirriemuir in Angus. Community music group DD8 Music hope to raise £50,000 via Kickstarter by June 5.
Kite And The Crane’s debut EP, Found In The End, is out on Bandcamp.
May 15, 2013: Biffy Clyro have a video for their new single Opposite.
The View are playing a one-off show at Glasgow’s King Tut’s on June 12 for the Sunday Mail Centenary Fund.
Adam Stafford is launching his second album Imaginary Walls Collapse with a gig at Glasgow’s Glad Cafe on July 5 with support from Siobhan Wilson and Robbie Lesiuk.
May 14, 2013: The Wee Chill will mark its 10th anniversary with a two-stage bill at Glasgow’s SWG3 on June 29 for the West End Festival. The line-up features Malcolm Middleton, James Yorkston with Sparrow & The Workshop (collaborative debut), Aidan Moffat (spoken word), Three Blind Wolves, Roddy Hart & The Lonesome Fire, Miaoux Miaoux, Fake Major.
Tommy Perman, who recently left FOUND, has unveiled his new solo project ComputerScheisse – check out These Beautiful Minds, the title track of his debut EP, out on July 15 through Phuturelabs.
RockNess have announced more acts for the festival on June 7-9 including Fenech-Soler, Fatherson, Public Service Broadcasting, The Boy Who Trapped The Sun, Niteworks and Jemma Tweedie.
Too Many Fireworks Records will donate all profits from sales of Variations Of Chopin, an album of contemporary interpretations of the composer’s music, to the fundraising campaign for drummer Robbie Cooper, whose cancer fight was documented on The Pop Cop.
May 13, 2013: New releases out now include Young Aviators’ debut album Self Help, Eagleowl’s debut album This Silent Year, and Cherri Fosphate’s new Burning Youth EP.
May 10, 2013: The live schedule for goNORTH in Inverness on June 5-6 has been unveiled – it includes a Scottish Bloggers Showcase hosted by The Pop Cop, Peenko and Song, by Toad featuring a four-band bill of Garden Of Elks, Friends In America, The Yawns and Flutes.
May 9, 2013: The documentary Hunting For Remoteness details The Magnetic North’s visit to Orkney – where frontman Erland Cooper is from – for the making of their debut album. It will be released on June 24 alongside a reissue of that record, Orkney: Symphony Of The Magnetic North. You can watch the trailer here.
Alphabetical Order Orchestra are streaming their first song, The Architect. The band is made up of My Latest Novel members Chris Deveney, Gary Deveney and Ryan King.
A Band Called Quinn have launched a crowdfunding campaign to support performances of their multimedia show Biding Time (remix) at the Edinburgh Fringe Festival in August.
May 8, 2013: Three Blind Wolves have released their new album, Sing Hallelujah For The Old Machine.
May 7, 2013: Adam Stafford’s new single Please is streaming online – it’s taken from his second album Imaginary Walls Collapse, out in July.
May 6, 2013: The T in the Park Roadshow is bringing free live music to Scottish towns this month – it stops at Glasgow today for The View at Kelvingrove Park (1pm) and Buchanan Street (3.30pm); Edinburgh on May 10 for Vigo Thieves at Queen Margaret University’s Student Union (noon), Dundee on May 11 for The LaFontaines at Overgate Centre (noon); Aberdeen on May 12 for Sienna at Aberdeen University (noon); and Ayr on May 18 for The Redettes at Ayr Railway Station (noon).
Fake Major have a video for Fiction, a song on their Have Plenty Of Fun EP. Fellow Comets & Cartwheels artist Finn LeMarinel has a new video for Garden, taken from his debut album Violence.
Capitals have released a sampler of all the tracks on their debut album A National Service, out on June 3.
May 3, 2013: Episode 11 of BBC ALBA’s Rapal music TV programme is on iPlayer and features Cara Mitchell, Brown Bear & The Bandits, Three Blind Wolves and Anna Sweeney.
Steve Mason has accused Samsung of plagiarising the video for The Beta Band’s 2004 single Assessment for their new television advert. Both show historical figures running down a beach and helicopters circling overhead.
May 2, 2013: Young Aviators’ debut album Self Help is streaming on Electric Honey’s SoundCloud ahead of its release on May 13.
May 1, 2013: Travis have a video for Where You Stand, the first single and title track of the band’s seventh album, out on August 19.
Fake Major’s debut EP, Have Plenty Of Fun, is available for download.
My Latest Novel have gone on hiatus, with three of the members forming Alphabetical Order Orchestra - look out for music from them next week.
Kobi Onyame has a video for his new single The Real Part 2.
Trapped In Kansas have unveiled new song Collapse Rebuild.
Rob St John’s new AA single Charcoal Black And The Bonny Grey/Shallow Brown is out now.
April 30, 2013: Boards Of Canada will release Tomorrow’s Harvest, their first new album in eight years, on June 10.
Quickbeam song Immersed is available to download for free from DIY – you can also listen to snippets from every track of the band’s self-titled debut album, out on June 3.
Discopolis have unveiled the video for their new song Falling (Committed To Sparkle Motion), out on May 5.
April 29, 2013: The SAY Award will stream each of the 20 longlisted albums for 24 hours through their app, starting today with Miaoux Miaoux’s Light Of The North. You can read The Pop Cop’s feature here.
Panda Su’s new song MAPS is available to buy now on Amazon, while Bwani Junction’s new single Civil War is on iTunes.
The Boy Who Trapped The Sun has a video for new song California ahead of his May tour in Scotland.
The Pastels have a video for Check My Heart, taken from their forthcoming new album Slow Summits, out on May 27.
Frank Turner covered Frightened Rabbit’s The Modern Leper for Jim Gellatly’s In:Demand Uncut session.
April 27, 2013: Episode 10 of BBC ALBA’s Rapal music TV programme is on iPlayer and features two fantastic unreleased songs by Beerjacket as well as The Holy Ghosts, The Merrylees and Ray McCartney.
Travis, Johnny Marr, Hurts, James Skelly, Jack Savoretti, Willy Mason, Foy Vance, Steve Mason, Milo Greene and DIIV have been added to the T in the Park line-up, which has now been separated into day-by-day splits.
Edinburgh venue The Forest Cafe, which has been banned from hosting live music due to council restrictions, are looking for acts to play their new monthly event, the Forest Big Night Out at Old St Paul’s, which launches on May 23. Email foresteventsedinburgh@gmail.com for details.
April 26, 2013: The Burns an’ a’ that! Festival will feature live music as part of Weekend in the Park at Ayr’s Belleisle Park on May 25-26. Rose Parade, Little Fire, Pronto Mama and The Bluebells are among the free acts; Justin Currie + Rachel Sermanni play a ticketed gig on May 26.
Other newly-announced concerts on sale include Lana Del Rey + Kassidy at Glasgow’s SECC on May 16 (replacing her two dates at the Academy on May 15/16) Bombay Bicycle Club at Edinburgh’s Liquid Room on June 7, Belle & Sebastian at Inverness’ Ironworks on July 1, We Are Scientists at Glasgow’s Oran Mor on July 29, Kid Canaveral + Ballboy at Edinburgh’s Liquid Room on August 10.
Kid Canaveral + The Last Battle + Adam Ross (Randolph’s Leap) also play a free show at Edinburgh’s Caves on May 23 with 300 tickets on the door on a first come, first served basis as part of a Dewar’s event.
April 25, 2013: Seasick Steve, The Pigeon Detectives, Julie Fowlis, Meursault, Washington Irving, PAWS and The LaFontaines have been added to the Belladrum Festival line-up on August 2-3.
Washington Irving have released Palomides Volume 1, the first half of their debut album.
The View are streaming Kill Kyle, one of two new songs on their compilation album Seven Year Setlist, out on June 17.
April 24, 2013: The showcase list of artists picked to play goNORTH in Inverness on June 5-6 has been announced. For the third consecutive year there will be a bloggers’ showcase stage hosted by The Pop Cop, Peenko and Song, by Toad. More details to follow soon.
Kilmarnock’s Dirty Weekender will feature 45 acts over three venues on May 31 to June 2 including Fridge Magnets, Bwani Junction, The Ok Social Club, Ross Leighton (Fatherson) and Chris Helme.
Poor Things’ new single Morgan is free to download – it’s taken from their Hurricane Poor Things EP, out on June 10.
Similarly, Cherri Fosphate are giving away Wool from their Burning Youth EP, out on May 11.
April 23, 2013: Glasvegas will play Aberdeen’s Garage on June 27, Edinburgh’s Liquid Room on June 28 and Glasgow’s ABC on June 29.
Reverieme’s second album With Up So Floating is out now.
Roddy Hart & The Lonesome Fire have announced they will release their self-titled new album through Middle Of Nowhere Records in July.
Herculean have a video for Red Weather, taken from The Falling Thunder EP, out on June 7.
April 22, 2013: Stag & Dagger have added Phosphorescent, Rachel Sermanni, Randolph’s Leap, French Wives, Fake Major, Prides, Chris Devotion & The Expectations and Donald Macdonald & The Islands to the Glasgow festival’s line-up on May 18.
Episode 9 of BBC ALBA’s Rapal music TV programme is on iPlayer and features Brown Bear & The Bandits, Cara Mitchell, The Open Day Rotation and John Wean.
Texas have unveiled a video for The Conversation, the title track from their first album in eight years, out on May 20.
Bronagh & The Boys have released their debut single Green, taken from A Young Heart EP, out on May 19.
April 19, 2013: Kassidy’s Barrie-James O’Neill and his girlfriend Lana Del Rey have recorded a cover of Summer Wine (made famous by Nancy Sinatra and Lee Hazlewood), backed with a video featuring handheld footage of the pair in Los Angeles.
My Bloody Valentine, Trash Talk, Fidlar and The VirginMarys have been added to the T in the Park line-up.
April 18, 2013: Pre-sale tickets are available for Regina Spektor at Glasgow’s Academy on August 20 and Kings Of Leon at the ciry’s Bellahouston Park on August 15, the latter being part of the Glasgow Summer Sessions.
The Mirror Trap have unveiled a video for Westminster Ghost Story, the first track to be taken from their second album Stay Young, due out this autumn.
April 17, 2013: Midnight Lion have changed their name to Prides and expanded to a trio with the addition of Kitty The Lion’s Callum Wiseman on guitar and vocals. To coincide with the announcement, they have unveiled wonderfully addictive new song Out Of The Blue.
T in the Park have added Local Natives, Lucy Rose, Swim Deep, Theme Park, Lewis Watson and Sons & Lovers to the festival on July 12-14.
April 16, 2013: Doune The Rabbit Hole have announced that this year’s festival will take place at the new location of Cardross Estate at Port of Menteith in Stirlingshire on August 22-25. The line-up features Clinic, Meursault, Rachel Sermanni, Alasdair Roberts, Washington Irving, The Pastels, PAWS, Beerjacket, Rick Redbeard, We Are The Physics, Randolph’s Leap, Siobhan Wilson, Panda Su, Shambles Miller, Jo Mango and TeenCanteen. See here for full day-by-day splits.
April 15, 2013: James and Twin Atlantic will headline the Belladrum Tartan Heart Festival on August 2-3. Other acts on the bill include Admiral Fallow, Fatherson, Rick Redbeard, Noisettes, The Horrors and King Charles.
April 13, 2013: Edinburgh’s live music scene has suffered yet another setback with Forest Cafe having its live music licence reviewed, causing the immediate postponement of gigs there, starting with the Solas Showcase scheduled for today.
Newsnight Scotland featured a report on the music industry on April 10, prompted by the Wide Days convention in Edinburgh. Watch the segment on BBC iPlayer, with contributions from Stanley Odd’s Dave Hook, Plum’s Shona Maguire, Chemikal Underground’s Stewart Henderson, Wide Days organiser Olaf Furniss and journalist Nicola Meighan. The interviews were conducted by Galleries drummer Andrew Black.
April 12, 2013: Episode 8 of BBC ALBA’s Rapal music TV programme is on iPlayer and features Niteworks, The Holy Ghosts, Miaoux Miaoux and The Merrylees.
Eagleowl have unveiled Not Over, the first offering from debut album This Silent Year, which will come out through Fence Records on May 13.
Dear Lara, aka David Lan, has released his debut EP Plans as a free download.
April 11, 2013: Capitals’ debut album A National Service will come out on June 3, with those who pre-order it (from just £5) getting an immediate download of any of the record’s 11 tracks, one of which is Reliever.
The View will release singles compilation Seven Year Setlist on June 17 – the album features two new songs, Dirty Magazine and Kill Kyle.
Several Scottish acts have posted tracks from forthcoming new albums – check out Washington Irving – Wandering Wits, United Fruit – Taste I Can’t Give Up and Hector Bizerk – Orchestrated Madness.
April 10, 2013: Promoters Cry Parrot will host their 6th Birthday Party at Glasgow’s Glue Factory on April 26 with a gig featuring Sacred Paws, Hector Bizerk, Tut Vu Vu, Ultimate Thrush, Ela Orleans and Sad City.
Three Blind Wolves are previewing Slow Summer Deer, taken from their Sing Hallelujah For The Old Machine album, released on May 6.
Where We Lay Our Heads single Keanu Leaves is out now.
Great Cop are giving away new song Stop Hiding as a free download.
April 9, 2013: Mogwai guitarist John Cummings uploaded a photo of himself at Glasgow’s George Square yesterday where more than 300 people gathered, inspired by his band’s 2011 song George Square Thatcher Death Party.
Hi-Arts, which promotes arts in the Highlands and Islands, has issued notices of redundancies to all 10 of its staff in the wake of funding cuts.
April 8, 2013: Fridge Magnets will play a ‘silent gig’ at a secret outdoor location in Glasgow on May 15 (6pm) – tickets can be won through organisers Deezer. The band will perform inside a mobile perspex box with the 300-capacity audience able to hear them through headphones.
Kassidy have released new mini-album People Like Me.
April 7, 2013: Song Of Return have launched their Singles Club project on Bandcamp through which they’ll be selling unreleased tracks. Month 1 contains Torn Between The Tides (see video) and Enough.
Cairn String Quartet, who were profiled on The Pop Cop in March, have unveiled their orchestral cover of Kid Canaveral’s Low Winter Sun.
Travis have made new song Another Guy available to download for free through their website. It also has a video.
April 6, 2013: The following 16 HMV and Fopp stores in Scotland will remain open following Hilco’s takeover – HMV: Aberdeen, Ayr, Dundee, East Kilbride, Edinburgh Fort Kinnaird, Edinburgh Ocean Terminal, Edinburgh Princes St, Glasgow Argyle St, Glasgow Buchanan St, Glasgow Fort, Inverness, Livingston, Stirling; Fopp: Edinburgh; Glasgow Union St; Glasgow Byres Rd.
Bwani Junction have a video for new single Civil War, out on April 29.
Rachel Sermanni and Emma’s Imagination are among the acts playing the Kintyre Songwriters Festival in Campbeltown on May 24-26.
Quickbeam will launch their debut album with a gig at the disused Govanhill Baths in Glasgow on May 31. They will be supported by Fake Major whose debut Have Plenty Of Fun EP comes out on May 1.
April 5, 2013: Spotify director Mark Williamson will give the keynote speech at next week’s Wide Days event in Edinburgh as part of a session on the business of streaming. The full running order is here.
Episode 7 of BBC ALBA’s Rapal music TV programme is on iPlayer and features Anna Sweeney, Cara Mitchell, Discopolis and Paul McGranaghan.
Dot JR has uploaded new song Waterfalls to SoundCloud.
April 4, 2013: The Tiree Music Festival will take place in An Talla on July 20-21 with a bill that includes Roddy Hart & The Lonesome Fire, Washington Irving, The Youth And Young and Brown Bear & The Bandits.
Galleries’ fantastic new single Midnight Rush is out now.
Casual Sex have made a video for their debut single Stroh 80. They play Glasgow’s Nice ‘n’ Sleazy on April 5 and Oran Mor on April 7.
April 3, 2013: Comlongon Rocks have added a third day of live music to its line-up at Comlongon Castle in Dumfries & Galloway on May 17-19. The festival’s line-up features Three Blind Wolves, Emma’s Imagination, The OK Social Club and Saint Max.
Chem 19 are offering three days of free recording time to five Scottish acts through their Creative Scotland Demo Fund. To apply, musicians (under-25s only) should email a link to some demos and a bio to info@chem19.co.uk with the subject Chem19 Demo Fund Enquiry before April 26. Chosen acts will also take part in a live showcase.
Siobhan Wilson + Julia And The Doogans + Jo Mango will play Glasgow’s Roxy 171 on June 26 as part of the Scottish Fiction Presents: Aye Tunes vs Peenko night at the West End Festival.
April 2, 2013: Acts confirmed for The Insider Festival in Aviemore on June 21-23 include Rachel Sermanni, Karine Polwart, Hector Bizerk, Urstan, David Thomas Broughton, Miaoux Miaoux, Pete Roe, Jonnie Common, Adam Holmes And The Embers and Sparrow And The Workshop.
Up-and-coming acts can apply to play the Hebridean Celtic Festival in Stornoway on July 17-20 through their One Step Further competition which is open to musicians aged 18-25. To enter, artists need to email office@hebceltfest.com with the subject HebCelt New Talent Submissions and include links to three songs, a biog and high-res photo. Closing date is April 12.
April 1, 2013: Quickbeam’s self-titled debut album will be released through Comets & Cartwheels on June 3 – check out the video for lead track Immersed which will be available as a free download on April 29.
We Were Promised Jetpacks will headline the second night of the three-day Solas Festival in Perthshire on June 22.
Minor Delilah will be giving away copies of their new EP, Only Dust Can Hear You, to anyone who attends their launch gig at Glasgow’s Classic Grand on May 3.
17
Jul
Songs of praise: an introduction to CHURCHES, pop messiahs
If you have heard of – but not actually heard – CHURCHES, you could be forgiven for harbouring a feeling of resistance towards them. It’s only natural to be wary about a Scottish band who have been hyped like no other I can recall in the five years that this blog has existed.
Formed last autumn by The Twilight Sad live member Martin “Dok” Doherty and Iain Cook of The Unwinding Hours, with Blue Sky Archives’ Lauren Mayberry later recruited as lead vocalist, they have been squirrelled away in a Glasgow studio writing, recording, mixing and mastering future pop hits. Proper top-10, all-over-the-radio hits. This is not a side-project.
Lies, the only recording they have made public at the time of writing, was offered as a free, exclusive blog download by Neon Gold, a hip independent label out of New York favoured by the majors as a surrogate for the more electro-tinged, slightly edgier acts on their roster, such as Passion Pit, Marina & The Diamonds, Gotye, The Naked & Famous, Wolf Gang and Ellie Goulding.
But the amount of buzz that one song generated in CHURCHES seemed a little disproportionate, premature perhaps, given that the band hadn’t even played their first gig, at the Art School in their Glasgow hometown on July 5. Lies, however, wasn’t just a song title.
Their debut outing, in fact, came at Edinburgh’s Electric Circus on June 21 when they played under the pseudonym Shark Week as part of the ‘Vic Galloway presents…’ line-up.
Even more remarkably, they turned up at the Art School for two days of dress rehearsal ahead of their sell-out show at the venue, running through their set and finetuning their stage sound and lighting. If the main event was anything to go by, the prep work they put in was a masterstroke.
Set opener The Mother We Share was love at first sight; the sort of dreamy, blissed-out track favoured by DJs to send clubbers home with pacifistic instincts at closing time. Next song If We Sink saw CHURCHES shift from reverie to danceable cool, with Iain and Dok pushing synth pulses that were almost too good to be true. Lauren’s vocals dazzled throughout and she grew into the role of extrovert frontwoman with every track, energised by the crowd’s reaction, a mixture of enthusiasm and veneration. And pride. Knowing that music this classy was from Scotland really did make my heart swell.
They left Lies until last but CHURCHES were playing to a room full of converts long before then.
The band have been under instruction not to do too many interviews, but Iain Cook kindly obliged for The Pop Cop, good man that he is.
How did Lies come to the attention of Neon Gold?
“Our manager, Campbell McNeil (ex-Aereogramme) is friends with Lizzy Plapinger and Derek Davies from Neon Gold and played them some material. They apparently really liked it and offered to debut the band on their blog.”
Were there any other singers you auditioned or had in mind other than Lauren?
“No, Lauren was the only person we thought of. As soon as she started working with us on the songs, we knew we were going to work well together.”
Who writes the lyrics?
“Initially, Dok and I collaborated on the lyrics but now it’s mostly Lauren.”
Are there any plans to add any more members?
“There are no immediate plans for that. We want to keep it tight and tour with as small a set-up as we can initially. Maybe someday we will add a live drummer, but for now it’s just us three.”
You played as Shark Week at the Electric Circus show – what was the thinking behind using a pseudonym?
“Our live set-up is technically complex. There is so much scope for things to go tits-up that we wanted to be able to make some mistakes and also see how it felt to play these songs in front of an audience with no idea who we were.”
You also played at the Art School two days before the official gig there. Was anyone invited to watch?
“We had the luxury of having the longest soundcheck in history! Paul from the Art School let us in for the two days preceding the gig so that we could continue to iron out the kinks and get it sounding sweet before the night. No-one was invited at all, it was just us and the crew.”
If We Sink reminds me a lot of Robyn – is she an influence in your sound? Do you have many contemporary influences?
“Robyn is someone we all have a ton of respect for. She really is genuinely unique and seems to be playing the game entirely on her own terms while effortlessly putting out some of the best pop music of our time. Other than the maybe obvious British synth-pop sounds, we listen to a ton of contemporary hip hop and pop music.”
Where are the band in relation to signing to a label?
“Nothing concrete to report, but Campbell has been talking to a lot of interested parties.”
Not many bands have a manager and booking agent this early in their careers – do you see these as essential to your ambitions for CHURCHES?
“Yes, of course, we want to play to as many people worldwide as we can. Without a great agent, this becomes very difficult, if not impossible. We are lucky enough to have an American agent on board as well as an agent for the UK and the rest of the world.”
What are your ambitions for the band?
“Same as with any band I have ever been in: make music I love with my friends and try to play it to as many people as possible.”
If CHURCHES become as wildly popular and successful as a lot of people including myself seem to think you will, will this eventually mean you can’t be involved in the other bands?
“I think it’s good and enriching to work with other people, especially if you are in a full-time band or whatever. It helps to keep things fresh and exciting. That said, available time can become a big issue, so sometimes you have to take time out of other projects to allow things to grow. I can’t imagine a scenario where I wouldn’t want to work with other people as well, but for the time being, we seem to have uncovered a rich seam of creativity with CHURCHES so I want to focus on that and see what happens.”
July 22, Stereo, Glasgow (tickets)
August 22, Electric Circus, Edinburgh (tickets)
All photos © Allan Roney





22 Responses to “Songs of praise: an introduction to CHURCHES, pop messiahs”
July 17th, 2012 at 14:38
So much love for this band! It’s quite possible that loads of people could turn on Sunday night in Stereo to see the support act instead of the headliner School of Seven Bells!
July 19th, 2012 at 08:06
I heard that song on Soundcloud which sounds like that Keane song but with “Tweedgie” vocals
http://www.youtube.com/watch?v=OpxZwzlYMk4
Another hyped Glasgow band with “connections” that will be rammed down our throats by bloggers-galore.
July 21st, 2012 at 16:42
I have to agree i find the background to all of this pretty unappealing to be honest. Fair play, ‘Lies’ is a good song. That said, so are plenty of other songs written by new bands in Scotland….most of whom aren’t lucky enough to have umpteen helping hands to get them and their music into the spotlight.
So one member is from The Twilight Sad, another is ex-Aereogramme, and the third is a List journalist. There are a number of bonuses within this, namely being managed by Temper Trap manager Campbell McNeil (who also happens to be ex-Aereogramme….), and the guarantee of favorable press on the pages of a notoriously hard to please publication.
And lets be honest, how many bands have the luxury of getting to test a venue for two days prior to their gig ? How many bands would get the chance to play The Art School off the back of no profile ?
Would Churches be getting any of this hype had they been just another unknown Scottish band with a great song ? Absolutely not. Would i have respected them more if they had done it all off their own back ? Absolutely.
July 23rd, 2012 at 02:44
Previous ‘anonymous’ post is a mortifying example of bitterness within a music scene! Horribly predictable that this sort of chat emerges as soon as a new band start getting positive attention. Churches are thoroughly deserving of the hype (and deep down, you know it…)
July 23rd, 2012 at 13:39
I’d agree in part with anon. I also think that song is pretty good but ‘thoroughly deserving of the hype’ is a bit strong. I think the point being made previously is that there wouldn’t be any hype in the first place if those connections didn’t exist. That’s not bitterness, it’s an observation and a valid one at that.
July 23rd, 2012 at 14:47
It’s actually not a valid one at all. Other musical projects simply prove that these people are established musicians and songwriters. However, any hype around Churches grew organically through word of mouth – not duelist by a big budget press campaign.. Other factors are not relevant. In fact, I believe this article was the first to actually reveal who the band members are, so this can’t have had a bearing. Also, the reason they have a good manager is because they are a good band. Quite simple really!
July 23rd, 2012 at 15:09
The reason they have a good manager is because the manager in question was one quarter of a band that a member of Churches was also in. That’s a fact.
The reason they featured on the well respected Neon Gold blog was because, as quoted above, that manager “is friends with Lizzy Plapinger and Derek Davies from Neon Gold”.
But i guess the reason you find neither of these points relevant is because you are either a member of the band, or a friend of the band. Ho hum.
July 23rd, 2012 at 15:59
Correct, I am a friend of the band! They are lovely people and have put a huge amount of effort into this band. Perhaps if you do the same, your own band might be in a similar position one day…
July 23rd, 2012 at 16:48
Oh dear god i knew it. I have no doubt they are lovely people, i don’t think that was anything to do with the discussion. The point being made here is that they have a huge advantage over your average band who has equally good music, and there are plenty of other bands who do have music which is just as good (if not better) who don’t have the luxury of having these connections.
It is what it is. There’s no point in you trying to make them out to be some completely unknown band who have created all this hype off their own backs because the fact is that just isn’t the case. As i said originally i like the song, and as with any band i hope they get where they want to go, but to be blunt it’s hardly surprising they are getting this kind of attention.
Thanks for the advice. If i’m ever in a band i’ll do that.
July 23rd, 2012 at 17:05
Haha, cool. BABA BOOEY BABA BOOEY
July 23rd, 2012 at 17:11
Howard Stern fan then ? Oh dear it gets worse.
July 23rd, 2012 at 17:17
His style of comedy appeals to my low IQ
July 23rd, 2012 at 18:16
Ah, that makes sense.
July 23rd, 2012 at 18:35
Can’t help but feel that I’ve read this same conversation one billion times since the dawn of the Internet.
Number one – does being friends with someone nullify your opinion of their music? I’ve been lucky enough to be pals with some extraordinarily wonderful people in my life, some of whom have been in absolutely gash bands. I would of course show my support from time to time at the odd gig but would I cut about the Internet exploding with praise? Unlikely. Plus if youve been involved in glasgow music at any point in the last decade youd be hard-pushed not to have at least encountered one or more members if this band, or indeed befriended them.
Secondly, Why is having ‘connections’ such a bad thing? Where do you think such ‘connections’ come from? Could it be that they are built over several years working/playing in and around a music scene/industry? What a crime. I doubt I’ve ever read/heard anyone suggest that a band should just sit tight and hope for the best.
Thirdly it’s not like any connections, or your members names being known, or your manager being half way decent would matter one tiny bit of you were actually shite. Do you honestly think that those are the only important things in laying the foundation for churches to do well? The truth is that they’re not shite, not by anyone’s measure. They’re maybe not to your taste, they’re maybe not as good as you think your own band/a band you like are, but they’re definitely not shite. In fact they’re good, and considerably more so than most of the things I’ve had the luxury of hearing in my life.
July 23rd, 2012 at 19:54
I guess i might as well stick my 2p’s worth in here….
Nobody is questioning the song, or Churches as a “talent”. I also agree it is/the are pretty good and they deserve to be noticed etc. Well done to them for doing something decent.
I personally don’t think there’s anything wrong with having connections as such, but i agree with jackthestrife’s point regarding other bands being less fortunate. I could name at least 10 other current Scottish acts who have a bunch of really strong songs who don’t happen to have these kind of connections and therefore aren’t getting the same heat. In short, it’s a lot easier to get where you want to go if you have those kind of people on your side.
I think the problem is that Churches will undoubtedly grate a little with those equally talented bands who are working hard and who are banging on all the doors but not getting to where they want to be. The point being that great music and hard work doesn’t necessarily guarantee you attention, where as a bunch of good contacts and pals in high places usually does. Sad but true.
Anyway good luck to them.
July 24th, 2012 at 10:53
I wrote the 2nd comment after I had noticed a link to “lies” on my twitter feed a couple of weeks ago. I still stand by my point as I have noticed how blatant that “playing the game” for local bands who must feel the frustration as a “Glasgow Supergroup” just walks in with 5 star reviews with only a tune
Imagine being in a band that struggles for years and you know that you are good and have the songs to back it. Now imagine that Chemikal Old Boys/Hipsters/Bloggers/List/ all deem you not worthy enough or cool enough that they overlook you as you don’t know the “right people”. You don’t fit the “art school” ethos or haven’t sucked up enough to Freighted Rabbit/Sad to get signed to Fat Cat (WWPJ & PAWZ).
That’s what really annoys me and when the above band just waltz in and everyone in my twitter feed is going “OMGZ THEY ARE THE BEST THING EVA” It’s bloody hard not to be cynical as they all tick the boxes that I look for
1.Out of work or band sharing musicians that are looking for a gig
2.Obligatory twee female singing with hammed up Scottish accent
3.Bangin Synths
4.Connections that gives an unbiased favouritism when it comes to reviews with a good dose of backslapping to ensure that they will be ok for bookings down south.
“The point being that great music and hard work doesn’t necessarily guarantee you attention, where as a bunch of good contacts and pals in high places usually does. Sad but true” – 100% agree
Got my Edinburgh ticket
July 24th, 2012 at 19:19
I have no desire to “have a go” at Churches or indeed any other band but I think the point being made is that no band no matter how much potential they may or may not have can be said to ” deserve” anything when they havent even played a single gig and simply on the basis of one released song ( reminds me a bit of 80s retro, Human league anyone) .
I approach any new band with an open mind and would be delighted if they set the place on fire with a string of knockout gigs and a batch of great sounding tunes as indeed I would be of anyone else who do likewise. Lets just see what happens in reality before getting out the hyperbole.
July 25th, 2012 at 09:53
^^^^^^^^^^^^^^^^^^^^
This has been happening in Scotland for the past decade with groups with “connections” get an unfair advantage against talented local bands because they are somehow “established”. Let’s not kid ourselves as the exact same thing happened with El Presidente a couple of years ago. That band had great contacts and managed to get a deal faster than the Average Joe & squirm there way onto festival bills. If they were that good or have talent as many of churches “fans” have said before then we would still be talking about El Presidente today. The fact of the matter is that they weren’t any good and managed to exploit contacts to get signed in the Post-Franz madness circa 2005 and enjoy minor success whilst good hard working bands struggled on the sidelines
I’ve got my ticket for Edinburgh as I am interested to hear Churches for myself and give an honest review. If they are good then you can’t deny it and they will go to be very successful. If they are not then you can guarantee bloggers/list/connections will make sure that they will get the advantage that they don’t deserve.
July 25th, 2012 at 10:17
I’m not sure that it’s ‘unfair’ that connected bands get an advantage in getting exposure. They’ve probably worked to get their connections, something that often unconnected bands don’t do.
Some points about this made here http://www.breakingmorewaves.blogspot.co.uk/2012/07/churches-lies-new-video.html
which references the Pop Cop
July 25th, 2012 at 11:21
Interesting point about El Presidente.
I’d be keen to hear them live too. On the basis that a) it’d be interesting to see if their other songs (do they have other songs or do they just play one song ??) are any good, and b) whether they actually live up to the hype.
July 25th, 2012 at 14:00
This isn’t just a classic internet argument – I am pretty sure sure it’s been argued on the Pop Cop comments a few times too.
I think plenty of musicians in Glasgow in the noughties got pretty fed up of being lectured by assorted “Chemikal Old Boys/Hipsters/List” (not a bad description) on just how astonishing/sensational certain bands were. The consolation was that these bands usually got found out pretty quickly once they had to go out into the big bad world outside Glasgow (ie sold no records, played in broom cupboards), and if Churches aren’t up to scratch they shall meet the same fate.
If they are up to scratch, like for exampele The Twilight Sad and Frightened Rabbit, then they will use the wee local leg-up to go on to much greater things.
Local hype is no big deal and we are all free to ignore local it. Leveraging any sort of contacts at the outset of your band is perfectly legitimate, and as for Neon Gold, that’s a nice bonus. Why not try to create a buzz about your band if it saves you flogging tickets for a Tuesday in Tuts/playing 10 gigs in Box etc?
Although I don’t know Dok he has always been perfectly pleasant on the occasions I have bumped into him. Lies is alright too.
Therefore I wish them well.
August 13th, 2012 at 17:18
There’s nothing wrong with building connections, employing those connections to create hype around yourself etc. That’s how all bands get known.
Only problem is when the intensity of hype outstrips the quality of the music, as seems to be the case here. ‘Lies’ is pleasant enough, but it sounds like a 5 years out of date attempt to copy The Knife to me, that indie-rock-with-a-synth-tacked-on thing that has been rife in Scotland for ages.
The Royal We (for example) had a similarly sudden and annoying level of hype around them, but they did at least leave behind a great pop single (which is still played and fondly remembered today) so that aspect was forgotten about. Not the case with El Presidente.
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